infacheezit
Cheezit
263 posts
This is what I’m going to try and call my main account for art and all that. My more random reboots account is @InfamousCheezit and my silly little Isaac account is @White-board-Isaac
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infacheezit · 14 days ago
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writing advice for characters with a missing eye: dear God does losing an eyes function fuck up your neck. Ever since mine crapped out I've been slowly and unconsciously shifting towards holding my head at an angle to put the good eye closer to the center. and human necks. are not meant to accommodate that sorta thing.
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infacheezit · 15 days ago
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HANDS POINTING from the How to THINK when you Draw ENCYCLOPEDIA - the world’s ONLY encyclopedia of drawing tutorials , all of which is FREE for EVERYONE, FOREVER - and I post LOADS of DIFFERENT tutorials EVERY DAY on  OUR MASSIVE INSTAGRAM HERE and OUR GIANT TWITTER HERE and on TIKTOK HERE !
PLUS! CLICK HERE for 300 EXTRA FREE TUTORIALS!
Lorenzo!
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infacheezit · 1 month ago
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Caught in the Throat: A Writer’s Handbook on Choking (Non-Violent)
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The act of choking is so over-sexualised I genuinely could not find any more 'normal' pictures to use so ignore the banner lol
Choking is one of those scenarios that can instantly elevate tension and drama in your writing. It’s a visceral experience, both for the character facing the threat and for the reader witnessing the struggle. In this guide, we'll explore the mechanics of choking, the physiological responses involved, how to write believable choking scenes, and common misconceptions to avoid. 
1. Understanding Choking: The Basics
Choking occurs when an object obstructs the airway, preventing air from reaching the lungs. This can happen with food, small objects, or even vomit. Here are the two main types of choking:
Partial Obstruction: The airway is not completely blocked, and the person can still breathe, albeit with difficulty. They might cough, wheeze, or make high-pitched sounds.
Complete Obstruction: The airway is entirely blocked, leading to the inability to breathe, speak, or cough. This situation is life-threatening and requires immediate intervention.
2. The Physiology of Choking
To write a compelling choking scene, understanding the physiological response is crucial. Here’s what happens in the body during choking:
Immediate Reactions
Panic Response: When choking occurs, the body's immediate response is panic. The character may instinctively grasp at their throat, eyes wide with fear, or try to cough to clear the obstruction.
Increased Heart Rate: The heart races as adrenaline floods the system. This physiological reaction prepares the body for a fight-or-flight response.
Physical Symptoms
Coughing: A natural reaction to a partial obstruction, this can be loud and desperate. The character may attempt to clear their throat while making frantic gestures.
Color Changes: A person choking may turn red in the face as they struggle for air and may eventually turn blue (cyanosis) due to lack of oxygen.
Loss of Consciousness: In cases of complete obstruction, unconsciousness can occur within minutes due to lack of oxygen to the brain.
3. Writing Choking Scenes: Key Elements
When writing about choking, consider these elements to create a vivid and believable scene:
Setting the Scene
Build Up Tension: Introduce elements that lead to choking, such as a hurried meal or a character talking while eating. This sets the stage for the choking incident.
Sensory Details: Engage your reader’s senses. Describe the sound of a sudden gasp, the character's frantic movements, and the panic in their eyes.
Character Reactions
Realistic Responses: Show the character's physical and emotional turmoil. Are they flailing for help? Are they frozen in fear? Their reaction will depend on their personality and previous experiences.
Dialogue: If the choking occurs in a dialogue-heavy scene, consider how communication breaks down. Words become garbled, and panic sets in, leading to frantic pleas for help or confused shouts from bystanders.
4. The Rescue: Interventions and Techniques
In many stories, the choking scene will lead to a rescue. It's important to depict this accurately.
Heimlich Maneuver
Description: The Heimlich maneuver involves standing behind the choking person, placing your arms around their waist, and performing thrusts inward and upward to expel the obstruction.
Effectiveness: Explain that this is often a last-ditch effort. The character must be calm and composed to perform this correctly. A panicked rescuer can make the situation worse.
Call for Help
Emergency Response: If the choking person loses consciousness, it becomes crucial to call for emergency services. Highlight the urgency of the situation, as every second counts.
Character Dynamics: Explore the relationships between characters during this crisis. A close friend or family member may react differently than a stranger would.
5. Aftermath: Consequences of Choking
After a choking incident, there will likely be physical and emotional consequences:
Physical Recovery
Injury to the Airway: Choking can cause bruising or damage to the throat and airways, which may result in difficulty swallowing or talking in the days following the incident.
Potential for PTSD: Depending on the severity of the experience, a character may develop anxiety around eating or a fear of choking again.
Character Development
Bonding Experience: Surviving a choking incident can bring characters closer together, creating a moment of shared trauma that deepens their relationships.
Change in Perspective: A near-death experience may lead a character to reevaluate their priorities or behavior, adding depth to their arc.
6. Common Misconceptions About Choking
When writing about choking, it's essential to avoid common misconceptions that can undermine realism:
Myth 1: Choking Always Looks Dramatic
In fiction, choking scenes can often be exaggerated for effect. In reality, choking can be subtle, especially if the obstruction is partial. Characters may appear slightly distressed before panic fully sets in.
Myth 2: People Can Talk or Scream While Choking
While they might make gasping sounds or attempt to communicate, a person experiencing a complete airway obstruction cannot speak or yell.
Myth 3: The Heimlich is Always Effective
While the Heimlich maneuver can be life-saving, it's not always effective, especially in certain medical conditions. It’s crucial to depict choking with a realistic understanding of its complexities.
Looking For More Writing Tips And Tricks? 
Looking for writing tips and tricks to better your manuscript? Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors! Instagram Tiktok
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infacheezit · 1 month ago
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i love love love when artists put a bunch of effort into like human anatomy and facial features and light rendering and drawing fabric folds and shadows and texture and then when they draw a gun they do this
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infacheezit · 1 month ago
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infacheezit · 2 months ago
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infacheezit · 2 months ago
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infacheezit · 2 months ago
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Markiplier RPGs pixel set!
indvidal pixels includes too other Marks
This was way harder than it looks and they kind of look awful thrown together like this since they are all really unique games. To the Moon and OFF aren’t Horror RPGs but oh well ^^ this isn’t all of the RPGs hes done Here is a playlist that gathered them all together though  Markiplier: RPG Horror Games  It was a big help to me.
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infacheezit · 3 months ago
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infacheezit · 3 months ago
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back in the 00s a single dancing anime chibi gif would feed us for months on end
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infacheezit · 3 months ago
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becoming an adult cheat sheet!
learn to coupon
what to do when you can’t afford therapy
cleaning your bathroom
what to do when you can’t pay your bills
stress management
quick fix meals
find out if you’re paying too much for your cell phone bill
resume workshop
organize your closet
how to take care of yourself when you’re sick
what you should bring to a doctor’s appointment
what’s a mortgage?
how to pick a health insurance plan
hotlines list
your first gynecology appointment
what to do if the cops pull you over
things to have in your car in case of emergency
my moving out masterpost
how to make friends as an adult (video)
how to do taxes (video)
recommended reads for surviving adulthood (video)
change a flat tire (video)
how to do laundry (video)
opening a bank account (video)
laundry cheat sheet
recipes masterpost
tricks to help you sleep more
what the fuck should you make for dinner?
where should you go for drinks?
alcohol: know your limits
easy makeup tips
find seat maps for your flight
self-defense tips
prevent hangovers
workout masterpost
how to write a check
career builder
browse careers
birth control information
financial management software & app (free)
my mental health masterpost
my college applications masterpost
how to jumpstart a car
sex ed masterpost
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infacheezit · 3 months ago
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How to draw Pirate Ships
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Credit: Etherington Brothers
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infacheezit · 3 months ago
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Limbus Company tumblr posts [1/?] [2] [3] [4] [5] [6]
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infacheezit · 4 months ago
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if you’re craving chocolate muffins after the olympic muffin man videos, jordan the stallion on tiktok has the recipe for you
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infacheezit · 4 months ago
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HOW TO WRITE A CHARACTER WHO IS IN PAIN
first thing you might want to consider: is the pain mental or physical?
if it’s physical, what type of pain is it causing? — sharp pain, white-hot pain, acute pain, dull ache, throbbing pain, chronic pain, neuropathic pain (typically caused by nerve damage), etc
if it’s mental, what is the reason your character is in pain? — grief, heartbreak, betrayal, anger, hopelessness, fear and anxiety, etc
because your character will react differently to different types of pain
PHYSICAL PAIN
sharp and white-hot pain may cause a character to grit their teeth, scream, moan, twist their body. their skin may appear pale, eyes red-rimmed and sunken with layers of sweat covering their forehead. they may have tears in their eyes (and the tears may feel hot), but they don’t necessarily have to always be crying.
acute pain may be similar to sharp and white-hot pain; acute pain is sudden and urgent and often comes without a warning, so your character may experience a hitched breathing where they suddenly stop what they’re doing and clench their hand at the spot where it hurts with widened eyes and open mouth (like they’re gasping for air).
dull ache and throbbing pain can result in your character wanting to lay down and close their eyes. if it’s a headache, they may ask for the lights to be turned off and they may be less responsive, in the sense that they’d rather not engage in any activity or conversation and they’d rather be left alone. they may make a soft whimper from their throat from time to time, depends on their personality (if they don’t mind others seeing their discomfort, they may whimper. but if your character doesn’t like anyone seeing them in a not-so-strong state, chances are they won’t make any sound, they might even pretend like they’re fine by continuing with their normal routine, and they may or may not end up throwing up or fainting).
if your character experience chronic pain, their pain will not go away (unlike any other illnesses or injuries where the pain stops after the person is healed) so they can feel all these types of sharp pain shooting through their body. there can also be soreness and stiffness around some specific spots, and it will affect their life. so your character will be lucky if they have caretakers in their life. but are they stubborn? do they accept help from others or do they like to pretend like they’re fine in front of everybody until their body can’t take it anymore and so they can no longer pretend?
neuropathic pain or nerve pain will have your character feeling these senses of burning, shooting and stabbing sensation, and the pain can come very suddenly and without any warning — think of it as an electric shock that causes through your character’s body all of a sudden. your character may yelp or gasp in shock, how they react may vary depends on the severity of the pain and how long it lasts.
EMOTIONAL PAIN
grief can make your character shut themself off from their friends and the world in general. or they can also lash out at anyone who tries to comfort them. (five states of grief: denial, anger, bargaining, depression and eventual acceptance.)
heartbreak — your character might want to lock themself in a room, anywhere where they are unseen. or they may want to pretend that everything’s fine, that they’re not hurt. until they break down.
betrayal can leave a character with confusion, the feelings of ‘what went wrong?’, so it’s understandable if your character blames themself at first, that maybe it’s their fault because they’ve somehow done something wrong somewhere that caused the other character to betray them. what comes after confusion may be anger. your character can be angry at the person who betrayed them and at themself, after they think they’ve done something wrong that resulted in them being betrayed, they may also be angry at themself next for ‘falling’ for the lies and for ‘being fooled’. so yes, betrayal can leave your character with the hatred that’s directed towards the character who betrayed them and themself. whether or not your character can ‘move on and forgive’ is up to you.
there are several ways a character can react to anger; they can simply lash out, break things, scream and yell, or they can also go complete silent. no shouting, no thrashing the place. they can sit alone in silence and they may cry. anger does make people cry. it mostly won’t be anything like ‘ugly sobbing’ but your character’s eyes can be bloodshot, red-rimmed and there will be tears, only that there won’t be any sobbing in most cases.
hopelessness can be a very valid reason for it, if you want your character to do something reckless or stupid. most people will do anything if they’re desperate enough. so if you want your character to run into a burning building, jump in front of a bullet, or confess their love to their archenemy in front of all their friends, hopelessness is always a valid reason. there’s no ‘out of character’ if they are hopeless and are desperate enough.
fear and anxiety. your character may be trembling, their hands may be shaky. they may lose their appetite. they may be sweaty and/or bouncing their feet. they may have a panic attack if it’s severe enough.
and I think that’s it for now! feel free to add anything I may have forgotten to mention here!
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infacheezit · 4 months ago
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You know what’s some crazy $hit?
This fabulous bitch
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She makes a shit ton of poses (like 16,000 or some crazy nonsense).  I used this lovely lady to draw so much as a teen.  Whether it was some nerdy pose for my Mary Sue as fuck OCs
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or for full on fight sequences
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or for tragic deaths of my OCs in the arms of a totally OOC main protagonist.  
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this bitch hooked me up.  
And with the wildest, craziest stuff that you could see in your head but had no way or resources to reasonably draw like
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or this
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or this
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DUDE!  INASNE SHIT!!  So I was using her for a pose reference and decided, you know what, I owe this bitch some cash.  Lemme dole it out for her.  BUT then, I looked and saw she only has 286 fucking patrons!!  This chick gives out free shit and spends countless hours arranging these shoots and setting this stuff up.  
I’ll fork up the cash, SenshiStock.  You’re worth it.  
Check out this amazing woman’s stuff, and get knowledged:  https://www.deviantart.com/senshistock
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infacheezit · 4 months ago
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ooouuuhhhh
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