implosiveexposition-blog

[implosiveexposition-blog]

14 Different kinds of asian eye shapes.

[implosiveexposition-blog]

Update!!

    Alphabet Soup’s Info Page has a ton of new information on it. I want to write a bunch this summer so that page is now up to date with all the information I can give at the time. The story is still under major reconstruction but I've made a ton of progress lately. Also on the about page permanently but here’s a handy shipping chart for my dudes.... since keeping track of this many people gets difficult sometimes All my writing friendos should make one of these so I can get a handle on the social dynamic of the stories lol

My plans going forward are to make refs for each character and go more in depth into their roles in the story, since the general about page contains no spoilers and obviously a lot of important stuff with them pertains to their plot points so Individual pages will eventually go up for them (or at least ones for the main protagonists)

[implosiveexposition-blog]

What sort of questions should I be asking my beta readers?

QUESTIONS TO ASK YOUR BETA READERS:

When I send out my chapter to be read over by my beta readers, I always include a set of questions typed out at the bottom, grouped into different categories such as: plot, pacing, character, setting, etc. 

You might want to tailor the questions depending on the genre or which chapter it is. For example, if it’s the first chapter you’ll want to ask them about how well your story managed to hook them, or if they managed to easily get an idea of the world you’ve introduced them to. If it’s the climax you might want to ask if the action scenes are fluid, and if the plot twist/s were predictable or surprising. 

Here’s some example questions that you could use:

Opening Chapter:

What is your first impression of the main character? Do you find them likable? Annoying? Boring?

After reading it for the first time, what is your first impression? Was it cohesive and compelling? Boring and confusing?

Did the first sentence/paragraph/page efficiently grab your attention and hook you in?

If you were to read this chapter in a bookstore/library would you be convinced to buy it? Or would you need to read further before deciding? Why or why not?

Did you get oriented fairly quickly at the beginning as to whose story it is, what’s going on, and where and when it’s taking place? If not, what were you confused about at the beginning?

Does the first chapter establish the main character efficiently? Do they feel believable?

Characters:

Could you clearly imagine what the characters looked like? If not, who?

Who was your favourite character and why? Has your favourite character changed? (if this hasn’t changed feel free to skip this question) 

Are there any characters that you do not like? Why do you not like them? (Boring, annoying, problematic, etc.) 

Was there ever a moment when you found yourself annoyed or frustrated by a character? 

Could you relate to the main character? Did you empathise with their motivation or find yourself indifferent? 

Were the characters goals/motivations clear and understandable? 

Did you get confused about who’s who? Are there too many characters to keep track of? Are any of the names or characters too similar?

Do the characters feel three-dimensional or like cardboard cutouts? 

How familiar have you become with the main characters? Without cheating could you name the four main characters? Can you remember their appearance? Can you remember their goal or motivation? 

Dialogue:

Did the dialogue seem natural to you?

Was there ever a moment where you didn’t know who was talking?

Setting/world-building:

Were you able to visualize where and when the story is taking place?

Is the setting realistic and believable? 

How well do you remember the setting? Without cheating, can you name four important settings?

Genre:

Did anything about the story seem cliche or tired to you? How so? 

Did anything you read (character, setting, etc.) remind you of any others works? (Books, movies, etc.) 

Plot/pacing/scenes:

Do you feel there were any unnecessary scenes/moments that deserved to be deleted or cut back?

Do the scenes flow naturally and comprehensively at an appropriate pace? Did you ever feel like they were jumping around the place? 

Was there ever a moment where you attention started to lag, or the chapter begun to drag? Particular paragraph numbers would be very helpful. 

Did you ever come across a sentence that took you out of the moment, or you had to reread to understand fully? 

Was the writing style fluid and easy to read? Stilted? Purple prose-y? Awkward?

Did you notice any discrepancies or inconsistencies in facts, places, character details, plot, etc.?

Additional questions:

What three things did you like? What three things did you not like? 

Can you try predicting any upcoming plot twists or outcomes? 

Was there ever a moment when your suspension of disbelief was tested? 

Is there anything you’d personally change about the story? 

Was the twist expected or surprising? Do you feel that the foreshadowing was almost nonexistent, or heavy handed? 

Feel free to tailor these to your needs or ignore some of them if you don’t think they’re useful. Basically, your questions are about finding out the information about how others perceive your own writing and how you can improve your story.

-Lana

[implosiveexposition-blog]

SenshiStock’s gallery consists of millions of pictures that are free to use as reference.

General Drawing Poses Sit and Kneel Dramatic and Reaching Drawing Poses Magic and Hogwarts Drawing Poses Staff Weapon Pose Reference Hammer, Axe and Bat Pose Reference Sword Weapon Drawing Reference Small Bladed Weapon Pose Reference Gun Weapon Pose Reference Bow and Arrow Archery Stock Foreshortening and Perspective Poses Dynamic Flying Falling Action Poses Deafeated or Laying Drawing Poses Magic Crystal Magical Girl Wand Weapon Transformations and Dance Cards Back Pose Reference Pin Up Inspired Poses for Drawing Performances Poses Life in General Poses Fights and Fighting Pose Reference Leaning Poses Classic Sailor Senshi Poses Wings Sailor Moon Villains Pairs Romance or Couples Pose Reference All the Male Stock Hanging Stock Drawing Reference Three or More Groups Instruments Mirrors Whip  Technobabble  

[implosiveexposition-blog]

DOodles from class in red pen I guess in terrible quality ipod photos O has been completely reworked personality-wise so I’m trying to integrate her back into the social dynamic lol, I don’t think she and D would get along. Probably one of their first encounters

[implosiveexposition-blog]

checkout this weird ass crab wirh three eyes lol

source

[implosiveexposition-blog]

Writing is Hard: Redemption Arcs for Racist Characters

I wasn’t going to write about the Black Witch. And I’m still not going to write about it (if you’re curious about the book you can check out Goodreads here:  https://www.goodreads.com/book/show/25740412-the-black-witch).  But I do want to talk about two things that have been on my mind since reading reviews: racism in fantasy and redemptive arcs for actively racist characters.  Because I think it’s important for authors going forward to understand why and how an author ends up with books that attempt to deconstruct ideas of power but then fail miserably.

This is two blog posts because it is such a deep and thorny subject.  So let’s talk about redemptive arcs for racist point of view characters.

***

A lot of folks have become kind of enamored of the redemptive arc for problematic characters.  And while I do believe that a redemptive arc is compelling, it’s important to understand that redemptive arcs for certain folks are a hard sell.  Asking me to sign on for a racist’s redemptive arc is a no go.  Here’s why:

1.  Redemptive arcs for racists aren’t for readers of color.  They’re for white readers.  When writing a redemptive arc for a racist, authors are centering white feelings. In most Western societies, white people are the only people who have the power and luxury to be prejudiced and have the system support their bias (racism= prejudice + power). Centering white feelings and perspectives and experiences is an echo of the function of racism. So by writing a redemptive arc for a racist, even within a fantasy world, authors are catering to the feelings of people who can be racist. White people.

2. Prejudice is not the same as racism, and a redemptive arc for a racist is not the same as a redemptive arc for someone who is prejudiced.  Racism is active, prejudice is passive.  So if a redemptive arc is something you’re looking to write it’s going to be much easier, and much less shitty, to write a character who changes their arc by doing something active than by changing their actions.  Because the impact of their original actions will always exist.

3. Redemptive arcs rarely start early enough.  You cannot start a redemptive arc for a character in the last act or last half of the book.  It must be seeded early and with nuance.  Otherwise, the reversal will make zero sense to the reader.  If you’re writing a redemptive arc for any sort of character it must be the central arc, otherwise it just reads like bad characterization.

4. Your reformed racist cannot be the only “enlightened” character.  There’s a huge problem with the redeemed racist often being the only person who sees the light, with the help of a marginalized character.  This isn’t really how the world works.  White people who are prejudiced/racist rarely listen to minorities (because they see them as lesser. Hello, racism!).  They listen to other white people.  That means you’re going to have to include a voice of reason early on in your story.  This voice of reason rarely appears.

5. Redemptive arcs for racists require a heartfelt scene in which the oppressed person or people forgive the terrible racist for all of the harm they’ve caused.  These scenes are complete and utter bullshit. First off, they propagate the idea that marginalized groups should be willing to turn the other cheek, even when they’ve been grievously wronged.  Second, they make it seem like a heartfelt apology can undo years of hurt.  This literally isn’t how the world works.  There is no redemption for racists.  Not everyone gets or deserves a second chance.

So, if you’re planning on writing a redemptive arc for a racist or extremely prejudiced person, remember that by default you are writing for a white audience and centering white feelings.  And if that isn’t your goal, adjust accordingly.

[implosiveexposition-blog]

Hermit crab using a skull for a shell

[implosiveexposition-blog]

tossing this here too for quick lookup

I hang out with my dudes in dreams almost every week so I know what they look like as real people; decided to take a stab at painting Z

[implosiveexposition-blog]

cool mom* *not actually mom their designs still arent final so this is being tossed over here but C and K are raising F P and R since their parents arent around anymore

[implosiveexposition-blog]

The Tizheruk is a giant monster from Inuit mythology. Often described as a large, serpentine beast, it is said to dwell in the waters near Key Island, Alaska.

The Tizheruk is said to be so huge, its head is seven feet long, yet local Inuit people claim that the Tizheruk can snatch people from the water’s edge before they even notice its presence.

Image source.

Monster master list.

Suggest a spook.

[implosiveexposition-blog]

[implosiveexposition-blog]

bringing this back over here with the rest of the frames to encrouage me to work more actively with my dudes animating isnt productive towards writing but its fun at least tumblrs butchering this for some reason as a gif but i dont have the program i used to animate on this new computer so were doing this for now

[implosiveexposition-blog]

BONUS D as a little babu her abilities put her in the track for military service but its not what shes ever wanted to do

haven’t been doing much art at all lately but hopefully there will be more soon

[implosiveexposition-blog]

wen you meet the gf storyboarding for inspiration and writing outlines for chapters in the ~updated~ Alphabet Soup since I’ve discarded all the old writing and plot and FINALLY came up with something much much better this panels just cute

[implosiveexposition-blog]

the most productive meme

[implosiveexposition-blog]

productive memes yes