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We looked inside some of the posts by ilzeance-blog and here's what we found interesting.
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15
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"Dzīve izskaidrota" / "Life explained"
Tehnika: tuša, kolāža
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“Here we are dropping our anchor in fertile ground. Here we really know what we are talking about, because we have experienced the trembling and the awakening. Drunk with energy, we are revenants thrusting the trident into heedless flesh . We are streams of curses in the tropical abundance of vertiginous vegetation, resin and rain is our sweat, we bleed and burn with thirst, our blood is strength.
/ Tristan Tzara. “Dada Manifesto 1918”
Tehnika: tuša, kolāža
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“The principle: “love thy neighbor” is a hypocrisy. “Know thyself” is utopian but more acceptable, for it embraces wickedness. No pity. After the carnage we still retain the hope of a purified mankind. I speak only of myself since I do not wish to convince, I have no right to drag others into my river , I oblige no one to follow me and everybody practices his art in his own way, if be knows the joy that rises like arrows to the astral layers, or that other joy that goes down into the mines of corpse-flowers and fertile spasms. Stalactites: seek them everywhere, in managers magnified by pain, eyes white as the hares of the angels.”
/ Tristan Tzara. “Dada Manifesto 1918”
Tehnika: tuša, kolāža
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“At the crossroads of the lights, alert, attentively awaiting the years, in the forest. I write a manifesto and I want nothing, yet I say certain things, and in principle I am against manifestos, as I am also against principles (half-pints to measure the moral value of every phrase too too convenient; approximation was invented by the impressionists). I write this manifesto to show that people can perform contrary actions together while taking one fresh gulp of air; I am against action; for continuous contradiction, for affirmation too, I am neither for nor against and I do not explain because I hate common sense.”
/ Tristan Tzara. “Dada Manifesto 1918”
Tehnika: tuša, kolāža
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“A work of art should not be beauty in itself, for beauty is dead; it should be neither gay nor sad, neither light nor dark to rejoice or torture the individual by serving him the cakes of sacred aureoles or the sweets of a vaulted race through the atmospheres. A work of art is never beautiful by decree, objectively and for all. Hence criticism is useless, it exists only subjectively, for each man separately, without the slightest character of universality. Does anyone think he has found a psychic base common to all mankind? The attempt of Jesus and the Bible covers with their broad benevolent wings: shit, animals , days. How can one expect to put order into the chaos that constitutes that infinite and shapeless variation: man? “
/ Tristan Tzara. “Dada Manifesto 1918”
Tehnika: tuša, kolāža
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“Nervozais Pelmenis” / “The nervous Dumpling”
Tehnika: kolāža
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