illustration-ammuntion

[illustration-ammuntion]

Don't worry, I just need an ibuprofen.

[illustration-ammuntion]

[illustration-ammuntion]

[illustration-ammuntion]

I love when i look in a window and find a cat there

[illustration-ammuntion]

First one for 2025.

[illustration-ammuntion]

P. Craig Russell and Lovern Kindzierzki: The Spectre

DC

[illustration-ammuntion]

Batman by Andreas Martens

[illustration-ammuntion]

sea_Pall

[illustration-ammuntion]

Melting into you

[illustration-ammuntion]

Heaven can wait, Gustave Doré

[illustration-ammuntion]

Rippaverse is good shit, I bought the first two issues of Isom and I need to get back into it but I’ve been so busy. The arc of Avery trying to forcefully distance himself from the hero gig but his natural desire to help people drags him back in, and it was heartbreaking seeing WHY he started distancing himself. The series is legit good on its own, even barring the fact that Eric July is based as hell.

Oh yeah, Isom is great. And the books just keep getting better with every release. Legit quality increase from almost every book, and when they start out great, that's saying something.

[illustration-ammuntion]

I thinks folks expressing incredulity at the quality of the writing and composition in Calvin and Hobbes are often missing the context that Bill Watterson is arguably the most influential sequential artist of his generation. Like, this is a guy who once told the editors of nationally syndicated newspapers to go fuck themselves when they wanted to mess with his panel layouts, and not only did he keep his job, he got his way. He could have had literally any gig he wanted, and he chose to be the Sunday funnies guy because that's what made him happy. He's basically the Weird Al of sequential art.

[illustration-ammuntion]

Real Men Oct 1961

artist unknown

[illustration-ammuntion]

[illustration-ammuntion]

[illustration-ammuntion]

Ramon VillaLobos - Turtles of Grayskull

[illustration-ammuntion]

Last Survivor of the Nostromo by Paolo Rivera