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ikeikezakizaki

Ikezaki Takuya

136 posts

池崎拓也 ikezaki.takuya(あ)gmail.com

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ikeikezakizaki · 4 months ago

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Photo by Kenji Aoki

The Address on The Address 2024 12x10-1/2 inches (30.48x26.7cm)

Takuya Ikezaki “SEA MAP: Receive and Release” 2024.6. 25 Tue – 7.14 Sun Venue: CADAN YURAKUCHO

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ikeikezakizaki · 4 months ago

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Photo by Kenji Aoki

Installation view.

Takuya Ikezaki “SEA MAP: Receive and Release” 2024.6. 25 Tue – 7.14 Sun Venue: CADAN YURAKUCHO

Ikezaki works with various objects and images found in everyday life, including old posters from antique stores, old recipe books, fast fashion brand items, public objects, houseplants, rice crackers, tongs, etc. Viewing these materials and images as homogenized and interchangeable, he reinterprets and presents them in the form of drawings, photographs, sculptures, and installations. In the process of Ikezaki’s practice, preconceived notions and prejudices about objects and images are sometimes ignored, and the time, space, color, form, and function they contain in their own existence are sometimes reflected as puns or jokes, just like our real communication. For this exhibition, Ikezaki will mix old and new works, curate his own works, and create an exhibition space reconfigured as “Seamap: Receive and Release. In the ancient art of Polynesian navigation, in the absence of maps or compasses, one would guide oneself to distant destinations by observing the stars, wave patterns, the flight of birds, and the movement of wind and clouds. Similarly, Ikezaki is culturally and geographically influenced by the environment in which he finds himself, receiving information about objects and images he encounters as in the ancient art of navigation, and using this information as a guidepost for his work. Some of his works seem to be inspired by the climate of his birthplace or the presence of his ancestors and family. It is like a record of an endless voyage to and from the past and future, exploring personal history and identity. The works on display in this exhibition include “Parallel Patchwork,” a series of quilts that he obtained from a recycle store, inherited the method from his mother, and further modified; “The Address on The Address,” a series of works that he began after moving to New York, in which he draws directly on envelopes, cardboard boxes, and packages of purchased items; and “Sea Map,” a work that is an attempt to explore the cultural and geographical roots of a fragment of a maritime map found in an antique store in Taiwan.

#CADAN

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ikeikezakizaki · 4 months ago

Text

Photo by Kenji Aoki

Installation view.

Takuya Ikezaki “SEA MAP: Receive and Release” 2024.6. 25 Tue – 7.14 Sun Venue: CADAN YURAKUCHO

Ikezaki works with various objects and images found in everyday life, including old posters from antique stores, old recipe books, fast fashion brand items, public objects, houseplants, rice crackers, tongs, etc. Viewing these materials and images as homogenized and interchangeable, he reinterprets and presents them in the form of drawings, photographs, sculptures, and installations. In the process of Ikezaki’s practice, preconceived notions and prejudices about objects and images are sometimes ignored, and the time, space, color, form, and function they contain in their own existence are sometimes reflected as puns or jokes, just like our real communication. In the process of Ikezaki’s practice, preconceived notions and prejudices about objects and images are sometimes ignored, and the time, space, color, form, and function they contain in their own existence are sometimes reflected as wordplay or jokes, just like our real communication. For this exhibition, Ikezaki will mix old and new works, curate his own works, and create an exhibition space reconfigured as “Seamap: Receive and Release. In the ancient art of Polynesian navigation, in the absence of maps or compasses, one would guide oneself to distant destinations by observing the stars, wave patterns, the flight of birds, and the movement of wind and clouds. Similarly, Ikezaki is culturally and geographically influenced by the environment in which he finds himself, receiving information about objects and images he encounters as in the ancient art of navigation, and using this information as a guidepost for his work. Some of his works seem to be inspired by the climate of his birthplace or the presence of his ancestors and family. It is like a record of an endless voyage to and from the past and future, exploring personal history and identity. The works on display in this exhibition include “Parallel Patchwork,” a series of quilts that he obtained from a recycle store, inherited the method from his mother, and further modified; “The Address on The Address,” a series of works that he began after moving to New York, in which he draws directly on envelopes, cardboard boxes, and packages of purchased items; and “Sea Map,” a work that is an attempt to explore the cultural and geographical roots of a fragment of a maritime map found in an antique store in Taiwan.

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ikeikezakizaki · 11 months ago

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