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�Tutu&Gigi❤️ from Igor Botelho Bernardes on Vimeo.

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The Regenerative Toolbox: Developing and Implementing Self-Assessment Tools from Climate Collaborative on Vimeo.

Have you ever wanted to conduct an assessment of carbon farming practices in your supply chain? Then our Rooted Community’s July session is for you! We take a frank look into the journey of developing and implementing self-assessment tools to measure carbon-farming and regenerative agriculture practices.

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Joanna Macy on Uncertainty from Chris Landry on Vimeo.

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Santi em sua primeira volta ao sol! from Estúdio Barbarella on Vimeo.

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We Love All from Igor Botelho Bernardes on Vimeo.

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Timeless Lentils from Patagonia Provisions on Vimeo.

Meet David Oein of Timeless Natural Food, an organic farm co-op in Ulm, Montana. Timeless is known worldwide for its organic heirloom legumes, and the continued mission to care for the soil, rural communities and the planet. We’re proud to be working with them.

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Santi, 1 ano! from Estúdio Barbarella on Vimeo.

Algumas cenas preciosas da celebração de vida do Santi e sua linda família!

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CASA DO CAMINHO from HÍBRIDOS, THE SPIRITS OF BRAZIL on Vimeo.

CASA DO CAMINHO a film by Vincent Moon & Priscilla Telmon, Petites Planètes produced by Fernanda Abreu, Feever Filmes

▼ The Casa do Caminho is a spiritist house, welcoming every week hundreds of people ready to receive messages from their ancestors and family members, through the powerful mediums working in the place, and then going for healing under the form of spiritual passes given by other members

▲ this film is volume 31 of HÍBRIDOS, THE SPIRITS OF BRAZIL a poetic and cinematic research on spirituality and its music in Brazil

► WATCH, LISTEN & READ MORE IN FULL IMMERSIVE VERSION ON hibridos.cc/en/rituals/casa-do-caminho/

► LISTEN TO THE DIGITAL ALBUM ON petitesplanetes.bandcamp.com/album/o-caminho-esp-rito

◌ hibridos.cc/ petitesplanetes.earth/

◉ cc.by.nc.sa brasil 2014-2017

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MOORS X TUNE-YARDS 'MANGO' from RUFFMERCY on Vimeo.

DIRECTOR: LAKEITH STANFIELD DIRECTOR OF PHOTOGRAPHY: DAVID ROEMER / BASIL FAUCHER EDITED & ANIMATD BY RUFFMERCY PRODUCER: ALEXEY GALETSKIY PRODUCER: COLIN STARK PHOTO ASSISTANT: DAREN THOMAS DIGITAL TECH: TARA CHUMPELIK FASHION DIRECTOR: TERRY LU STYLIST ASSISTANT: AGELIKA POKOVBA HAIR STYLIST: SCOTT MCMAHAN CATERING: MONTERONE

Lakeith Stanfield and Hrishikesh Hirway are MOORS Here they team up with the Tune-Yards to give you 'MANGO' Tune-Yards recently scored the film 'SORRY TO BOTHER YOU' starring Lakeith, here is some more info about the track....

CoolHunting > If “Mango” affirms anything, it’s that Lakeith Stanfield has mastered more than one craft. The track sees the acclaimed actor partnering with music producer HH (Hrishikesh Hirway), under the moniker MOORS, and the result is electrifying. tUnE-yArDs features on the song, amplifying the magnetism and underlining the strange magic of it all. Visual artist ruffmercy directed the video, which incorporates pop art visual manipulation that truly rounds out the experience—which tUnE-yArDs’ Merrill Garbus is quick to point out is, in fact, altogether weird.

GQ >

A still from the music video Mango by the Moors UNIVERSAL MUSIC GROUP And it's as fun and weird as you'd imagine.

For a couple of years now, Lakeith Stanfield, the unpredictable genius and star of Sorry to Bother You, has been making music with producer HH under the name MOORS. Experimental and dark, MOORS makes music that's equally free-associative and confrontational—kind of like Stanfield himself. It's why you need to check out the video for "Mango," the latest track from MOORS, featuring another GQ favorite—tUnE-yArDs.

The video for "Mango" features Stanfield dancing and rapping in a church as RUFFMERCY's distinct animation is overlaid, giving the whole thing a very throwback, Keith Haring-esque vibe.

Spin > Recent Sorry To Bother You star Lakeith Stanfield is part of a rap duo called Moors with musician and producer Hrishikesh Hirway, and today, the duo has returned with a new song. With backing music from Tune-Yards’ Merrill Garbus, “Mango” is a new collaborative single following both musicians’ contributions to the recent Boots Riley film. In a statement shared with the single, Garbus writes:

“Lakeith came to our studio in Oakland twice to work on vocals. He had really specific ideas about the track, different characters he wanted to give voice to, and we worked together to keep amping up the weird. Times are weird. Lakeith is reflecting his universes and creating new ones — it’s fascinating and important and we’re grateful and lucky to be a part of amplifying his voice.”

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The Cyborg Artist: Tattooing with a Custom Prosthesis from Great Big Story on Vimeo.

When JC Sheitan Tenet lost his right arm, he didn’t lose his will to make incredible tattoos. In fact, working without an arm gave his work more meaning. Then Tenet met artist Jean-Louis Gonzal, who creates spellbinding “biomechanic” works, and the two brainstormed a remarkable custom prosthetic tattoo machine. The device can pivot 360 degrees and allows Tenet to create abstract designs unlike anyone else.

This Great Big Story was made in partnership with Lenovo (lnv.gy/GBSMainSite).

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The Energetic Triangle from Igor Botelho Bernardes on Vimeo.

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Imaginary Friend Society 'Losing Your Hair' from The Mill on Vimeo.

Mill+ was proud to partner with RPA to contribute to the Imaginary Friend Society, a collection of animated short films for the Pediatric Brain Tumor Foundation. Amongst 20 kid-friendly films created by a variety of partners, ‘Losing Your Hair’, directed by Lisha Tan, uses the power of design and character animation to educate and empower those navigating through childhood cancer. Learn more in our behind hte scenes blog: themill.com/millchannel/1383/behind-the-project%3A-imaginary-friend-society-%27losing-your-hair%27-

Follow @Millchannel on Twitter, Facebook & Instagram for more updates. Website: themill.com Facebook: facebook.com/MillChannel Twitter: twitter.com/millchannel Instagram: instagram.com/millchannel

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Alan Watts & David Lindberg - Why Your Life Is Not A Journey from David Lindberg on Vimeo.

A film I made last night based on my favourite quotes from Alan Watts about how the way of looking at your life as a journey can be the most destructive way. Please have a listen to his wise words.

Scenes from Tree of Life Music: Sleeping at Last - Saturn Sleeping at Last - Uranus

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For I Only Needed Awakening from Rachel Goldsworthy on Vimeo.

'For I Only Needed Awakening' is a collection of the beautiful people and places that captured my curiosity in between work trips to China from 2013-2016. I wanted to create it for my friend Fiona who made my time there so memorable and helped me to fall in love with the culture even if she didn't realise it.

After a lot of change in both our lives this past year I thought that we could use a reminder of how great we are, how great humans are and how exciting the future will be - even if it's at times hard to see.

There comes a point in your life when you realise what really matters, what never did, and what always will. The same can be said for who. Sometimes we just need the reminder to wake up to that.

Fiona I love you, and the world does too.

Music: Nuages - Dreams featuring The Dream of Life by Alan Watts soundcloud.com/nnuages/dreams

The Dream of Life

Lets suppose that you were able every night to dream any dream you wanted to dream, and you would naturally as you began on this adventure of dreams, you would fulfill all your wishes.

You would have every kind of pleasure, you see, and after several nights you would say, "well that was pretty great." But now lets have a surprise, lets have a dream which isn’t under control. Well something is going to happen to me that i don’t know what it’s gonna be.

Then you would get more and more adventurous, and you would make further and further out gambles as to what you would dream, and finally you would dream where you are now.

If you awaken from this illusion, and you understand that black implies white, self implies other, life implies death. You can feel yourself, not as a stranger in the world, not as something here on probation, not as something that has arrived here by fluke, but you can begin to feel your own existence as absolutely fundamental.

What you are basically, deep, deep down, far, far in, is simply the fabric and structure of existence itself.

- Alan Watts

Film, edit, sound and grade: Rachel Goldsworthy

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SALVATION from noah harris on Vimeo.

The story of man, told through the detritus of mankind.

A series of 8 interconnected films set to music by artists from villagegreenrecording.co.uk/

This piece brings the 8 films together to tell the whole story and was supported by randomacts.channel4.com/

All objects sourced from car boot sales and flea markets.

See the full series here salvation-project.tv

Full Credits -

Directors: Noah Harris & Andy Biddle

Production Company: Blinkink Executive Producer: Bart Yates Producer: Hugo Donkin Production Assistant: Alli Albion

Director of Photography: Toby Howell Lead Animator: Andy Biddle Rigger: Craig Atkinson Additional Animator & Model Maker: Luke George Gaffer: Aldo Camilleri Gaffer/Motion Control: Max Halstead Spark: William Kay Art Director: Noah Harris & Robin Crowley Set Builder & Model Maker: Will Vincent Art Dept. Assistant: Jack Needell Art Dept. Runner: Adam Williams Art Dept. Runner: Ruby Smith Art Dept. Runner: Ella Keogan-Harris Runner: Emilie Forey Runner: Alice Lindley

Editor: Max Windows @ Stitch Post Production: Nineteen Twenty VFX Supervisor: Ludo Fealy VFX Artists: Adam McHale, Rob Lilley, Graeme Eglin, Adrian Monroy Diaz, Chris King, Joe Lawrenson, Simone Ghilardotti, Rob Ward, Elliot Dear. Data Management: Kurt Bailey Grade: Duncan Russell @ Freefolk Sound: Tony Rappaccioli @ Wave Studios

Featured music

Snow Palms ‘Rite’ Thomas William Hill ‘Tyranny Of The Frame’ Angele David Guillou ‘V For Visconti’ John Matthias & Jay Auborn ‘Every Word A Mask’ Soft Error ‘Bad Habits’ Jim Copperthwaite ‘The History Of Cubes’ Ben Chatwin ‘Helix’ Matt Dunkley ‘Cycle 7’

With thanks to... Harry Barber, Sam Davis, Rebecca Boswell, Charles Gillett, Scott Griffin, Angela Hart.

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Pursuit (4K) from Mike Olbinski on Vimeo.

----- Blu-Ray discs available here: mikeolbinski.com/shop/ Music by Peter Nanasi, find his work here: peternanasi.bandcamp.com/ Follow me: twitter.com/mikeolbinski / facebook.com/mikeolbinskiphotography / instagram.com/mikeolbinski -------

On June 12th, I broke down into tears. Minutes earlier, I had been outside my truck, leaning against it, head buried in my arms, frustration and failure washing over me. I wanted to quit. I got back in the car and as I drove, the pain got the better of me and the tears came.

This past spring was a tough one. Supercell structure and beautiful tornadoes had been very hard to come by. In fact, the tornado in the opening of this film was the only good one I saw this entire year. I had been on the road longer than ever before. Driven more miles. I was away from my family for 12 straight days at one point, and when I got home, I had to tell them I was going back out 24 hours later for June 12th. It was just too good to pass up. It promised to be a day that I could get everything I had been hoping for this spring and I had no choice. My wife understood, even though I knew she wished I stayed home. And I wished it too.

I knew right where I wanted to be that day. But this year I struggled with confidence in trusting my instincts. Maybe it was because the lack of good storms this spring made me question my skills, or maybe it was something else inside of me. Whatever the case, I let myself get twisted and unsure, and found myself 80 miles away from where I had wanted to be when the tornadoes started to drop and the best structure of the year materialized in the sky. The photos from Twitter and Facebook started to roll in and I knew I had missed everything.

It may not be easy to understand why, but when you work as hard as I did this spring, a moment like that can break you. I felt like I let my wife down. But mostly I let myself down. I forgot who I was and that's not me. Or it shouldn't have been me. I failed myself. And it seemed like the easy choice to just give up and head for home.

But I didn't. I'm not sure why, but the pain slowly began to subside. I realized it was only 4pm and the storms were still ongoing. Maybe if I could get in front of them the day could be saved. Ninety minutes later, I got out ahead and saw some of the best structure I'd seen all spring and a lightning show that was so incredible it's one of the very last clips of this film.

And that's why this film is called "Pursuit." Because you can't give up. Keep chasing, keep pursuing. Whatever it is. That's the only way to get what you want.

I learned something about myself on June 12th which carried over to the final few days of chasing this spring. I trusted myself again and those days were incredibly rewarding. This was who I'd been all along but had forgotten. I can't wait for next year.

The work on this film began on March 28th and ended June 29th. There were 27 total days of actual chasing and many more for traveling. I drove across 10 states and put over 28,000 new miles on the ol' 4Runner. I snapped over 90,000 time-lapse frames. I saw the most incredible mammatus displays, the best nighttime lightning and structure I've ever seen, a tornado birth caught on time-lapse and a display of undulatus asperatus that blew my mind. Wall clouds, massive cores, supercell structures, shelf clouds...it ended up being an amazing season and I'm so incredibly proud of the footage in this film. It wasn't the best year in storm chasing history...but I got to chase storms and share it with you guys. All worth it.

I wanted to do something new this year, so I worked with composer Peter Nanasi to develop a custom track for Pursuit. I'm super excited about it and loved the process of exchanging ideas and building the song as the editing of the film progressed. I am so thankful to Peter for what he came up with, I'm in love with this track!

The time away from my family turned out to be over a month all told. I'm always and continually blessed by a wife who supports what I do and backs me completely. But not only do I have her to thank this spring, but also her parents who hung around for a good chunk of May and early June, to help out wherever needed, watch the kids, run errands and generally be there for Jina. I don't have enough words to convey how appreciative I am for them being around while I was gone.

I think that's about it. I could write a lot more, but I'd rather you watch the film and hopefully have a taste of what I saw this spring. There is nothing quite like strong inflow winds, the smell of rain and the crack of thunder. I miss being out there already.

I hope you enjoy and I'll do my best to answer any questions in the comments below!

Technical Details:

I used two Canon 5DSR's along with a Canon 11-24mm, 35mm, 50mm, 135mm and Sigma Art 50mm. Manfrotto tripods. The final product was edited in Lightroom with LR Timelapse, After Effects and Premiere Pro.

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SONATA from Nadia Micault on Vimeo.

Realisation : Nadia Micault Production : Autour de Minuit Music : Sonate pour violoncelle seul Compositeur : Ligeti violoncelliste : Dima Tsypkin Choregraphe : Fernando Carrion Danseuse : Emilia Giudicelli