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Color blocking, Quentin Monge

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Threads in time, Natalie Ciccoricco (because)

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Marius Sperlich is a Berlin-based photographer, artist and designer. His unique style blends elements from all three disciplines into a catalog of playful, provocative and intoxicating self-expressive pieces. Through his work, Marius aims to inform viewers of their individual freedoms, and encourage them to take control and express themselves.

Adventure with Marius on Instagram Posted by Chaz from RS

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Chris Oh

Born 1982 - Portland, Oregon. Lives and works in Brooklyn NY.

Keep up with all your favorite artists on our Facebook page. Curated by Very Private Art

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Skyscapes, Chloe Wilson (because)

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John Brosio.

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Casey Weldon, New Work.

Exceptional new paintings by artist Casey Weldon that are currently on view at Talon Gallery in Portland, Oregon until December 18th, 2018.  If you’re in the area, absolutely stop by and check them out.

Don’t miss Supersonic Art on Instagram!

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Reuben Sutherland’s Kaleidoscopic Doodles

Reuben Sutherland is from New Zealand and is job is ‘mostly making arty graphic stuff’.  He makes his gifs as part of the Audiovisual duo Sculpture for live performances.  He views his gifs as ‘doodles’ just to show zoetropes and how they animate.  Despite his downplaying of these gifs as ‘doodles’ they are inventive, beautiful and mesmerizing.  I may even call these Art.

Posted by David  

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Shifting sands, Irenaeus Herok (because)

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Mimesis by Kim Kei

Kim Kei evokes the body without depicting the figure as a form. The body is implied by mimicking the skin’s surface and the gesture of the form depicted. Our skin contains the interior and is the point of contact with everything outside ourselves specifically one another. Kei creates sculpted, simulated skins that are inked and pressed to paper leaving a precise impression. The paper captures the cracks and wrinkles, the body’s acquired marks though time, injury, repair, and illness. Encompassing spaces between vulnerability, invasiveness and tenderness, the unnameable forms unfurl, contort, meet, and touch seemingly of their own vitality. The opportunity for empathy in looking closely and the intimacy being seen transmutes shame into a resilient, forceful affirmation. Creases strike through the form revealing what we attempt to keep hidden bringing these unruly parts of ourselves fully to the surface communicating a body in motion.

you can also find me @mary_bu__

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Flora and Fauna, Slava Thisset

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“Hamburger” by Song Wei

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Discarded Objects are Beautified with Colorful Coral-Like Growths by Stephanie Kilgast