iamsuggestingthatcoconutsmigrate
iamsuggestingthatcoconutsmigrate
I Am Suggesting That Coconuts Migrate
24K posts
"Crazy people don't know they are crazy. I know I'm crazy, therefore I am not crazy. Isn't that crazy?"
Don't wanna be here? Send us removal request.
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okay I am begging people to understand that it is not "planned obsolescence" or "corporate greed" for manufacturers to stop selling things because genuinely better technologies become available. I just had someone arguing with me that they should be able to buy a new nickel-cadmium battery for their 25-year-old cordless vacuum. NiCd batteries were outlawed a decade ago for very good reasons. if you really want to have the same effect as using one you can just go out and shoot 10 people with Bullets That Give You Cancer and then rip out your own kidney
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Oooo that's a good idea
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William Mason Brown (1828-1898) "Raspberries in a Wooded Landscape" Oil on canvas Located in the Crystal Bridges Museum of American Art, Bentonville, Arkansas
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We should get the rumor that JD Vance killed the pope spread around so much that msm is forced to report "No, JD Vance did NOT kill the pope." So that JD Vance will go down in history as the guy who "didn't" fuck a couch, and "didn't" kill the pope
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Rewatching Treasure Planet (great movie, watch it) made realize something about the way that stories convey information to their audiences. There's been a lot of discussion on the overuse of plot twists and how many stories prioritise surprising their audience over telling decent stories. However, if you instead reveal the "twist" to the audience before it becomes known to the characters, you can build tension and stakes. Treasure Planet comes right out and tells you that Long John Silver is the main villain almost immediately after his introduction (And even before he's introduced we're warned about a cyborg, so you'd have to be pretty dense to not put 2 and 2 together and realize he's a bad guy). So when the audience watches him and Jim bond and grow closer, it builds tension for when Jim finds out and it highlights the tragedy of their friendship, because we all know it's not going to end well. Then, after the truth is revealed, stakes are created because we want the friendship between Jim and Silver to be repaired, because we know it was real, but we don't know if can be after what Silver's done. And all of this would have been lost if Silver's true nature had been a cheap plot twist. The tragedy would be completely overshadowed by the surprise and betrayal, and any investment in their relationship would have been built on the false impression that Silver was a good guy.
Another good example of this is Titanic. Even if you were somehow ignorant of the ship's sinking, the film makes sure you know that it sank with its framing device of Old Rose telling her story to people salvaging the Titanic's wreak. And Titanic's plot structure could only possibly work if you know the ship is going to sink. I'm not just talking about building tension, tragedy, and stakes for the characters like with the above example, I mean that if you didn't know that the Titanic was going down walking into the film, the abrupt shift from romance to suspense-disaster would be an increadibly tough pill to swallow. But it works because we expect it. You don't walk into a film called Titanic without expecting the damn boat to sink.
However, the sad thing about both of these examples, is that despite all the benefits that came from telling the audience these things ahead of time, I think the main reason the creators didn't make them plot twists was because they couldn't have. Treasure Island is the single most influential piece of pirate media out there, and you'd have to have been living under a rock for over a century to not know the Titanic sank. So, the writers had to work around the fact that these important turning points in the narratives were common knowledge, and they wound creating incredible stories as a consequence.
I want to see more of this style of writing in stories where the writers aren't forced to do it. We've clearly seen that you can tell some really damn good stories by giving information to the audience before the characters learn it, and I just wish more works would do that instead of trying to surprise people with shocking twists.
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Christ dying for our sins would be more impressive if he didn't require an explicit opt-in from the end user, instead leaving the default at "Go to hell". Like he is God, and yet he seemingly can't create good UX.
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I think the historical treatment of left handed people is objectively the funniest form of bigotry mankind has ever displayed
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I've slowly been chipping away at drawing scenes from that imaginary Muppet retelling of the Princess Bride, figured it was about time to share what I've drawn on Tumblr!
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Not now kitten daddy's googling his symptoms
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Guys, queers. Specifically my fellow queers.
I work at a library. We do this thing where, every so often, we weed the collection. It hurts to see books go, but it's necessary to make sure there's room in the library for new materials.
I have seen so much support for the library in text, and I've seen folks pass around those beautiful "queer your library" flyers. Keep doing that. That's great. Nothing wrong with that. But you HAVE to turn your words into action. We MUST remember to actually go to our local organizations and libraries and actually, with our own fucking hands, interact with these materials we want to see more of.
My branch is medium-sized for a library, maybe a little small. We don't have as many materials as I'd like, but we have fundamentals. Tell me why, even with all the verbal support I've gotten from my local community for the library as a resource for our LGBT+ community, every single trans biography and a good chunk of our vaguely queer theory books were on the list. This isn't a scheme to take the books off the shelves, it isn't another bigoted American governmental push. The only thing we look at when we weed is how long it's been since the last time the item was checked out.
Three years.
No one in my community interacted in any meaningful way with the few books on trans life and history we physically had on the shelves for three fucking years.
I promise you the materials you want and need are there, but this isn't a horde. This isn't a static safety net. You have to use them. You MUST use them or, in the future, maybe in three years, they *won't* be there anymore.
This isn't a vague post, there's no one person I'm hinting at or calling out. I'm not even talking directly to anyone who's directly in my line of sight. I just want everyone to hear this. Big library, small library, whatever. Doesn't matter. Please, we cannot be losing our shelf visibility like this.
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What a year this week has been.
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Thots on the Pope
So the pope has thots now
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Thinking about how my grandfather used to sit behind me while I video-chatted with my girlfriend and he didn't understand "video calls" and told me that watching the same show all day would rot my brain. he said he could see this happening because of how happy and bouncy I got while I watching it
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