First came the cry, then silence; the trace, then the form; the vision, then the word. This is a space for the interaction of image and text, word and form, contemporary art and graphic design. Here we use words as images, and images as words in the era of visual culture. You can either read them or watch them. Everything is in the interstices. By Manu Martínez
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Statistics
We looked inside some of the posts by hurtbytheword and here's what we found interesting.
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Notes Per Post
3K
Likes Per Post
1K
Reblog Per Post
1K
Reply Per Post
1
Time Between Posts
7 days ago
Number of Posts By Type
Photo
17
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My work, Aperture (Détourned Lightbox Sign) at the Royal College of Art MA graduate show.
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Glenn Ligon, Soleil Nègre #6 (2018). Oil stick, coal dust and gesso on paper. 27.9 x 22.9 cm. © Glenn Ligon. Courtesy the artist, Luhring Augustine, New York, Regen Projects, Los Angeles, and Thomas Dane Gallery, London. Photo: Ronald Amstutz.
Glenn Ligon in Conversation
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Nolan Hendrickson, Loveless, 2017, oil on canvas, 60 x 54 in
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LAURE PROUVOST The Hidden Paintings Grandma Improved - We Are Coming Out, 2017 Oil on canvas 201 x 149 cm Courtesy Lisson Gallery
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Accept Baby (1983), Hans-Jörg Mayer
http://www.we-find-wildness.com/2018/01/one-pic-tuesday-hans-jorg-mayer/
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Cyprien Gaillard - UR, Underground Resistance and Urban Renewal
Silkscreen on glass and black marble, 241 x 246.5 cm each,2011
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Kristinn E. Hrafnsson - Threshold - hitherto/henceforth 2/3
Steel, 4/5 × 32 3/10 × 13 4/5 in. / 2 × 82 × 35 cm, 2013
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Francesco Carone - Les Lesbiennes
Modified movable barrier, zinc-coated iron, 110 x 200 x 56 cm, 2016
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Sarah Derat - Callous Child
Silicone rubber, mild steel, 185 x 55 x 40 cm, 2018
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Lara Favaretto - Your Money Here, 2008
5 x 16 x 0,1 cm
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Oliver Osborne - False Friends Falsche Freunde, 2016
215 x 164 cm
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Ricardo De Lima - Linas (Another Spectacle), 2015
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