hrisi235

[hrisi235]

When you can’t get your exy raquet back because “it was used as a murder weapon.”

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Reblog if its ok to spam you with boops

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dere you go

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reblog if you’ve read fanfictions that are more professional, better written than some actual novels. I’m trying to see something

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I can’t stop thinking about the fact that Andrew used knives and cigarettes to cope

Only for Neil to be torn apart by a couple knives and a cigarette lighter.

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if being hard on yourself worked, it would have worked by now

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Complete aftg overlays coming soon

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I'm sorry I keep posting my tiktok comments but please. What does this mean. What do people THINK shipping is for anymore???

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So. Guess who started reading the king’s men on a whim. This part caused a mild spiral so more analysis, here you go:

- first of, kudos to Andrew for being one of the only self aware characters in the series, (alongside neil of course, now here me out, I know Neil is called oblivious a lot and while I kinda disagree with that too; obliviousness is not the same as not being self aware, as someone who’s geared to survive he’s highly analytical of himself and his own actions, he does stupid things but he knows they’re stupid and most of the time just accepts the consequences, to his own detriment (playing exy despite knowing he’ll be caught and just accepting his death and planning to rat out the mafia before he dies because if he’s going to die anyway may as well take them down with him) he’s also not that bad at recognising when someone cares about him, he just always amazed at the outcome because he doesn’t expect it. Okay I worded that in a shit way back to Andrew) this line shows that Andrew knows he’s self destructive, and he’s never tried to deny it, he’s also perfectly aware of the consequences he just doesn’t care enough about himself to care about the consequences, hence the self destructive tendencies. He makes stupid decisions only if he doesn’t care or (rarely) if he refuses to be vulnerable (the entire Andrew and Aaron thing, in which he does care about his relationship with Aaron but he can’t risk making it worse so he just waits for Aaron to make the first move)

- secondly, Andrew has a personality (liking sweets, liking cats, liking Neil, etc), just because he doesn’t care about himself doesn’t mean he has no personality, it just means that usually when something happens he doesn’t have much of a reaction whereas others in his place would, because he doesn’t care. He can also have emotions because of this, like the line above where he’s mildly irritated with the conversation.

Anyways I’m going to go back to reading the book I hope this was comprehensible.

[hrisi235]

SO what i would've done in my epic perfect ending to the umbrella academy is:

EITHER

- ok, if we must do the downer ending where they sacrifice themselves to save the entire world and must no longer actually exist. what would've been a lot more satisfying and clever in addition to that is: the umbrella academy comics exist in the new world.

Claire is the writer/artist mastermind behind the series, because she has this strange near-memory of someone once telling her these bedtime stories about a group of dysfunctional but endearing superheroes. she assumes it must've been her imagination, but still, there's a resonating echo of love.

boom. our brellies live on and get to learn and grow and be happy in some way, even if it's in fiction.

OR

- when Five is talking to all the versions of himself in the Five Diner, he first thinks it's the whole family that's the problem with the timeline and yeah, that they'd need to die so everyone else could live, but then!

the other versions of him tell him that no, it's not the whole family that's the wrench in the gears of the universe. it never has been. it was him.

this whole time, he's been looking for answers in every direction but within. he was the only variable he hasn't considered, the last unknown.

more specifically, it was him leaving his family that broke the timeline and caused the curse of the inevitable apocalypse.

that led to the Commission, to the Kugelblitz, to the Umbrella Effect/Keepers Cult - to every possible bad ending, in every timeline Five and Lila ever saw.

so, uh... maybe after a conversation with Diego and Lila if they wanted to resolve that whole situation more.... maybe after a conversation with Viktor (Five's childhood best friend, despite the show literally always forgetting about that)...

Five gets on the timeline train one more time, then jumps back to the day he ran away. maybe he's young again but with all his memories intact, because he's figured out how to control that now, maybe he just tells his younger self not to mess with time travel or leave home.

either way, Five goes back to dinner. then he grows up with everyone.

Ben doesn't die, because Five being there helps save him somehow. Klaus gets better, Allison learns to let go, Diego and Luther reconcile, and Viktor has a best friend to tell him he's always been special, and help him sort out his powers properly.

Lila and the other Sparrows and Jennifer are still alive in this version of events, they just grew up differently, in different places and circumstances. they all find their way to the Hargreeves, because of course they do. Allison has Claire. my beloved Grace is there.

Reginald dies, and they dance at his funeral. the world doesn't end eight days from then, or any time after that.

the show ends with the gang dancing to I Think We're Alone Now, but they're in the same room this time, all together in their old house, and everything is the way they've always deserved.

[hrisi235]

HOW UA SHOULD HAVE ENDED

Hard cut to Klaus talking to the girl on the bicycle

Klaus: “Did we save the world or screw it up again?”

Bicycle God: “You were never the problem”

She holds up an action figure of Reginald and crushes it in her bare hands. Marigold lights emerge from it. Golden light envelops everything

Hard cut to Klaus waking up in bed. He is wearing pajamas covered in marigolds.Street noise can be heard from outside.

(From offscreen) “You okay, Hon?”

Klaus looks over and Dave is cooking breakfast in their flat

Klaus: “Yeah, just had a weird dream.”

Looks out the window and sees an empty lot where the Hargreeves mansion should be.

Klaus: “Wasn’t there a building there?”

(Naïve Melody by the Talking Heads begins to play over a montage)

Diego and Lila Are wrangling their kids into the camper van. One of the kids gives Lila a picture of her family in a field of bunch of orange flowers (marigolds)

Luther is stripping and the obsessed lady in the crowd is Sloan. He has a marigold in his mouth. He takes it out and gives it to her.

Viktor is playing the violin with Harlon. Sissy is setting the table. She sets a bouquet of marigold into a center vase.

Allison is gardening while Clare and Ray play in the yard. She is planting Marigolds.

Five is teaching at some university. An older woman comes in. “Dolores” he says as she kisses him.

Jennifer serves Ben at the dinner. Closeup on her pouring coffee. He has a Durango flower tattoo that says “Jennifer” and she had a marigold tattoo that says “Ben”

Cut back to Klaus staring out the Window

Dave: No, been an empty lot as long as I can remember

Klaus, smiles: Yeah, I don’t know why I thought that

Camera Zooms out from the window as music continues

Reginald, voiceover: And that is how our unlikely heroes manage to create one timeline where everything was fine.

BTS footage plays with the final credits 

[hrisi235]

Neil Josten is an amazing protagonist and here’s why‼️ first off he gets into the juicy stuff from page one! “Oh? Wanna hear about my dead mom? Sure! Why would I lie to myself when I can lie to everyone else?” Also ever read about a character being a bitch and you wanna jump their ass and tell them they’re a stupid bitch? NEIL JOSTEN WILL!! He will not hesitate to go for the damn throat. Abuser you wish would die? Boom he took out a hit on them. Character being a bitch? You know I get it. Also he sees problems and he fixes them‼️ bob the builder ass over here rekindling connections n shit. You see the twinyards and wish, damn wish they would talk to each other, well good for you Neil Josten is going to poke them with a stick until they do!! I just love Neil so bad can you tell…

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*releases pack of dads into home depot* go……be free

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I don't know if you've taken this into account for your trial posts, but if the prosecution requested Kevin's/the house's phone record that day they could found out he called Wymack before the police. And that could not look Good especially with his deadpan 911 call

i had thought about this and i don’t think i’m going to mention it but it’s SUCH a striking point i actually love it. i wasn’t going to bring it up purely because i’m not putting kevin on the stand, but it’s such a good reason as to why i could put him on the stand. like perfect kevin day trying to explain why he’d seen a dead body and called wymack before anything else? and how that phone call went as well? what if they played it?

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“Take a breath and spit it out, kid.” Wymack’s voice is getting more and more strained with every second that passes and Kevin just can't get the words dislodged from his throat. How could he, when all he could smell was blood, and alcohol, when all he could hear was Andrew’s voice in his head saying tell me again how I'm too unbalanced to understand normal brotherly affection and love.

“Something happened.” Kevin tries not to watch as Nicky’s parents pass him, faces pale and hands shaking. He can’t hold himself together, when he opens his mouth to explain, all that falls out is a muted sob accompanied by, “Oh, fuck, Coach, it’s really fucking bad.”

Kevin winced as he heard Nicky start to sob somewhere upstairs, and David must have heard it too, because his voice was much more serious when he asked, "Who's hurt?"

It's the perfect question, almost, but that doesn't make it easier to answer.

"Andrew."

“How hurt are we talking?”

“I don’t know.” Kevin’s chest is getting tight. Not right now. Not now. He takes in a shaky deep breath, as much air as he can muster. He continues, “Somebody’s dead.”

“Fuck, Kevin, who’s fucking dead?” He sounds angry. No, he’s worried, he’s terrified. Which one of my foxes is it?

“I don’t know.” He repeats. He watches as Nicky’s parent fuss over something in the kitchen. “I don't know, I don’t know.”

“Dead, how?” David says, before he says something, presumably to Abby. Kevin's breath comes in and out of his lungs in painful, jagged intervals. This is too much, he can't do this, he can't do this. “Kevin, I need you to talk to me.”

“Aaron.” He cant say the words. “Somebody was- oh my god.” He feels his chest tighten, and tighten, and tighten. A twisting stomach accompanied by a pounding chest and fuck, the smell of blood, and alcohol, and-

“Breathe.” David says again, like it’s really that simple. “You have to tell me what’s going on so I can help you, kid.”

“Call Betsy.” It’s the only thing he can think to say. But when he thinks of Bee, he thinks of Andrew, he thinks of the body lying upstairs. He thinks of- “I don’t know what to do, David.”

There’s a moment of silence, and David is forced to listen to Kevin’s quiet hyperventilating. “Is Aaron dead?”

Kevin almost laughs. “No.”

Wymack's sigh is gentle, but louder than anything else, the sound weighing on Kevin's shoulders like the secret he felt like he was keeping, the secret he felt like he couldn't share. It's not exasperation, no, his annoyance is not directed at Kevin's panic or inability to find the words. It's worry, it's fear, it's being too used to those kinds of phone calls. It's too soon after Allison's Seth is dead, Coach, and I don't know what I'm supposed to do.

“Is Andrew? Is Neil?”

“No.” He says. The words are right there, he tries to swallow them down hard, but they keep getting stuck in his throat. Just say it. Just say it.

"Nicky?" He's getting impatient. But Kevin knows it's not directed at him. It can't be. "Work with me, Kev. Just say it."

"Andrew's been...r-" The tears that threaten to spill out swell in his eyes, the tightness at the back of his throat manifesting in a sigh, an exhale of breath that he had been holding for far too long. Kevin shut his eyes so he couldn't look at Nicky's parents, and following a deep breath that he hoped would fix everything, he says, "Andrew's been raped, and Aaron killed the guy that did it."

The silence that follows goes on for hours, for far too long. For long enough that Kevin has to check that David hasn't hung up on him, for long enough that he starts to think about it all, all over again.

"Jesus Christ, Kevin." is all that David can muster, in this voice Kevin has only heard once before, as he sat sobbing in his hotel room with no plan and no reason to live. He stumbles through a hundred different questions until he lands on, "Have you called the cops yet?"

"No." Kevin admits with a guttural sob. He hasn't even thought about it. Well, he did, in some way, but his fingers hadn't even hesitated over David's contact number. It hurts so badly, all of these feelings, the image of Andrew, the image of Andrew, the image of Andrew. His protector. The person who kept him safe. This was never supposed to happen to him. This can't have happened. Not to him.

"Jesus fucking Christ, kid, get off the fucking phone," David's yell snaps him out of it. "Get it together, take a real deep breath, and call 911. Then call me back afterwards. Fuck, Kevin."

"Okay, Coach." Kevin says, as seriously as he can manage. Call 911 - An order, something to follow. Something to do. Something to be good at, to pretend for, a reason to shove his panic behind a plastic mask for a couple of minutes.

"Okay." Coach agrees and lets out another deep, hurt sigh. Another second or two pass, but Kevin feels frozen in place. The phone is stuck to his ear, the electronic hum and buzz the only thing keeping him from going back to the reality of Nicky's parent's house.

"Are you okay?" Coach asks, and Kevin shuts his eyes to inhale, before exhaling out anything that hurts. He's switched off, untouchable, numb and unfeeling. Kevin isn't there, inside of himself anymore. He can come back later.

"No," Kevin says, but it doesn't feel like the truth anymore, his voice flat, the back of his free hand wiping away a tear that had found its way out of his eyes. "But I'll call you back."

"Okay," Coach says again. "You better."

The phone call ends with three consecutive beeps. Kevin pulls it away from his ear, and stares for too long at the 911 he's typed into the keypad.

Do what you have to do.

Be who they need you to be.

"Hello, 911, what's your emergency?"

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Mailbag!

Today there was a pakidge!

What can it be???

It's my Soldier's Heart set, that @sayornispress bound for me!

Here's HE:

The pictures do not do justice to how gorgeous these books are.

(The paper is actually white; my camera is just doing that thing again where it turns white into yellow.)

Here's the first volume of SH:

The fabric on the covers is nicely textured; I love it.

Volume 2! @sayornispress chose the cover colors to thematically tie in with each section; this one is red because of, you know. Color theory.

Sorry, couldn't resist. Because it's the one where Thomas is at the Front.

And let's look at the whole stack again!

I think @sayornispress mentioned this on their post, but the spine pattern is done to look like puttees! I totally did not pick up on that at first, and it's an excellent touch.

I think I'm going to have to re-read the whole thing, now that I have it in Actual Book Format.