hillsfool

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THE BEATLES in BLUE JAY WAY (1967)

meanwhile John

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He's so babygirl 💕🩷

Also picture 4 has me always going wild

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"It's becoming easier to deal with as I get older [...] But the swings in emotions from ecstatic highs to suicidal depressions are actually physically and mentally wearing and I always had it all my life and it's just what I'm stuck with." - John on dealing with depression, 1980

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according to paul he and john wrote "can't buy me love" on the piano at the george v hotel in paris which is the same hotel that appears in john's weird gay sex euphemism story which could mean nothing

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An old polaroid of Pattie Boyd in the kitchen ♡

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Ringo Starr at Studio 2 in Abbey Road Studios recording the band’s second LP ‘With The Beatles’, September 12, 1963.

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A Hard Day’s Night, 1964

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no album will be as good as all things must pass by george harrison, let’s all admit this to ourselves

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PAUL MCCARTNEY’S paintings of his wife Linda McCartney

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every conversation is an endless game of trying not to bring up mclennon

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January 1989. ‘Menswear classics loosen up in soft suits.’

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George Harrison, Pattie Boyd, John Lennon, & Cynthia Lennon in Tahiti one month after filming ‘A Hard Days Night’ (May 26, 1964)

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George Harrison on October 26, 1965, getting ready to receive the MBE🤍

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bruce springsteen’s music be like fast cars, new jersey, girls, highways, gas stations at night, an overuse of the petname ‘baby’, names that end with a ‘y’, growing up and being optimistic about it, growing up and being really sad about it, the death of the american dream, feeling desperate to be understood by someone else, the love/hate relationship you have with the place you grew up in, the struggles of the working class, loneliness, your fraught relationship with your father, catholic imagery, the american gothic, serial killers in the middle of nowhere, struggling with depression, being in a really long car ride at night and looking back at the moments in your life when you felt better and more secure about your place in life and knowing you can’t go back to them, clarence clemons’s otherworldly sax