helperduck
helperduck
Helperduck - WoX Help
217 posts
FCs, Coding, and More!
Don't wanna be here? Send us removal request.
helperduck · 4 days ago
Text
Quick tips for writing kisses
⇰ the pause. THE PAUSE. like “are we doing this? oh god we’re doing this.”
⇰ looking at each other’s mouths like it’s a life-or-death decision
⇰ someone whispering “can I?” or “just once” before going for it and RUINING ME EMOTIONALLY
⇰ hands. gripping shirts. cupping faces. hovering like “do I touch?? I WANNA TOUCH”
⇰ breath hitching?? yes. shakiness?? absolutely.
⇰ that stupid moment where one of them pulls back a few inches like “wait are you sure” and the other just goes for it again
⇰ kissing like they’re scared it’ll be the last time
⇰ kissing like they’ve been waiting ten goddamn years
⇰ teeth clashing awkwardly and both laughing about it but STILL FEELING IT
⇰ one of them freezing for a second mid-kiss because the feelings just hit
⇰ the post-kiss moment of “uh. so. yeah.” where neither knows what the hell just happened
⇰ OR the post-kiss forehead touch. destroy me.
8K notes · View notes
helperduck · 4 days ago
Text
On writing sexual tension
⊹ standing too close. like just barely not touching. why are their shoulders breathing on each other??
⊹ conversations that sound normal but feel like foreplay. “pass the salt” has never been so loaded.
⊹ one of them says something flirty and the other freezes for 0.2 seconds like “oh.”
⊹ eyes dropping to lips and then—back up. with effort.
⊹ holding eye contact just a little too long. like... are they gonna kiss or duel??
⊹ unintentional physical contact that lasts one second too long and now they’re both broken
⊹ a hand on the small of the back. that’s it. that’s the tweet.
⊹ tension so thick that other characters start noticing like “hey are you two okay?” (they are not)
⊹ “accidental” sleepovers. “oh no there’s only one bed.” yeah. suuuure.
⊹ biting back a smile. biting back a moan. biting anything really.
⊹ one of them walks away and the other has to physically restrain themselves from watching the hips
⊹ lots of sighing. frustrated sighs. horny sighs. “i want to kiss you but I’m emotionally unavailable” sighs.
21K notes · View notes
helperduck · 19 days ago
Text
Some Actually Useful Questions to Get to Know Your OC Part Two
↳ What lie do they tell themselves to sleep at night? Seriously. What’s the little piece of denial that keeps them functioning? Do they pretend they don’t care what people think? Tell themselves they’re over that one person? Convinced they’re not the villain of someone else’s story? We all lie to ourselves; your OC is no exception.
↳ What’s their emotional kryptonite? A specific thing that absolutely shatters them, like someone crying? Being ignored? Praise from a parent figure? The sound of an old song? The smell of something nostalgic? Find it and use it against them (lovingly, of course).
↳ When do they feel the most alive? Is it mid-battle, mid-baking, mid-breakup? Does adrenaline light them up, or do they find joy in the quiet, mundane things, like folding laundry while listening to sad girl music? This can reveal a LOT about what drives them.
↳ What would totally ruin their day? A bad haircut? Someone touching their stuff? Or is it something deeper, like being reminded of their failures, or seeing someone else succeed where they couldn’t?
↳ Who do they think they should be? And who are they really? This one’s juicy. Do they think they should be a hero, but keep acting like a villain?
↳ What’s the one thing they’d never admit out loud, even under duress? The shameful thought. The inappropriate desire. The thing they desperately want but don’t think they deserve. DONT FORGET: Characters are built on what they repress.
↳ What are they petty about? Don’t pretend your OC is above this, I mean everyone’s petty about something. Do they hold grudges over stolen pens? Get irrationally jealous of someone’s hair? Still mad about a game of Uno from 2007? Petty makes them fucking real.
↳ How do they act when they think no one’s watching? Do they let their mask slip? Dance around the kitchen? Talk to their cat in baby voice? Cry a little?
↳ What would make them snap? Where is the breaking point? What line has to be crossed for them to finally say “Enough”? Is it injustice? Betrayal? Feeling powerless? You’ll know you’ve found it when it scares you a little (Or a lot).
↳ If they had a theme song, what would it be? No, seriously. The vibe of a character’s soundtrack says a lot. Is it Angsty indie rock? Bubblegum pop masking deep pain? Make a playlist. Your OC will tell you who they are... <3
2K notes · View notes
helperduck · 19 days ago
Text
Tips on Writing Breakup Scenes
✦ People don’t always cry. shocking, I know. sometimes someone just sits there like a polite zombie, nodding and saying “okay” while their soul quietly packs a bag and moves out the back of their skull. They might want to cry, but also they might just go numb and stare at the salt shaker for ten minutes. Both are valid guys.
✦ Most breakups aren’t a single moment, they’re a slow unraveling that ends in a conversation, so even if your character feels blindsided, it should still carry that surreal “I should’ve seen this coming” haze. Because breakups rarely just drop out of the sky.
✦ The dumbest details stick, like seriously, no one remembers the whole speech, but they’ll remember the scratchy napkin, the weird buzz of a light, that their ex had mustard on their cheek and didn’t notice.
✦ You can always feel a breakup coming. no one says “we need to talk” out of nowhere, because people act different right before. overly nice. extra distant. weirdly cold or weirdly warm. characters should notice that, even if they can’t quite name what it is yet.
✦ Sometimes people still love each other. like, actually still love each other. it’s not always about the love being gone, no. It can be timing, fear, baggage, a hundred other things that get in the way. let your characters say “I love you” and still not stay. It hurts and it’s real.
✦ Closure? lol. most people don’t get it. a lot of breakups end with “wait, that’s it?” or a message that never gets sent or that one thing you almost said but didn’t. There’s rarely a satisfying ending.
✦ No one speaks in perfect sentences mid-breakup. people ramble. they say sorry three times and mean something different every time. Someone’s trying to keep it light. someone else is cracking. sentences trail off. someone forgets how to use words entirely.
✦ After it’s over, people don’t always sob into a pint of ice cream. Some people shut down, some go out and party, some clean their entire room, rewatch a comfort show, or post a spicy selfie with “new era” energy. Everyone breaks differently, so let your characters be weird about it.
✦ And if your character is the one doing the breaking up, let them feel complicated... just because they’re ending it doesn’t mean it’s easy. They might feel guilty and relieved, or they might cry after. Maybe they might mourn the version of the relationship that only existed in their head.
2K notes · View notes
helperduck · 19 days ago
Text
How to write hospital scenes 
From someone who’s definitely been in too many and would very much like a refund...ツ
⊹ Waiting rooms are emotional purgatory. They’re too bright, too quiet, and weirdly timeless. Fluorescent lights buzzing, TVs playing muted news no one watches, coffee that tastes like burnt stress. People aren’t relaxing in there, they’re just existing, awkwardly pretending their phones are interesting while dissociating at 40% battery.
⊹ Everyone talks in a whisper, but not because it’s respectful, no, it just feels wrong to speak normally. Like the walls might be listening, like if you talk too loud, something worse might happen, even the loud people get quiet in hospitals.
⊹ Overnight stays are hell. hospital chairs? medieval torture devices with upholstery. even if someone’s trying to nap next to a patient, they’re not sleeping. They’re half-listening to the symphony of beeping machines, nurse shoes squeaking, the occasional cough, and distant Code Something crackling over the intercom. it’s anxiety with a blanket.
⊹ The smell is unforgettable, like it’s not just antiseptic. it’s plastic and cafeteria meatloaf and sweat and fear and the smell of a place where people are very much not okay. the first time your character walks in, it’ll hit them like a wall. later, they might not even notice, or maybe it’s the only thing they can smell for days after.
⊹ Talking to doctors is a weird performance. You're trying to be calm, they’re trying to be calm. But no one is calm, your character wants to ask 47 questions and not sound desperate. The doctor explains things like they’re narrating a science video, and when they leave, someone will immediately go “wait... we forgot to ask” every. single. time.
⊹ Monitors beep constantly. half the time, it’s nothing. A wire got loose, someone rolled over. But the second it is something, the vibe shifts fast. Nurses appear like ghosts, machines start going off, and everyone starts moving. And your character? they might freeze, or panic, or forget they have lungs. Go with whatever makes sense for them, but make it visceral.
⊹ Time goes full funhouse mirror. Ten minutes waiting for test results feels like a year. A full hour stretches into eternity, meanwhile, three hours can pass without anyone realizing it. You can use this in your pacing, make it drag when the waiting is unbearable.
⊹ Hospital cafeteria food: Garbage. It’s either offensively bland or stupidly overpriced. The grilled cheese is six dollars and tastes like regret, and someone will 100% cry into a cold sandwich at 3am, because grief doesn’t care where you are.
⊹ People start fixating on tiny, random things. They can’t control the big stuff, so their brain zeroes in on a sock slipping off, a crooked IV pole, the repetitive drip-drip-drip of medication. Let them obsess over something small, it’s how the brain copes with being completely powerless...
7K notes · View notes
helperduck · 1 month ago
Text
write your very own:
sea shanty, a formula
This is my very own post! I did research to compile a guide for this purpose. ✏️
Before we get started, I post content like daily writing prompts, vocabulary word of the day, and fun content like this!
It would make me happy if you’d follow my blog, as I’ll be building a newsletter for writers like you very soon!
Now, as promised, a formula for creating your very own sea shanty 🫶🏻
-
Step 1:
Decide on a purpose for the shanty.
Is this going to be a working, adventuring, drinking, or mourning song?
Step 2:
Create a syllabic pattern for your verse and your chorus to help you make it have the iconic sound of a sea shanty.
8-6-8-6 is a popular choice for the verse. The numbers here are referring to the number of syllables in one line.
You may also use the same number of syllables or a pattern of your choosing. You could do 8-8-8-8 or even 6-6-8-8 if you like.
Here is one example:
(8) there once was a lady pirate queen
(6) her name Grace O’Malley
To understand more about syllabic writing, I would suggest learning about the Japanese Haiku (an easy place to begin).
Music Notes (Advanced):
You might also decide in this stage if you’re going to use a 4/4 beat or more of a 3/4 (like a waltz).
This would be relevant to the number of beats.
For example: a syllabic pattern of 8 might be more fitting to a 4/4 beat. A syllabic pattern of 6 or 9 to a 3/4.
If you’re using 8 and 6, then a 4/4 beat works well. At the end of the 6 lines you can add stomps or claps to complete the pattern.
Step 3:
We’re going to treat the next step like poetry class. Choose a pattern for your rhyme.
Commonly, you’ll find the pattern ABAB or AABB. You can choose whatever pattern you like. Some of them are more complex like ABCB. It’s your shanty, so write it how you like!
Here’s what that looks like:
(A) (8) there once was a lady pirate queen
(A) (6) her name Grace O’Malley
(B) (8) her heritage was Ireland
(B) (6) and she was a wild’n
Your pattern will depend on what feels right as you’re writing your verse.
Step 4:
Create a chorus that’s easy to remember, relevant to the story, and focuses on repetition.
“Lady of the sea
Lady pirate queen
Oh how I fancy me
A lady of the sea”
Step 5:
Put it together to tell a story! Here’s an example I wrote just for funsies:
(Grace O’Malley is a real historic figure who became a pirate and fought for Ireland!)
(A) (8) there once was a lady pirate queen
(A) (6) her name Grace O’Malley
(B) (8) her heritage was Ireland
(B) (6) and she was a wild’n
Chorus:
(A) (8) Lady of the sea (clap x4)
(A) (6) Lady pirate queen (stomp x3)
(A) (8) Oh how I fancy me (clap x2)
(A) (6) A lady of the sea
Step 6: Have Fun!
If you liked this post, comment below with a fun pirate GIF!
Ahoy!!
45 notes · View notes
helperduck · 6 months ago
Text
Hospital Lengths of Stay
I think people outside the USA severely overestimate how long hospital stays are here.
Like, appendectomy, right? That's maybe 24-36 hours door-to-door if there's no complications. If the appendix actually burst it might be 3 days, but only because they're giving you IV antibiotics and setting up home care to do that at home would take longer than just keeping you in the hospital.
A scheduled surgery like a hysterectomy, cholecystectomy, mastectomy, or anything else they can do laparoscopically (though small "keyhole" incisions)? You're probably not staying overnight at all.
Planned surgeries that need some kind of after care (like bariatric surgery, knee replacements, hip replacements, total vaginal hysterectomies, bladder lifts, etc...) would be usually 1-3 days.
Minor heart attack? 2-3 days.
Fracture and surgical repair of a large bone (like the femur)? About 2-3 days.
What about the exacerbation of a chronic illness like asthma, COPD, heart failure, or hypertension? IF they admit you (not just stabilize and discharge from the emergency department), it will be generally less than about 3-5 days.
Gunshot wound to the abdomen with surgery to repair things? 3-5 days.
And a stroke, sepsis, gunshot wound to the chest, or major heart attack? That would be somewhere in the 5-7 day range.
Severe trauma with multiple severely broken bones and relatively extensive surgery? This might be somewhat longer, but usually for nursing and pain control reasons rather than the surgery or injuries themselves. 1-3 weeks would be usual.
In the hospital for a mental health reason like decompensated schizophrenia or major depression? A little less than a week is normal, though some people stay several weeks if medications aren't working well.
The people who stay in hospitals for weeks or months typically have whole systems that don't work, or are waiting for a major organ transplant. For example, I had a patient once whose entire abdomen was open and couldn't be closed surgically. She was on TPN (IV nutrition) and IV antibiotics and needed massive amounts of wound care done every hour or so because her intestinal contents were spilling out of her open abdomen. She was there for months and ultimately didn't make it.
Are there people who stay longer than these cases? Of course! These are just averages pulled from medicaid data and personal experiences, based on patients who are coming in relatively healthy. Patients who have other significant health problems usually stay longer than patients who come in with a single problem.
But if you are otherwise healthy except for the reason you came into the hospital, unless you fell off a building or were in a massive car accident you are probably not staying in the hospital very long at all.
2K notes · View notes
helperduck · 1 year ago
Text
Writing extreme emotions
How to convey specific feelings in an in-character way
—Body language
How do they behave? Are they jumping around and cheering, or do they quietly shake their fist in rage as they stare through the other people? Depending on the character, one can mean a lot more than another. For example, a quiet, shy character getting worked up means a lot more to the audience because we get to see a new side to them
—Breathing
Obviously everyone breathes. But irregular breathing patterns (especially when they’re noticed by someone who’s not the MC) can tell a lot about what their reaction is. Are they losing their breath from laughing to the point where they begin to laugh and cry? Or is the world spinning around them as they begin to hyperventilate, going lightheaded and feeling overwhelmed?
—How they interact with their location
Are they throwing things, staring straight through all of the beautiful scenery, or are the bright colors blinding them? The more public and busy the location is, the less they may feel inclined to really act out, or maybe part of it is that they’re so emotional that they don’t care. Just try to keep the setting in mind for any dramatic, emotional scenes.
—Other people’s reactions
Consider how much the outburst is out-of-character when thinking about reactions. Do people run to console the anti-hero when they break down into tears, or do they stand there awkwardly not knowing what to do? Or, does this happen so often that others know exactly what to say and do, or are they so tired that they stand in the corner, defeated?
—Remember to stay in character
If you want this scene to stand out, you need to remember the characters themselves. Everybody gets emotional and breaks down, and when you can make it true to the character, you will make it real to the audience
2K notes · View notes
helperduck · 1 year ago
Text
words to use instead of ________
"Mad"
aggravated, angry, annoyed, boiling, cross, enraged, exasperated, fuming, furious, heated, incensed, indignant, irate, irritable, livid, offended, outraged, riled, steamed, storming, upset
"Nice"
amiable, charming, cordial, courteous, delightful, favorable, friendly, genial, gentle, gracious, helpful. inviting, kind, lovely, obliging, peaceful, peachy, pleasant, polite, swell, sympathetic, tender, welcoming, well-mannered, winning
"Pretty"
alluring, appealing, attractive, beautiful, charming, cute, delightful, desirable, elegant, eye-catching, fair, fascinating, gorgeous, graceful, intriguing, lovely, pleasing, striking, stunning, sweet
"Said"
alleged, argued, asked, asserted, babbled, bellowed, bragged, commented, complained, cried, declined, demanded, denied, encouraged, expressed, giggled, growled, inquired, moaned, nagged, rebuked, rebutted, replied, rejected, retorted, roared, scolded, shrieked, shrugged, stated, taunted, vowed, warned, whined, whispered, yelled
"Went"
avoid, bolt, bound, depart, exit, escape, flee, fly, hike, hop, jaunt, jolt, journey, leap, leave, lurch, march, mosey, move, pace, parade, pass, progress, retreat, saunter, scoot, skip, split, step, stride, stroll, tour, travel, vanish
more words to use instead other words to use instead another list of words to use instead
12K notes · View notes
helperduck · 1 year ago
Text
some people think writers are so eloquent and good with words, but the reality is that we can sit there with our fingers on the keyboard going, “what’s the word for non-sunlight lighting? Like, fake lighting?” and for ten minutes, all our brain will supply is “unofficial”, and we know that’s not the right word, but it’s the only word we can come up with…until finally it’s like our face got smashed into a brick wall and we remember the word we want is “artificial”.
257K notes · View notes
helperduck · 1 year ago
Text
How to romanticize writing
You don't have to do all or even any of these, just do what seems fun.
drink coffee or tea
wear cute outfits when writing
listen to music
create a routine for writing
light candles (you can also write until the candle burns out)
listen to music/make playlist that are the vibe of what you are writing
find a writing buddy and keep each other on track
READ reading a good book usually inspires me to start writing again
write something short and fun that isnt your wip for a bit
create fake covers
write something so horrible it funny (embrace the brain rot)
Do your hair/nails/put on a face mask
change you location, a different room, the library, a cafe, outside.
Oooo a secret other option you will share with us gasp???
143 notes · View notes
helperduck · 1 year ago
Text
sunshiney characters who adore the mean grumpy character, platonically or romantically, but not DESPITE them being mean as if that isn’t who the other “really” is deep down. they love it. they think the other is the funniest cleverest most delightful person alive
70K notes · View notes
helperduck · 1 year ago
Text
USEFUL SITES FOR ROLEPLAYERS
Thought I'd make a list of some useful websites for those of us who enjoy roleplaying and what have you here on Tumblr and whatnot.
roleplay formatter: Made by the awesome @rpclefairy. I honestly can't recommend this one enough. Great for adding color, changing the font size, and the whole shebang with bold + italics + underline + strikethrough. 10/10 always use
fsymbols + emojipedia: These are both great for making your tags fancy and whatnot.
alt codes: This is genuinely great for teaching you how to make the symbols with your keyboard for everyday use so there's that. It's especially useful if you and/or your muses speak a second language so that's a bonus.
text color fader: *marge vc* I just think gradient effects on text is neat. *end marge vc*
list of colors (wikipedia): Has a list of an infinite number of colors and their hex codes. Very useful if I do say so, myself. But that's just me.
screencapped.net: Great for getting all sorts of screenshots for making icons, GFXs, promos, and whatnot.
fancaps.net: Also great for getting all sort of screencaps for making icons, GFXs, promos, and whatnot. My only complaint is that it's a little annoying to navigate so here's the proper links to movies, tv shows, and anime.
photopea: Great if you can't afford Photoshop and/or don't like using GIMP.
hakuneko: It's not so much a website as much as it is a program. You can download manga, comics, webtoons, doujinshi, etc. for making your icons, GFXs, promos, and whatnot. It's also just a great way to read stuff and catch up on everything.
Feel free to reblog and add more. <333
7K notes · View notes
helperduck · 1 year ago
Text
Tumblr media
⠀⠀⠀𝐃𝐈𝐅𝐅𝐄𝐑𝐄𝐍𝐓 𝐎𝐔𝐓𝐈𝐍𝐆𝐒 & 𝐓𝐑𝐈𝐏𝐒 𝐓𝐎 𝐔𝐒𝐄 𝐈𝐍 𝐑𝐏. ♡
under the cut you'll find a list of 56 diverse outings and trips to use in starters or replies withing plots. this can be used to bring new cenarious to plots, starters and rps, helping to differ threads and put characters in new experiences.
Walking in nature
A bicycle ride
Visit to an art museum
Historical city tour
Boat trip on the river/lake
Mountain trail hike
Visit to a botanical garden
Picnic in the park
Bird watching
Gastronomic tour of the city
Hot air balloon ride
Cave exploration
Visit to a zoo or aquarium
Shopping itinerary in local stores
Winery tour
Panoramic train ride
Visit to historical sites
Trip to a neighboring city
Kayak/canoe trip
Tour of movie locations
Drive-in cinea
Walk on a beach
Visit local fairs and markets
Photo expedition
Horseback riding
Visit to an astronomical observatory
Urban art trail tour
Excursion to a theme park
Traditional cooking class
Helicopter ride
Camping trip
Visit to a cultural festival
Tour of haunted places
Surf lesson or other water sport
Motorcycle ride
Exploring historical ruins
Regional dance class
Treasure hunt tour
Tour of panoramic viewpoints
Rollerblading or skateboarding
Day at an amusement park
Visit to a nature reserve
Quad bike ride
Participation in a local marathon
Wildlife watching
Zip line ride
Tour of architectural monuments
Participation in a spiritual retreat
Sailing boat trip
Motorcycle ride
Visit to a contemporary art exhibition
420 notes · View notes
helperduck · 1 year ago
Text
Writing Tips Master Post
Character writing/development:
Character Arcs
Making Character Profiles
Character Development
Comic Relief Arc
Internal Conflict
Character Voices
Creating Distinct Characters
Suicidal Urges/Martyr Complex
Creating Likeable Characters
Writing Strong Female Characters
Writing POC Characters
Building Tension
Plot devices/development:
Intrigue in Storytelling
Enemies to Lovers
Alternatives to Killing Characters
Worldbuilding
Misdirection
Consider Before Killing Characters
Foreshadowing
Narrative:
Emphasising the Stakes
Avoid Info-Dumping
Writing Without Dialogue
1st vs. 2nd vs. 3rd Perspective
Fight Scenes (+ More)
Transitions
Pacing
Writing Prologues
Dialogue Tips
Writing War
Writing Cheating
Worldbuilding:
Worldbuilding: Questions to Consider
Creating Laws/Rules in Fantasy Worlds
Book writing:
Connected vs. Stand-Alone Series
A & B Stories
Writer resources:
Writing YouTube Channels, Podcasts, & Blogs
Online Writing Resources
Outlining/Writing/Editing Software
Writer help:
Losing Passion/Burnout
Overcoming Writer's Block
Fantasy terms:
How To Name Fantasy Races (Step-by-Step)
Naming Elemental Races
Naming Fire-Related Races
How To Name Fantasy Places
Ask games:
Character Ask Game #1
Character Ask Game #2
Character Ask Game #3
Miscellaneous:
1000 Follower Post
2000 Follower Poll
Writing Fantasy
31K notes · View notes
helperduck · 1 year ago
Note
hi! do you have any advice on how to get started writing disabled characters? like, get over that fear and start putting the pen to paper? I have my research and my character and stuff but Im nervous that Im gonna fuck it up and make bad representation. how do you think is the way to determine I’ve written a character “good enough” in representing a disability?
Hi!
If you have a character and done research, you're already doing pretty good! I don't think that there is some magical way to know if what you're writing is "good enough", mostly because people will have different standards when it comes to representation.
The best thing you can do is try your best and be open to feedback from your disabled readers. I think that also questioning why you're doing certain things with your character can be helpful, because we all have biases (myself included obviously). I often see people have their characters with facial differences be "edgy, violent, dark past, etc." with the author defending it as "they just are like that!" but at the end of the day, it's a fictional character that a human being made, the character doesn't have free will. So if your worry is bad rep, sit down and try to figure out what exactly it is that bothers you, and examine it - why does it worry you? is this attached to some bias? are abled characters treated in a similar way, or is the disabled one singled out? what are the elements that could be inaccurate, and if yes, why are they like that?
Obviously, you can't catch every single issue that could ever occur, because that's impossible for anyone. But I'm absolutely sure that if writers simply thought about their choices a bit more, the general state of representation would be miles ahead of what we currently have.
Some of my suggestions to help with the fear of starting:
Consider basing the character off someone you know with the same disability. Try to think if your recreation of that is true to how they exist or not so much. If you have a real example of the kind of person you're trying to represent, it's much easier to catch yourself writing something that doesn't make sense. It also helps that you could ask them a specific question about what you're writing and get some first-hand information that theoretical research doesn't generally give.
Perhaps start with disabilities that aren't as impactful on the character's life. (Start is a bit of a key word, because I absolutely want people to write more severely/moderately disabled characters too). Obviously, disability is disabling, but there will be a difference between writing a character with mild photophobia and a character with high level complete quadriplegia. There's just ultimately fewer things that you have to consistently consider, and that can be helpful when starting. And once you're more comfortable writing disabled characters, you can diversify the kinds of characters that you include!
Honestly, if you did your research and aren't falling into any basic tropes, the vast majority of disabled readers will forgive the small inaccuracies (unless you're going to be writing about a character having a seizure and someone else putting an object in their mouth. We are going to correct that because that's dangerous). E.g. if your character with a large scar is portrayed respectfully and kindly, I will look over the lack of mentions of nerve damage because though it is nice to see as well, that's not the main thing I'm looking for. If I was looking for 100% accurate writing about disability, I would be reading non-fiction by disabled writers.
If you have the specific character mostly conceptualized and are willing to share, feel free to just send us the background and parts that worry you, and we will try to give some hopefully useful feedback! =)
Thanks for the ask! I hope it's helpful
mod Sasza
I agree with everything Sasza has said! I'm adding a couple of my own thoughts:
If you are really stuck and really don't have any specific ideas on what disabilities you want to write about, try adding a little randomization. You can search for something like "common disabilities in [character's age group]" or "common health conditions in [character's geographic location]" and pick one at random. Roll dice if you need to! I'm not saying this to be glib or dismissive – I know I can often get stuck when it comes to making decisions, which includes creative decisions like making characters. The aspect itself of getting stuck can be a little intimidating. So if an aspect of randomness helps you get unstuck, you can dive into more specific research a bit more easily – like, if the dice roll led you to cerebral palsy, then you can focus on researching cerebral palsy instead of trying to think of all the possible things you could choose for your character.
You can visit a couple of websites for different conditions and disabilities, including subReddits. I don't mean to start participating in these discussions, but it helps to see disabilities in a context that isn't just "this is how you/your family member will be diagnosed and this is how the treatment will be." It can feel confusing and a little lost to only see disabilities in that context, so seeing it in a broader way – like people just talking about their life experiences – can help take some of the intimidation factor away.
And I just want to reiterate, if you focus on writing with care and treating your character like a full person of their own with their own inner world, agency, and ability to take part in the story, if you make mistakes it will not be the end of the world. The thing I want the most out of disabled characters is for them to be people more than they are tropes.
Hope this helps!
– mod sparrow
115 notes · View notes
helperduck · 1 year ago
Text
a list of 100+ buildings to put in your fantasy town
academy
adventurer's guild
alchemist
apiary
apothecary
aquarium
armory
art gallery
bakery
bank
barber
barracks
bathhouse
blacksmith
boathouse
book store
bookbinder
botanical garden
brothel
butcher
carpenter
cartographer
casino
castle
cobbler
coffee shop
council chamber
court house
crypt for the noble family
dentist
distillery
docks
dovecot
dyer
embassy
farmer's market
fighting pit
fishmonger
fortune teller
gallows
gatehouse
general store
graveyard
greenhouses
guard post
guildhall
gymnasium
haberdashery
haunted house
hedge maze
herbalist
hospice
hospital
house for sale
inn
jail
jeweller
kindergarten
leatherworker
library
locksmith
mail courier
manor house
market
mayor's house
monastery
morgue
museum
music shop
observatory
orchard
orphanage
outhouse
paper maker
pawnshop
pet shop
potion shop
potter
printmaker
quest board
residence
restricted zone
sawmill
school
scribe
sewer entrance
sheriff's office
shrine
silversmith
spa
speakeasy
spice merchant
sports stadium
stables
street market
tailor
tannery
tavern
tax collector
tea house
temple
textile shop
theatre
thieves guild
thrift store
tinker's workshop
town crier post
town square
townhall
toy store
trinket shop
warehouse
watchtower
water mill
weaver
well
windmill
wishing well
wizard tower
116K notes · View notes