Amy, brazilian, 30 years old, proud ginger and intense fangirl. Happily married. New mom to a teenager. Unusually and exceedingly peculiar and altogether quite impossible to describe (And I will love you if you get the reference). Multifandom. Graduated in linguistics, languages and literature. English Teacher, Amateur Ballet Dancer, Historical Costumer (on occasion) and Scout Leader. INFP. Gryffindor. Cancer. Neutral Good.
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I was just thinking about Stede's selflessness here.
Stede has literally just been told that if Ed does not sign the Act of Grace, he will be shot.
And yet, he very sincerely offers Ed an out, knowing full well that he would die if Ed chooses to take that out.
And then Ed's response? It's not "Yes I do", it's "I know I don't." He knows he has other options. But he chooses to sign 10 years of his life away to save the man he loves.
It's just such a beautiful scene.
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Some Hannibal & Will headcanons I have, just for fun:
. Hannibal has a sweet tooth. Usually he doesn’t allow himself to indulge in it, but every so often he’ll have a designated “cheat day” and make pastries and sweets. All of which somehow manage to utilize the versatility of his favorite secret ingredient, just for the wickedly ironic juxtaposition of it.
. Part of the reason Will likes fishing is because it’s an activity in a quiet, meditative environment that makes it easier for him to use his empathy to visualize the world around him as he wishes, sort of how he does with crime scenes. He started doing it while fishing with his dad, and he’d joke that Will would “go all glassy-eyed like the fish”.
. Will can use the excess of mirror neurons that give him his unique “empathy” abilities to mimic bird calls and even people’s voices really well, and he enjoys doing so. Sometimes he’ll say something stupid with Hannibal’s voice just to annoy him. Usually it’s something with a bad cannibal pun in it.
. Despite his criticisms of Will’s old aftershave, the reminder of their beginnings and how far they’ve come is too strong for Hannibal to resist. A bottle of it appears in the bathroom of wherever they’re staying for Will to use— it’s nostalgic, and it also lets him know where Will is if they’re separated in a crowd.
. Hannibal has an old scar where the back of his neck joins his shoulders. It has a faint chain-link pattern to it from abraded skin freezing to a metal chain and being pulled off thanks to the horrors of one fateful winter. Will never asks about flaying it off like he did with the Verger brand— he knows the answer.
. Will develops a phobia of deep water after the fall, his decision to take them over due to Dolarhyde’s camera still running for Jack to find and the adrenaline-and-euphoria l’appel du vide of the moment haunting him with nightmares. He refuses to let it rule him, swimming laps in their pool at night. Hannibal often joins him.
. Sometimes, instead of going right to sleep, reading, or having some fun before bed, they’ll lay on their backs side-by-side with their hands laced and delve into their minds together. Hannibal will close his eyes and enter his memory palace, Will often keeps his eyes open and unseeing and visualizes with his empathy.
. The actual first time Will kisses Hannibal is when he’s on Chiyoh’s boat on the Atlantic. He’s high on pain meds and roiling with emotion over Hannibal’s unconscious form beside him. It’s just a soft, weak brush of lips. In his feverish state, he hopes that Hannibal’s infection will spread to him so that he can’t leave him behind if he dies of it.
. The first kiss they really count happens when they’re both settled in Cuba, sitting on the porch of the little beach house Hannibal secured for them and watching the sunset, drinking iced hibiscus tea. Will only confesses much later that the red droplets on Hannibal’s lips reminded him of blood and he just leaned right in unconsciously.
. Even though they have to be careful with their kills post-fall, Hannibal makes sure to allow for one special kill every year. He sets up a tableau of a skinned man in the shape of a heart with flowers stabbed through the skin in a remote location and lets Will figure out how to find it by Valentine’s Day.
. Will lets Hannibal teach him how to do serial killing. It ends up sating his curiosity about the theories he’d had on the Ripper as well as further sating his dark urges, growing those appetites. The fact that Hannibal has his victims awake on the table sometimes is a point of contention, Will feels bad that the only part of him that feels bad is the part that mirrors the victims if he isn’t careful.
. Between Will’s empathy picking up on all the little details and emotional indicators and being able to copy them back and Hannibal’s analytical skills and expertise with conveying the image he wants through tone and body language alone, they can communicate wordlessly. They sometimes default to this, whether intentionally or not. It’s a little unnerving to watch.
. Will has a not-so-slight caffeine addiction after many years of drinking coffee to get out the door early from college to his cop years to Jack calling at ungodly hours. He won’t drink anything but instant microwave Folgers. Hannibal has tried to replace the coffee in the container but Will catches it every time.
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thinking about how will went to hannibal
every
single
time
he
needed
someone
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Sometimes I watch the show and try to think of Hannibal’s perspective and it’s a total trip. Like. Imagine you’ve been able to control and pick and choose your emotions and reactions your whole life, due to being somehow psychopath-adjacent. And the only time you couldn’t was when you were little with your baby sister, and it’s probable that as your brain matured, the possibility of feeling and forming connections like that dried up entirely. You read the psychiatric journals, and occasionally there’s something about a man who can connect with others so deeply he can become an echo of them. And then you meet this man, and he mocks your comment about eye contact while holding yours.
An understanding passes between both of you that you have hidden depths. Instead of killing him, you bring him breakfast, and make him dinner, and serve him drinks. Instead of being able to toy with his mind without a care, you think of him and your chest clenches, and your gut swoops, and his face and voice and his rude little barbs invade your mind like glittering parasites that you can’t remove. These feelings are alien, and they’re also yours. You know, deep down, why you’re letting him live, why you stare after him, why you toe the line of risking it all for him. But you don’t want to face it. It’s terrifying, this horizon of who you are and can be that looms before you with no choice of your own.
Framing him presents a convenient opportunity for ridding yourself of this thing he brings on in you, this total lack of control, this fever-dream surrender that breaches the walls of your mind and the tics and tells of your body so effortlessly— but you miss him. You don’t miss anyone, and the one person you do is more of an imago that never was able to grow into her own real person. But the you you’ve helplessly become certainly does. You’ve become an addict. You cannot let him rot when his presence gave your monochrome world color, you can’t quit the drug you’ve always shunned. This is all a devil’s bargain, certainly, but you’ve already damned yourself, and all that’s left to do is plunge further. Oh and by the way. The infuriating man in question looks like this:
Like okay then, good luck not having the crashout of the century 😭
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mans stede is so silly goofy. my man won a duel once and then said man. im the shit, right? and then didn’t wait for a response.
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"Are you sure this is what you want, Arun?" is THE most romantic Loumand line to me because this is Louis, knowing that Armand has suffered a life of abuse, of being bent and broken and reshaped to his captors' will, knowing that he has a complicated relationship with his own sense of self from the history he has shared, taking care to ask I want to know if you actually want this as yourself, not as Amadeo, the Maestro's perfect muse, not as Armand, the fearsome coven leader, but as Arun, the real you, before you were forced into those roles against your will. Arun, who did not have a choice then, you are free to make the choice now. Are you sure that you want this?
Which makes it extra unhinged that Armand's response is basically "yes daddy"
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Rose Tyler was poor. She didn't finish her A-levels, she lived in government housing, she worked a shitty retail job with no hope of college or university on the horizon, she was 300% what her classist society would view as trashy; thick mascara, dark roots, the whole nine yards.
But she was the most important woman in the universe to the Doctor, to so many she impacted; beautiful, brilliant, adored. She was the love of his live(s), and so, so many who met her were touched in some way just because she was herself, and because her conviction, her love, and her compassion were so powerful that they radiated across universes, throughout time, and changed everything, over and over again.
And I know all of this has been said so many times, for almost twenty years now, but Rose, I think you will always be my favorite fictional woman of all time.
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AO3 👏 TAGS 👏 ARE 👏 NOT 👏 SPOILERS 👏
i’m so tired of authors not tagging correctly because they don’t want to “spoil the fic”
correctly tagging your fic allows readers who DON’T want to read things like major character death, gore, mpreg or whatever may be their squick to filter your fic out from the main ship/fandom tag. not including the correct tags on your fic is harmful to readers and i’m tired of pretending it’s not.
“don’t like don’t read” great! i won’t! tag your fic correctly next time ffs
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