grimreaperofmytime

[grimreaperofmytime]

[grimreaperofmytime]

The Calling of Samuel (1877) - Gustave Doré

[grimreaperofmytime]

Phases d'une éclipse, États-Unis, 1932

[grimreaperofmytime]

Luciana Lupe Vasconcelos

[grimreaperofmytime]

Natalia Smirnova, ‘How the Sun Was Made’

[grimreaperofmytime]

Samuli Heimonen (Finnish, b. 1975, Saarijävi, Finland, based Kangasniemi, Finland) - Poiminta (Picking), 2011, Paintings: Acrylics, Oil on Canvas

[grimreaperofmytime]

Félix Bracquemond - Two versions of a frontispiece for Les Fleurs du Mal by Charles Baudelaire. Etchings

[grimreaperofmytime]

“Not only am I a ghost, but I’m the saddest, unhappiest, miserablest ghost in town!”

[grimreaperofmytime]

Rika Ezaki aka エザキ aka エザキ リカ aka Kizetz (Taiwanese, b. Toyko, Japan) - 引けば終焉, 2012, Digital Arts: Drawing

[grimreaperofmytime]

Enrique Martínez Celaya (Cuban/American, b. 1964), The Faithful, 2018-19. Oil and wax on canvas, 150 x 116 in.

[grimreaperofmytime]

Spanish school, 17th century, A vanitas still life with skulls, an estinguished candle and musical scores on a stone ledge

[grimreaperofmytime]

I question what it is that our consciousness is able to comprehend after the inevitable ending of our very own short story

[grimreaperofmytime]

@babswebb

[grimreaperofmytime]

Haunted - A.P. / dh

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[grimreaperofmytime]

Franz Ludwig Catel - Two monks in a monastery close to the sea (1856)

[grimreaperofmytime]

Jean De La Fontaine >> Death and the woodcutter >> 1850 >> detail.