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while i'm not huge on social media promotion for band stuff, this was really fun, i'd never considered making an animated flyer. if you're in PDX and enjoy this, come check us out THIS FRIDAY, 1/6 at THE HIGH WATER MARK. we are so pleased to be playing with BRIDAL VEIL and CREATURE PARTY, and it's gonna be a hella great show.

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photo: David Castenson

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INTRODUCING HELL SANTA

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a fun thing about being in a band, if you’re a designer, is that you get to work on design pieces that you then put *everywhere*. it’s also fun to be able to share works in progress. my bandmate and i were working on two different ideas for a flyer independently of one another, and rather than choose one, i ended up combining them.

first image was my first draft, second image is the piece by eric de kolb (“A Winter Scene”) my bandmate was working with, final was the final output. come see us play if you’re in the PDX area, it’ll be a really fucking good show.

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best of the year, 2022

i have not been as active over here as i intended to be, mostly because between my band, my life, and my job, i just haven’t had a ton of time to sit down and write. i’d like to say i’ll do more of it in 2023, but i know better than to lie to you or me.

however, that does not mean that i haven’t had time to listen to music — quite the opposite.

i bought a *lot* of music this year, and had no real regrets for any of my purchases, but here are some of my favorites from the year 2022. most links will be bandcamp unless there’s a good reason to link elsewhere. these are things i *heard* this year, not necessarily things that were released this year, though most of them were. 

first up, DRUG CHURCH. these dudes get a lot of buzz for sounding like the 90s, which they do, but i don’t think i quite agree with the grunge comparisons they get — to me, they sound a lot more like late 90s hardcore bands like AS FRIENDS RUST, albeit with some of the bigger, more creative guitar sound of 90s alternative bands like, amongst others, SMASHING PUMPKINS. 

i’m never not going to be an ARCHERS OF LOAF superfan, and i was absolutely fucking stoked to hear they had a new record coming out this year. this record is very, very good, and maybe my favorite since ICKY METTLE, which came out roughly 6,000 years ago. a lot of 90s-era indie bands have made returns to the stage in recent years, but these guys are one of the few who i feel like really grew in the intervening years — this song has as much of THE WHO in it as it has chapel hill, which i think is grand. 

BIG JOANIE seem to be blowing up everywhere, and for good reason, they’re fantastic. i’ve written about them a couple of times, so i won’t go too much more into detail here, but if you haven’t yet heard them, check this one out — if you get the time, check out the video, too, which is a sweet and lovely vignette of young friends and lovers. 

ELLEN RIPLEY HYPERSLEEP are a japanese band that i stumbled across on twitter (i think) who, if i had lottery money, i would fly out to the united states to do a west coast tour with. they’re a really, really great mix of synth-y 80s and early 90s new wave, but with a lot of very good shoegaze sensibilities. they’re a little hard to find, but they’ve got a youtube channel and they’re on spotify, so go check them out, everything they’ve done is great and i’m really hoping they start to gain ground, either in japan or worldwide.

years ago, when i lived in denver, i remember LEON BRIDGES playing at the ogden theater right after he broke out and thinking that he maybe wasn’t quite ready for that level of audience just yet — the show got moved to the ogden from a much smaller venue at the last minute. fast forward to 2022, and he’s working on really innovative and incredible R&B and soul, this time, with the unflappable khuangbin. 

LOS BITCHOS weren’t new in 2022, but this record was, and it’s a delightful spring and summer record to play with the windows open. they get a lot of totally justified comparisons to THE GO-GOs, but i think people sort of snooze on the way they’ve also got a sound that’s similar to some of LUSH’s best work. also, their percussionist might be the best drummer i’ve heard all year, really creative and technically precise. 

i really like jazz, but i am not, like, a jazz-knower — i just hear things, like them, and sometimes buy them. this JOHN PATTON reissue was a good example; i came across it on bandcamp, loved it, and bought it even before the first song ended. 

i have been absolutely thrilled by the resurgance of of electro, new wave and post-punk in recent years, and LEATHERS absolutely hit all of the sweet spots here. LEATHERS are a side project of another great canadian band, ACTORS, but whereas ACTORS are a little louder, more rock, and a touch grimier, LEATHERS are all neon and cool. 

speaking of cool, neon and electro, 2022 saw the return of one of my personal favorites, LADYTRON. i am stoked as fuck to catch them on one of their very few US dates next year, because everything i’ve heard from this new record so far sounds like a return to their classic LIGHT & MAGIC sound, which is somewhere in my top 50 favorite records of all time. 

i’ve included them on a couple lists before, but SOFT KILL’s CANARY YELLOW may get my album of the year. it’s a bummer that this may end up being the last record they put out, but if you’ve got to go, you can do a lot worse than going out on at the top of your game.

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we are absolutely stoked to be playing this show on 1/6/23 at the HIGH WATER MARK with BRIDAL VEIL and CREATURE PARTY, if you’re in PDX or surrounding areas, come make this your first show of the year!

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WIP, shamelessly ripping off eric de kolb for a flyer

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i have managed to lose, in my house, one disc of this record, so i have been listening to only sides c and d for like, six months.

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since i have made an entire design project out of a flyer for our next show, may as well go with one of the GOATs

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fuck yeah for record pre-orders, soft kill’s canary yellow is superb, and if it ends up being their swan song, it’s a lovely note to go on.

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oh yeah, with the new size limit for .gifs this thing can finally be posted

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dinner is/was served.

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a big fucking difference between tumblr and mastadon is that no one on tumblr tells lies to their followers or themselves about why they’re here or what they’re doing here, and i genuinely like tumblr for that.

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one thing that’s fun about knowing how to cook a lot of different things is that you can — as i am this evening — make what sounds like a very fancy dinner but what is, in reality, simple as shit. buttermilk roasted whole chicken, french onion soup, haritots verts in dijon vinaigrette with shallots, like, all of these are basically “do a tiny amount of prep work and then spend the afternoon and early evening getting tipsy and fucking around on the internet while listening to jazz”.

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the best part about caramelizing a shit ton of onions for soup is getting wine tipsy while doing it.

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one reason i’m not leaving twitter just yet is that neither mastadon nor tumblr ever turn up anything quite this cool in my feed.