"...they must undertake this long and dangerous journey, half on water, half on land. First as pilgrims, then as pilots." Fulcanelli, Le Mystère Des Cathédrales https://www.etsy.com/shop/PatriciaSundmanArt
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“The seductive power of courtesans, and images of them, relied on gorgeous garments. This woman wears many layers of kimono, each pulled back at the collar to sensually reveal the nape of her neck. A dragon adorns her outer kimono, while her inner garment has the red, tie-dyed hemp-leaf pattern so favoured by courtesans. She wears her large obi tied at the front, and the ensemble is styled with an extravagant hair arrangement and high geta (shoes).“ ©Victoria & Albert Museum
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• Wedding dress and detachable train.
Date: 1919
Medium: Silk satin, gold lamé, lace.
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Castle Combe cloaked in autumnal vines, 🍂🍁 Cotswolds, Wiltshire, England ~ Daniel Casson
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"circle paintings"
ink, gouache, acrylic, and soap on paper 4.5" x 6", 2024
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Iris corsage ornament by Tiffany & Co., c. 1900, sapphires, diamonds, garnets, topaz, blued steel, gold alloys, platinum (via).
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Paul Evans (British, b. 1954, Sussex, England, based Lavenham, Suffolk, England) - Hoar Frost, Paintings: Acrylic on Canvas
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Barnacles and Moss aka Ruth Ann (based Seattle, WA, USA) - Hide and Seek In The Graveyard, Drawing
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no one should be allowed to make a youtube video essay ever again
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Under the Moonbeams, John Atkinson Grimshaw, 1887
Oil on board 18 x 14 ⅛ in. (46 x 35.9 cm)
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Pieced and Appliqued Bedcover (circa 1810-1840).
Chintz, furnishing fabric and white cotton, unquilted.
Smithsonian American Art Museum.
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