Strictly the Liverpool lads | Jules | 25 | she/her | beatle blogging since 2014ish
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Want a horse, I got a sheep
I'm gonna get me a good night's sleep
Livin' in a home in the heart of the country
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I wish I could discover the beatles for the first time again that was such a high
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Ed Sullivan Show wall signed by the Beatles with drawn caricatures, 9 February 1964. 'Shortly before The Beatles went onstage for their second set that night, where they performed ‘I Saw Her Standing There’ and ‘I Want To Hold Your Hand’, a stagehand named Jerry Gort asked them to sign the back of the moving wall which was used as the backdrop during the performance. Jerry handed the group the pen and each member of the group signed an enormous bold signature with a facial doodle with Paul adding the word ‘Uncle’ above his autograph. According to Gort, “John, Paul and George signed the wall first and when it came to Ringo he had to lift him up by his waist to sign. Immediately after Ringo signed and completed his drawing he had to run to get to his drum kit before the performance started.”'
Full photograph below
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The Beatles backstage at Sundsta Läroverk in Karlstad, Sweden | 25 October 1963 © Bo Trenter
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GEORGE HARRISON’S OUTFITS: DAY FIFTEEN – JANUARY 24, 1969 The Beatles: Get Back (2021) dir. Peter Jackson
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Contact sheets of John Lennon, Paul McCartney and Neil Aspinall, August 18, 1965, taken by Robert Freeman.
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PAUL, LINDA and HEATHER McCARTNEY. April 14, 1969. ©️ National Portrait Gallery, London.
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Sixty years ago today, Paul looked at John like… this
John Lennon and Paul McCartney performing I’m A Loser during The Beatles performance on Shindig!, 3rd October 1964 - part 3 (part 1, part 2, part 4)
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At Shea Stadium, August 15, 1965. Photo by Marc Weinstein.
Remembering John on his birthday. George Harrison: “He was a very funny fella. And we had a lot of laughs. When we were doing this record for [Cloud Nine] ‘When We Was Fab,’ I thought a lot about John, because he wrote, I think, the best Beatles songs that I can think of — like ‘Walrus,’ ‘Glass Onion,’ and ‘Strawberry Fields.’ Those obvious John-songs. You know, I miss that side. I miss that in music, when I listen to other records. There’s nobody who does anything that’s that *neat*; that fun and unusual and sarcastic and loving… he was great, he was brilliant, and he was a great soul. Still is.” - Guitar World, April 1988 (x)
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Outtake contact sheet from the 'Butcher Cover' photo session, taken by Robert Whittaker, 25 March 1966
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