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Writing Intimacy
i often see writers sharing a sentiment of struggling with writing kiss scenes which honestly bleeds into other portrayals of physical intimacy. i see it a lot in modernized styles of writing popularized by the recent trend in publishing to encourage short, choppy sentences and few adverbs, even less descriptive language. this makes intimacy come across awkward, like someone writing a script or clumsy recounting of events rather than a beautiful paragraph of human connection.
or just plane horniness. but hey, horny doesn't have to be mutually exclusive with poetic or sensual.
shallow example: they kissed desperately, tongues swirling and she moaned. it made her feel warm inside.
in depth example: she reached for the other woman slowly and with a small measure of uncertainty. the moment her fingers brushed the sharp, soft jaw of her companion, eliza's hesitance slid away. the first kiss was gentle when she finally closed the distance between them. she pressed her lips lightly to gabriella's in silent exploration. a tender question. gabriella answered by meeting her kiss with a firmer one of her own. eliza felt the woman's fingers curling into her umber hair, fingernails scraping along her scalp. everything inside eliza relaxed and the nervousness uncoiled from her gut. a warm buzz of energy sunk through her flesh down to the very core of her soul. this was right. this was always where she needed to be.
the first complaint i see regards discomfort in writing a kiss, feeling like one is intruding on the characters. the only way to get around this is to practice. anything that makes you uncomfortable in writing is something you should explore. writing is at its best when we are pushing the envelope of our own comfort zones. if it feels cringy, if it feels too intimate, too weird, too intrusive, good. do it anyway! try different styles, practice it, think about which parts of it make you balk the most and then explore that, dissect it and dive into getting comfortable with the portrayal of human connection.
of course the biggest part comes to not knowing what to say other than "they kissed" or, of course, the tried and true "their lips crashed and their tongues battled for dominance" 😐. so this is my best advice: think beyond the mouth. okay, we know their mouths are mashing. but what are their hands doing? are they touching one another's hair? are they scratching or gripping desperately at one another? are they gliding their hands along each other's body or are they wrapping their arms tightly to hold each other close? do they sigh? do they groan? do they relax? do they tense? are they comfortable with each other or giddy and uncertain? is it a relief, or is it bringing more questions? is it building tension or finally breaking it?
get descriptive with the emotions. how is it making the main character/pov holder feel? how are they carrying those emotions in their body? how do they feel the desire in their body? desire is not just felt below the belt. it's in the gut, it's in the chest, it's in the flushing of cheeks, the chills beneath the skin, the goosebumps over the surface of the flesh. everyone has different pleasure zones. a kiss might not always lead desire for overtly sexual touches. a kiss might lead to the desire for an embrace. a kiss might lead to the impulse to bite or lick at other areas. a kiss could awaken desire to be caressed or caress the neck, the shoulder, the back, the arms etc. describe that desire, show those impulses of pleasure and affection.
of course there is the tactile. what does the love interest taste like? what do they smell like? how do they kiss? rough and greedy? slow and sensual? explorative and hesitant? expertly or clumsily? how does it feel to be kissed by them? how does it feel to kiss them?
i.e. examine who these individuals are, what their motives and feelings are within that moment, who they are together, what it looks like when these two individuals come together. a kiss is not about the mouth. it's about opening the door to vulnerability and desire in one's entire body and soul.
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Show, don’t tell
"Show, don’t tell" means letting readers experience a story through actions, senses, and dialogue instead of outright explaining things. Here are some practical tips to achieve that:
1. Use Sensory Details
Tell: "The room was cold."
Show: "Her breath puffed in faint clouds, and she shivered as frost clung to the edges of the window."
Tell: "He was scared."
Show: "His hands trembled, and his heart thudded so loudly he was sure they could hear it too."
2. Focus on Actions
Tell: "She was angry."
Show: "She slammed the mug onto the counter, coffee sloshing over the rim as her jaw clenched."
Tell: "He was exhausted."
Show: "He stumbled through the door, collapsing onto the couch without even bothering to remove his shoes."
3. Use Dialogue
What characters say and how they say it can reveal their emotions, intentions, or traits.
Tell: "She was worried about the storm."
Show: "Do you think it'll reach us?" she asked, her voice tight, her fingers twisting the hem of her shirt.
4. Show Internal Conflict Through Thoughts or Reactions
Tell: "He was jealous of his friend."
Show: "As his friend held up the trophy, he forced a smile, swallowing the bitter lump rising in his throat."
5. Describe the Environment to Reflect Mood
Use the setting to mirror or hint at emotions or themes.
Tell: "The town was eerie."
Show: "Empty streets stretched into the mist, and the only sound was the faint creak of a weathered sign swinging in the wind."
6. Let Readers Infer Through Context
Give enough clues for the reader to piece things together without spelling it out.
Tell: "The man was a thief."
Show: "He moved through the crowd, fingers brushing pockets, his hand darting away with a glint of gold."
7. Use Subtext in Interactions
What’s left unsaid can reveal as much as what’s spoken.
Tell: "They were uncomfortable around each other."
Show: "He avoided her eyes, pretending to study the painting on the wall. She smoothed her dress for the third time, her fingers fumbling with the hem."
8. Compare to Relatable Experiences
Use metaphors, similes, or comparisons to make an emotion or situation vivid.
Tell: "The mountain was huge."
Show: "The mountain loomed above them, its peak disappearing into the clouds, as if it pierced the heavens."
Practice Example:
Tell: "The village had been destroyed by the fire."
Show: "Charred beams jutted from the rubble like broken ribs, the acrid smell of ash lingering in the air. A child's shoe lay half-buried in the soot, its leather curled from the heat."
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Writing prompt: a character (from a doomed time line) is sent to a different time line where their life is better, where they could live and thrive and be happy. They have to decide whether they want to go back to try and save their doomed timeline or do they stay where they’ll live?
All right, so I've started on this, but I haven't finished. I'll reply with the rest though! (I really like this prompt, it has a lot of food for thought)
ahem:
We are called group 1A. We are the first to attempt inter-dimensional travel. We are not special, not precious. I do not pretend to ignore the village’s message to me, to those who have been selected. We are the dispensible, the worthless. The ones who this small community will not miss in the event of failure.
Even so, we will be the first. The first at what, it does not matter. This dimension is crumbling like stale bread, and all we have left are a few crumbs before even the ants will disregard us. We are almost out of time. It feels as if a clock is constantly ticking in the background, counting down to our demise. Even in silence, I hear the ticking.
I am strapped to a metal bench, wedged between the other two chosen for the first mission. Across from us is a miniscule screen that counts down from fifteen. If is fitting, I think; it gives a voice to the ticking I have heard ever since I was informed that I would be part of group 1A.
We have 13 seconds to go.
I look around the room, squinting to see beyond plastic panels that seperate us from the scientists running this operation. Some have screens that they will use to record how the first mission goes.
8 seconds left.
The man next to me clenches his fists. His breath is coming in short gasps. I put my hand over his, and he stills. His face twists into a grimace.
5 seconds.
The room is white, too white. The walls are too polished, too shiny. My last view of this dimension will be the plastic sheen of sterile labs.
3 seconds.
The man next to me grips my hand tighter.
The ticking continunes. I can hear the ticking in my head echo the clock. 2, 1…
Pain. All I know is pain. I am everything, nothing all at once. I am everywhere, my body being pulled in all directions. It feels as though I am tumbling down a circular staircase. The woman on my right is screaming, but I cannot hear her. It is as if the air has turned to sand and I am buried in it. It is endless, the pain, and I have enough time to come to terms with my death. I will not be missed, and I will not miss myself. I was doomed from the start, what difference does it make how I die?
We jolt to a stop, the leather straps digging in to my chest as I lurch forward. There is no more pain, and we are alive.
#writing prompt#writing prompts#i dont know what other tags to put#inter-dimensional travel#writer in pain#not really#but still
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character misses their shot and the villain goes "ha! you missed." and the main character goes "did i?" and then shoots the villain again while they're frantically looking around the room for what the hero could possibly have aiming for instead
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variations on "feel old yet" meme:
lying (overshooting): feel old yet? the first episode of spongebob aired 36 years ago
lying (undershooting): feel old yet? the first episode of spongebob aired 7 years ago
lying by a ridiculous amount (overshooting): feel old yet? the first episode of spongebob aired 900 years ago
lying by a ridiculous amount (undershooting): feel old yet? the first episode of spongebob aired 15 minutes ago
real date of event no one reading was alive for: feel old yet? the great san francisco earthquake happened 118 years ago
real date of event no one reading was alive for or cares about: feel old yet? prince frederick henry died 395 years ago
event no one reading was alive for and also lying: feel old yet? the great san francisco earthquake happened 4 years ago
event that did not happen: feel old yet? brian mulroney was assassinated 48 years ago
event that did not happen and even if it did this would be a lie: feel old yet? brian mulroney was assassinated 197 years ago
real date of event on a cosmological scale: feel old yet? the sun was formed 4,600,000,000 years ago
lying on a cosmological scale (undershooting): feel old yet? the sun was formed 12 years ago
lying on a cosmological scale (overshooting): feel old yet? the first episode of spongebob aired 12,000,000,000 years ago
real date of a personal anecdote that only you know or card about: feel old yet? i made a really good stir fry 5 years ago
reversal: feel young yet? frozen 3 is coming out in 3 years
reversal on a cosmological scale: feel young yet? the sun will collapse in 8,000,000,000 years
reversal (lying about event): feel young yet? the first episode of spongebob will air in 3 years
reversal (lying about time, overshooting): feel young yet? frozen 3 is coming out in 8,000,000,000 years
reversal (lying about time, undershooting): feel young yet? the sun will collapse in 3 years
reversal (lying about time, really undershooting): feel young yet? the sun will collapse in 12 minutes
real date of a recurring event that wasn't very long ago: feel old yet? halloween was 13 days ago
lying about recurring event: feel old yet? halloween was 10,000 years ago
reversal of recurring event: feel young yet? thursday is tomorrow
reversal of personal anecdote: feel young yet? my laundry is done in 52 minutes
real(?) date of a nonspecific event: feel old yet? something happened 2 years ago
lying about the reader (undershooting): feel old yet? you were born 5 years ago
lying about the reader (overshooting): feel old yet? you were born 650 years ago
making a reasonable guess about the reader: feel old yet? you were born 22 years ago
technically telling the truth about the reader: feel old yet? you were born between 0 and 120 years ago
threatening the reader: feel young yet? you will die in 7 days
non sequitur: feel old yet? half of all chameleon species on earth live in madagascar
non sequitur (lying): feel old yet? chameleons are immune to fire
lying on several levels: feel old yet? chameleons were invented 36 years ago
self-reference: feel old yet? i started writing this post 40 minutes ago
giving up: feel old yyet?th e emmenkr,tn dbw a 8 gn m hk\
i can't finish the joke someone else come up with a punchline: feel old yet?
declarative statement: you feel old.
subversive declarative statement: time isn't even real.
reference another meme: feel old yet? yeah. this is the beach that makes you old.
reference another meme specifically about injecting non sequiturs into long posts: feel old yet? the glue that lets you walk up and down anything was invented 36 years ago
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Writing Help Pls!
Hello! I'm low on inspiration and can't find any interesting writing prompts. Would it be possible for anyone to reply with their favorite writing prompt? Thanks!
#writeblr#writing inspiration#writing inspo#writing prompts#writing help#writing advice#pls help me#i really need prompts#thank u!!!
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Voldemort: You give the absolutely worst advice
Harry: It didn't work?
Voldemort: No Harry, showing up at Hogwarts with a cake that says "I'm sorry for killing all those people" did not help
Harry: Weird. Dumbledore loves cake...
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the only consistent thing in my life is my attachment to fictional characters and my inability to finish anything.
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Write a piece about someone whose personality gets worse and worse
#there are so many ways i could take this#should i use misinformation?#slowly uncovering the character's flaws?#or should I have them be corrupted?#or should it be like macbeth#how do i say this#they go from no murder to yes murder in a day#and that would be awesome
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