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i feel like playing this game drunk you would fry your circuits bad
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so i'll talk about this more tomorrow when i put up my "amy's choice" write up but i am thinkingggg about moffat's characterization vs davies
like with rory and mickey. rory is obviously the mickey, the back-home boyfriend getting ditched in favor of the doctor. but the thing with mickey is like... he's a good reason to leave, not to stay. he's kind of a loser, implied in the first episode to be cheating (telling rose not to check his email) before she even meets the doctor! he's the tin dog, mickey the idiot. he represents everything rose is tired of. she straight up never seems to care about him ever, and the doctor openly mocks him, and even the narrative doesn't seem interested in giving him interiority or sympathy
vs rory. rory is a legitimately good option: good career, kind, gentle, intelligent, handsome (mickey was also handsome, to be fair). he's the antithesis of the doctor, but he's not presented as the worse option, just very different. he has the doctor dead. to. rights. immediately! "you make people a danger to themselves" and that will carry on, past "you forget that not every victory is about saving the world" he's like the Reasonable One
the potential danger of traveling with the doctor is treated as an inevitable minor footnote in the davies era, i feel like. it's always there but it's rarely Real. rose was so borderline suicidal i'm amazed she only got trapped in another dimension, martha dipped cause his ass was pathetic, donna was literally railroaded and never had a real choice. but amy? amy feels like she's in real danger of losing rory, she does lose her daughter, she DIES in the end. and clara dies. and bill– like the consequences are real. they make their choice, and their choice makes them. obviously all of them are in danger in any given episode but it feels like the moffat companions really play that out to the inevitable conclusion
and i feel like his companions have faults and traits that actually... matter? like with davies companions we do learn a lot about their lives in terms of jobs and skills and family, but less about deep character flaws, about ethos. i do love them but halfway through s5, the obvious impact on the story that amy's abandonment issues have feels genuinely unmatched by earlier companions. she's savage! she's nasty! she is given a trolley problem and chooses murder suicide bc either her life is a lie or her husband is dead and life isn't worth living. it's deranged. in the davies era it felt like i was piecing together characters and arcs on my own, picking up my own observations, it feels far more passive than it does with amy so far. amy is deliberate, her character arc and growth is very active. clara and the doctor get so codependent she tries to kill him and then dies horrifically. like it's insane
none of this is meant to shit on the davies era. i enjoyed it a lot and love all his companions (except adam but he doesn't count) and obviously the moffat era couldn't have been what it was without davies preceding, but i'm really remembering why moffat's era is my fave. it feels so intentional, so rich, it is exactly what i personally want out of a story. i love s5 so much
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The mysterious "Pyramid Head" ―S I L E N T H I L L 2 REMAKE (08.10.2024)
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AZUR & ASMAR: THE PRINCES' QUEST // AZUR ET ASMAR (2006) - Directed by Michel Ocelot
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things i would have liked to have seen while reading the manga
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He is pathetic and miserable in a hot kind of way
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Winter Alear and Byleth~✨️
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Why this one? Why did I choose this face?
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God, there's something so funny about the Big Bad of the arc riding in the little sidecar of the motorcycle and his henchmen having to run behind on foot as he putters off.
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Idk anymore, just have a Joe Yabuki vomiting rainbows (with sparkles ✨)
Ig this could be a vague reference to how they made Joe's puke sparkle juice in the 2nd anime series
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