garqoyles

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my fav fnaf headcanon is that it never happend.

no children werent murdered and no william afton is not crazy he loves his kids and has frequent bbqs with henry and his family! Wdym the bite of 87? I think you're referring to the HUG of 87 which was charlie and elizabeth after they won the family talent show!

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shes so silena beauregard its not even funny. uncle rick PLEASE

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am always obsessed when someone says to a character “call off your dog” about another character.

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Dónal Finn was such a perfect poor boy working on a song it's been days and I still can't stop thinking about it. Like. His lalalas/If It's True seriously rewired my brain.

(shoutout to @yatorihell and Pip who accompanied me on the road to hell and Irish Orpheus <3<3<3)

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My biggest flex in the world is that I was there. I got to experience this in real life. in real time

Hadestown today for Grace and Dónal's final performances was actually insane. The energy was electric, every single performer on stage gave it their fucking all as though it was also their last performance too, right off the bat everyone was already emotional, the crowd was wild and cheering insanely loud at the very beginning, all the emotional moments were 10x more tender. Dónal's last If It's True was actually fucking crazy it was a showstopper to the point that when it ended not only did everyone applaud like usual but everyone stood up for a grand standing ovation. (Also I was sat next to his parents!! When everyone came out on stage at the beginning his mum stood up and waved and clapped for him, I was so emotional!) During Promises when Eurydice says "You finished it" about Orpheus finally completing his song the whole theatre erupted into cheers and applause (that never happens in that moment). When Grace has her big note at the end of Wait for Me (Reprise) the cheering and applause was so loud. The audience was just electric like never before, the cheering and applause for every single song had such a different and more intense feel to it than any other day. When Orpheus turns around and loses Eurydice the whole theatre held its breath and you could hear a pin drop when Hermes starts singing the finale. Melanie started it so so quietly and solemnly and tragically and it was so beautiful. Everyone on stage was crying when they came to take their bows and Madeline got a moment of appreciation since she's taking over as Eurydice. Dónal and Grace had extended applause moments. Everyone was a sobbing mess during We Raise Our Cups, both audience and cast alike AND!! The rest of the cast (swings and understudies) came out during the song to raise their cups as well!! And then Melanie asked everyone to be seated again and called all the tech team out to stage too, taught us a call and response she'd like us to keep in mind from a storytelling tradition back in Trinidad and Tobago (sorry I can't remember it rn I was too much of an emotional wreck!!) And then she gave Grace and Dónal respectively a beautiful heart felt genuine lovely speech and goodbye, there was not a dry eye in the whole place. She asked everyone on stage to create a path and then sent Grace and Dónal off with a rhyme and the call and response she taught us, and they walked off the way Orpheus and Eurydice would have walked out of hell together if he hadn't turned around!!!!!, and they stopped at the top just before the exit to wave bye to everyone and honestly there's probably loads I'm missing out on but I cried too damn much to be able to have the mental capacity to even formulate thoughts so if anyone else was there today and has anything to add please do so!!!! 😭 it was an insane time and I'm so so glad I got to be there and experience it, it was pure magic. I got this vid of the bows and you can see how emotional everyone was but had to cut it off as We Raise Our Cups started because my hands were shaking so much (I have a full vid of the song from months ago tho if anyone wants to see it just search on my blog)

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You could use a little pick-me-up

Melanie La Barrie as Hermes, Rachel Tucker as Persephone, West End 2025: @callmelasagna’s master

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casual survey: reblog if you want to kiss a girl right now

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Benji u will always be canon to me. Trust.

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春の荒川線

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me and my moots <3

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MOM'S SPAGHETTI/ sakura x chaewon (le sserafim)

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this applies to them too btw.

ahh the sapphic control over your mental illness when it comes to wether you should kill your gf or not

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toxic lesbians 🤩

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“Sometimes, I feel the past and the future pressing so hard on either side that there’s no room for the present at all.”

— Evelyn Waugh, Brideshead Revisited