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WIP of Penelope with her forever-unfinished shroud.
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My favorite part of the PJO TV series casting announcements is that there's always a tweet of the new actor and Walker Scobell as Percy saying "their beef is about to be insane". No matter what. Ares actor? Beef is gonna be insane. Hades and Zeus actors? Beef is gonna be insane. Thalia? Beef is gonna be insane/he's gonna make fun of her accent and she'll electrocute him. Now, Athena? Again, the beef is about to be crazy.
And it's always right. That kid had beef with everyone and their mom.
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im so much more interested in a hoo that lets Percy keep the status and power he'd left off with in the Last Olympian and explores how he grapples with that instead of immediately forcing him back into the role of the underdog at the expense of his prior development. Let the fact that he alone has the title the "Savior of Olympus" mean something. Let the fact that he is the sole survivor of the great prophecy mean something. Let the Curse of Achilles mean something. Let us see how it's a curse and how it could warp his sense of self. Let Percy be on a completely different playing field than the rest of the seven (or even the other children of the big three at this point) and show us how it alienates him.
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"jason is a knockoff watered down percy" NO hear me out, jason actually parallels annabeth immensely, sharing SO many similarities with her personality, not percy, in this essay I will-
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I need to not think too deeply about how camp jupiter/new rome could function at all based on the roman republic/roman empire because by all accounts. It shouldn't function at all
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so. percy's arc in boo (learning to step back, allowing leo to sacrifice himself despite his loyalty/fatal flaw) sucks. for many reasons.
for one, percy yielding is such an integral part of pjo. all of pjo. but even if u somehow missed it in the first four books, tlo explicitly spells it out. "sometimes the hardest power to master is the power of yielding" hestia says to percy. "i yield when necessary. can you do this?" and then this is the climax of the story. "you are not the hero...it will affect what you do." percy has spent the last five books being told that he's the super powerful chosen one able to save or destroy the world, and he still chooses to yield to someone that has done nothing but betray him. "the line from the great prophecy echoed in my head...my whole world tipped upside down, and i gave the knife to luke." hoo acting like this is a lesson percy needs to learn is an affront to reading comprehension. percy lives bc he yields. and then he does it (yielding) again when he surrenders godhood, and power, to choose other demigods instead. this is not subtle writing.
for two, percy has rejected power, and his title, for the entirety of his story. percy doesn't even fully recognize how powerful he is until the volcano in botl. and he had to be told directly that it wasn't a fluke. then in son, percy immediately rejects the power and status offered to him. repeatedly. reyna offers him praetorship, he turns it down. frank is abt to let percy climb the wall first in the war games, percy says it was frank's claim. percy doesn't even want to go on the son quest but relents bc frank asked him. in moa, percy never demands that he lead. instead, he includes frank where he probably wasn't necessary, supports hazel, encourages annabeth, follows leo and piper's lead, and strategizes w jason. he isn't acting as a leader, but rather as part of a team. percy didn't need to "step back," the writing for the other characters needed to step up.
for three, percy had to be kidnapped and manipulated to be on this entire quest. he's not there bc he has a hero complex. acting like he has to learn to step back when he was quite literally shoved into place is wild.
for four, an integral part of percy's character is freedom, autonomy, and he extends this to the ppl he's loyal to. this is pretty explicitly established in tlt: "you're enough like me to understand," sally says. "if my life is going to mean anything, i have to live it myself." percy respects ppl's decisions. this is one of the first lessons he learns when he becomes a hero and an integral part of pjo: percy has to let sally save herself. percy has to let tyson go to the boiler. percy has to let bianca defeat talos. percy has to let nico walk away. percy has to let annabeth fight. if he loves them, he's going to let their lives mean something. even in hoo, percy still lets annabeth go on her quest alone, despite hating it, despite disagreeing w it, bc it's not his place to tell her what she can and can't do. this is her life. she has to live it. so this plotline doesn't even work it we ignore all of pjo and focus solely on hoo.
this theme of autonomy is especially important bc pjo is abt disability. one of the first things ppl try to take away from u when ur disabled is ur autonomy. the fact that percy vehemently defends it not just for himself but for others is essential to the narrative. percy advocates for other demigods, other disabled kids, and tyson, and he does so while maintaining their autonomy. it's why he's the leader, it's why he's the protagonist, it's why there is a callback to it in every pjo book. trying to act like he wouldn't respect someone's autonomy is a bastardization of this entire theme. which is actually fitting for hoo considering it bastardizes the rest of pjo anyway.
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I will forever stand by the fact that Blitzen and Hearthstone are some of the most interesting characters that Rick Riordan has ever written.
Hearthstone is the first mortal in centuries to practice rune magic, a skill that only Odin possessed before Hearth came along. He faced what I fully believe to be the worst trauma in the riordanverse (people often forget that in addition to being shunned for his deafness, being blamed for his younger brothers death, and having to live with the Wergild, he also had to skin the monster which killed Andiron all by himself at eight years old and he wasn't allowed back inside the house until had finished skinning the entire thing) and despite that, he still managed to return to Alfheim not once but twice to face his father. (and it's implied that it also happened another time prior to the story because Alderman knows who Blitzen is in THoT)
Blitzen is a misfit among dwarves, being the only one of his kind who isn't a builder by nature, but that doesn't mean he doesn't create by nature. He cares so much for fashion that he makes it his own craft despite not being given the recognition for it. He makes his own degree, he turns fashion into something that even the other dwarves can appreciate, and he succeeds in opening his own shop. He shows that he is willing to do anything for his friends on multiple occasions, and he has so much love to give even after losing his father, the only person who ever understood him. Because of this, he is able to recognize being a demigod for what it is, something that many other demigods don't like admitting all the time.
Neither Blitzen nor Hearthstone fit in among their own kind, but together, they form a bond unlike anything else Rick has ever written. Most of the MCGA fandom can't look past them being "not canon," but that's wrong. They aren't "not canon." They're nuanced and complicated with a relationship that might surpass platonic, but maybe it doesn't. (For my good omens fans, I would say they're thoroughly ineffable) That doesn't matter because they love each other, which they state in the text multiple times. Just because it never explicitly says "Blitz and Hearth are in a relationship" doesn't mean that they aren't in love. Just look at the things they do for each other.
Hearthstone, who doesn't show much emotion and is usually very restrained, but whenever he's been separated from Blitz, immediately rushes to hug him. Blitz, who once yelled at Hearth's abusive father with so much unbridled fury that Magnus thought it was Odin himself.
Blitzen can't survive in light, and Heartstone needs light to survive, so Blitz brought sunlight to a world of eternal darkness for Hearth. They call each other "my dwarf" and "my elf." Blitz learned an entire language for Hearth, and he expresses jealousy whenever Inge is around. Hearth faces abuse to save Blitzen even after Blitz begs him not to.
You can't have one without the other. They need each other more than anything else in the nine worlds. They weren't written just for you to go, "Oh boring, they aren't canon because they never kissed"
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its not about fuckin. problematic romance or whatever the myth isn’t ABOUT romance it’s about demeter and persephone’s separation. death took her child and her heart broke. The world withered from her grief. its okay if you all hate your moms and wanna run away with a guy with face tattoos or whatever the fuck but making demeter the antagonist to a forbidden romance plot means you’re illiterate sorry
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Say what you want about Rick's writing choices but he cooked when he had each pjo book represent a myth and had each character represent a greek hero. I am not ashamed to admit that.
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why are all these modern aus for the Odyssey set in a high school. where's the retelling where Odysseus is just a guy lost in an airport who keeps missing his connecting flights home due to a comical series of delays and disgruntled airline employees
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Leo. Genuine question. How much time did you spend staring at Jason’s lips to figure that one out?
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I think I messed up the question design so bad that most people who take the test end up getting Poseidon lmao can you guys take the test to see if you get Poseidon too :')
#i got apollo#and to answer your question op my plans of pursuing theatre are actually going fantastic#im not an actor though lol
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Thinking about a concept where Juno swaps Annabeth and Reyna instead.
Annabeth and Reyna are fine, because they’ve always been able to handle just about anything the gods threw at them. Piper accidentally has her gay awakening via fake memories of a relationship with Reyna and is really confused why her girlfriend is acting so weird. Reyna and Leo bicker non-stop because even without her memories Reyna knows what she’s doing and she’s very used to getting people to listen to her but Leo will not be serious for even one second.
Percy would start fist fighting the gods in the first week. Jason has never been more stressed in his life because he never even wanted to be praetor but it was manageable while he was doing it with Reyna and now he’s alone. What the hell is he supposed to do.
By the time Annabeth shows up at Camp Jupiter, Jason is so relieved someone knows what they’re doing that he immediately asks her to be praetor, now if she’ll excuse him he needs to go have an anxiety meltdown in a corner somewhere
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