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No thoughts only tummy and thighs

for @delulluart for torturing me today🖤

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La chute de la maison Usher (1928)

Marguerite Gance as Madeleine Usher

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Terzo's chasuble details

designed by Bea Åkerlund and Michel Berandi

Unfortunately there are no proper HQ pictures to see all of the details. Plus the shitty light of the venues Ghost performed at played huge role. There are also not so many pictures of Terzo's back in Papal vestments :/

Here's what i could find:

Spiders. Are visible on the front and backside of the chasuble.

The claw. Is in front on Papa's top right (our left) and also on the bottom of the chasuble but the picture of it is so shitty it's really not worth including. I'm 99,9% sure there are also some of them on his back too.

Crucifix. Is visible on Papa's top left.

Snake. Is on Papa's right.

Skulls. The are many of them. There's at least one demonic and lots of human skulls. Some examples can also be seen above.

Chains

A boot? Or a leg🙃 Honestly i have no idea what this is. It's on the bottom of chasuble on Papa's left.

A coffin(?)

Terzo's side/back pictures

[X] [x]

Feel free to add the details i've missed💜🖤

P. S. Please, for the love of satan, if y'all are going to use the pictures i spent hours to find and zoomed in like crazy for details, at least credit me!

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I love that Ghost has shifted all the attention to the aesthetics of clothing. 

In a world where pop stars focus almost entirely on nudity, ignoring the importance of clothing and how it plays a fundamental role in the game of desire, Ghost, both Papas and Ghouls, have been perfect in not underestimating the value of clothing, but rather in bringing it back to the spotlight.

The history of fashion is rich with examples of how clothing has been a source of literary inspiration, an object of desire and fetish, and a protagonist in cultural and aesthetic changes.

Leather gloves, intricate vestments, cravats, boots... they may seem like simple accessories, but they are, in fact, tools of seduction and personality manifestation.

With them, I feel as though we are returning to the European aesthetics of the 19th century, to the cult of beauty and elegance, as if having just stepped out of Leopardi's 'Dialogue Between Fashion and Death.'

I love the vanitas, the drama, the sophistication, the opulence of it all.

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lounging there like a greek youngling during symposium

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terzo my beloved

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best ghost moments 1/? ⛧ source — the introduction of Papa Emeritus II

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The fuck is Sister doing there like she’s in a 2000s emo music video???

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BOOP!

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Like why does bro look so good here?

Those growls, his eyes widening…I can’t fucking take it.

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Tʜᴇ ᴛᴀʟᴇ ᴏғ Pᴇᴛᴇʀ Rᴀʙʙɪᴛ ᴀɴᴅ ғʀɪᴇɴᴅs (1992)

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young nihil in my clothes😊😊😊

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Baldur's Gate Scenery | Underdark

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I am she who did not laugh. Was it pity or was it love? Olga Baclanova as Duchess Josiana in THE MAN WHO LAUGHS 1928, dir. Paul Leni

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Nice back, pretty hair, grabbable waist

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joined ASK a month ago ehehe

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triiiiippy terzo.