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Guillermo del Toro's Pinocchio: Handcarved Cinema (2022)
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Magnolias. Portland, Oregon. Spring 2020.
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The Siren (1901), by J.W. Waterhouse
Compared to “Ulysses and the Sirens” painted in 1891, the siren shown here is a much more humanlike creature. Only at the very end of her legs some scales are visible to show that she actually belongs to the sea. The shipwrecked sailor does not believe his eyes when he sees the naked figure playing the lyre, but the fear for her power prevails on his face.
This work is the last in a series where Waterhouse combined the themes of death, sex and sea. Earlier works include Circe Invidiosa (1892), Danaë (1892), The Merman (ca.1892) and A Mermaid (ca.1895).
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“Omg your so quiet”
me around people I actually like and trust:
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reblog the money pigeon for a financially stable future
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Jenna Ortega as Wednesday Addams — in Wednesday 1.04 "Woe What a Night"
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I’m not joking; I kill people. Whoo. There it is again.
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