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Everytime I accidently like or reblog something (art or writing usually) and that I didn't immediately recognize as having used AI I feel like I need to take a shower because ew. Gross.

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your villain doesn’t need a tragic backstory, but it helps if they at least think they’re the main character. delusional energy is key.

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stop killing the mentor just because it’s "what you’re supposed to do." let them retire and take up gardening instead.

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writing tip! your character doesn’t have to notice everything in a room. they’re not a real estate agent.

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Store Pullover Dress for elders

For elder females. Everyday, Formal, Career. Not enabled for random.

4 channels, 3 presets.

Original Store item (afBodyLoftPulloverDress) not required.

Polycount: 4.2k

Other ages available HERE.

Credits: 1, 2, 3, 4, 5.

🔸 Download: SFS | Mega

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In utter disbelief

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things I adore about Kagome:

her refusal to let anyone police her reactions to things! (“Inuyasha: Don’t cry— K: Oh, should I laugh?” and “Koga, while kidnapping her: Stop screaming! Kagome: I’LL SCREAM IF I WANT TO!” Icon.

Her bravery and boldness— even while kidnapped, “Of course not! You’ve got sacred jewel shards jammed in your legs. You don’t get bragging rights if you’re cheating, you know.”) + “You’ve got a lot of nerve, kidnapping me like that. What do you want? What are you up to?”

Her saying, “Hit the mark!” when she fires an arrow.

Her strong sense of justice and righteousness.

Fights monsters on the regular but has nightmares/dreams about school and upcoming tests

Taught herself not only archery but also how to utilize her spiritual powers when firing her arrows

Talked her way out of the Thunder Brothers’ den with Improv

Pushed Manten off of his own cloud because he was trying to pitch in with Hiten’s fight with Inuyasha/team up on Inuyasha.

Doesn’t give a single fuck about the implications of time travel or bringing items from the present to Feudal Japan, including the bicycle she hauls up the well.

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I love them

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its been 30 years in universe and she still live like this. Never change Bulma

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wish the human body had like a crash log or something so I could pin shit down. Why am I having a sudden spike of anxiety when I’m just sitting here? Well it looks like there’s a conflict here between my medication and the better foliage mod

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this callout couldve been a block button

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I love when characters are always drawn in lab coats even outside the lab because it implies that 1) they are either constantly violating lab safety rules or 2) they have a second, casual lab coat purely for external use

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Bulma looking at Vegeta like:

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I'm popping up this random Tuesday to share a few reminders with my fellow fanfic writers

Even your favorite authors had to work hard to get good. We are all awful writers until we decide to improve and take steps.

Every day is an opportunity to be a better writer than you were yesterday if you put in a little work

The love for your works must start with you. Be your own biggest fan

You're allowed to write at your pace.

its okay to embrace some "imperfections" in your writing. Imperfection is part of art because it makes you unique.

It's okay to let go of the writer you were yesterday. Change is normal and it's okay. You're still awesome and your new work will still have an audience. It's okay to look fondly upon a past you perceive as your "glory days" but don't let that make you insecure. Your heart of a writer and your creative talent remain true. Embrace the writer you've become and confidently run with it

Any story you come up with, and your writing style are both special and precious because it's your art

its okay to crave validation and compliments for your fanfic-writing. You poured your blood, sweat and tears into it like any other artist.

No matter how you feel about your writing, it is special because no one can do it like you.

It's okay to be satisfied with just being a fanfic writer. Having amazing writing talent doesn't mean you must force yourself to write original works or to be published.

Fuck AI

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The thing about people trying to "defend" KA by "debunking" common zutara takes is that it results in some really wonky and decidedly antifeminist takes. One of the most ridiculous and actually hair-raising in its anti-intellectualism is "KA isn't hero gets the girl, it's hero gets the hero!"

Which is wrong on multiple levels. And part of the thing is, hero gets the girl is such a ubiquitous trope that you really shouldn't have to try to debunk it. There are a lot of ships I like even though they fall under that narrative. And trying to debunk it kind of makes you look like an idiot. Especially with atla, because although Katara is a hero, she just blatantly does not take up the same amount of narrative space as Aang. She's the last waterbender of her people, and yet the show is still called Avatar: The Last Airbender. The trope she takes up most often is mentor figure to Aang, who is positioned in every way as the most important figure in the story and the ONLY person who can save the world.

This does, in fact, turn out not to be true in the end. Katara gets a moment of heroism in the finale during a climactic battle that is in many ways, more memorable than Aang's. But she's still not standing up on that stage at the end. No one calls her "the real hero." She doesn't get to stand next to Aang and Zuko during his coronation, despite the fact that Zuko would be dead if not for her. In fact, the camera follows her gaze intensely as she looks lovingly at Aang being lauded as the hero of the day.

Katara spends a lot of time throughout the story fighting to be recognized as a hero in her own right, and this is precisely because she starts at a deficit, and gets extremely angry at Aang when he shows her up, in a scene that's almost metatextual in Katara's awareness that she is not the hero of the story. The show allows her isolated moments to prove herself, but ultimately shunts her to the side for the sake of "the real hero," who she is destined to marry from the moment he lays eyes on her, and people pointing out the sexism here should be a surprise to no one except those who ascribe to the most milquetoast definition of feminism and a complete ignorance of narrative criticism.