froggie-the-frogman

[froggie-the-frogman]

The 1969 Easter Mass Incident

Content Warnings: Religion, food, symbolic cannibalism, symbolic gore, penis mention, Blasphemy, SO MUCH BLASPHEMY, weapons, war mention.  Mind the warnings and your health always comes first. Its a HILARIOUS story, I promise.

As always, all the names have been changed to protect people’s identities.  This is a long one, so Press J now if you want to skip it.

When my dad was a young man and still a practicing catholic, he participated in a small church communion that nearly got him and six other people excommunicated.

Father Patrick ran a small church outside of California Polytechnical and tended to be… rather more liberal in his interpretations of scripture than most of the church was, which made him something of a hit with the local students and liberally-inclined populace.  Pat went to all manner of civil demonstrations, condemned the shit out of the vietnam war and the politics that lead to it and so on.  In January of 1969 a series of incidents lead him to start exploring “nontraditional” means of holding Mass as a means of reaching out to his community and exploring his own faith, which ultimately culminated in the 1969 Easter Mass Incident.

For those of you who weren’t raised catholic, Communion is this ritual where you become one with Jesus by eating a really horrible bland wafer cookie and taking a shot of wine (called hosts), which then *literally* become the flesh and blood of jesus in your mouth, allowing him to become one with you.  It’s big McFucking deal, and you have the opportunity to take communion at every mass.  All this had to be explained to me second-hand because after this and Dad’s 51 days in the army, Dad decided he wouldn’t inflict religion on any children he might have in the future.

*

“Hey dad,” Six-year old me asked the first time he told me this story after my practicing friends were talking about getting wine at church. “Isn’t that cannibalism?”

“We’re getting to that.”  He waved.

*

The First Incident in January when, due to a serious cock-up by the church, all the hosts Father Pat received were moldering and spoiled and probably would have killed someone if he’d actually fed anyone them.  But it was the first mass of the year, when a peak number of people came in after vowing to got to church more for new year’s.  He couldn’t NOT have communion.

“I’ll bake.” offered Maria, the parish secretary and probably the best baker in the county. “So we have hosts.  Jesus will understand.”

Father Patrick, not one to pass up the chance at Maria’s cooking, immediately agreed.

A Host is supposed to be composed solely of unleavened wheat flour and water, which is why they taste terrible.  It’s a theological point of some importance relating to Exodus or something but Maria had an important theological counterpoint: Jesus both divine and loves all his children, ergo, Jesus would neither be a nasty bland cracker nor want his children to suffer as such and so instead, she made Mexican wedding cookies.

They were a SPECTACULAR hit.  Many praises were heaped upon father patrick for the Much Better Wafers and that they’d be sure to show up next week as long as Maria kept making them.  Father Patrick figuring that hey, anything that gets people in the doors is good and really, if it was turning into Jesus once inside the parishioner, did it really matter what the wafers were made of?  So he continued to let Maria bake the Hosts, and encouraged her to try out new flavors, like nutmeg and cinnamon.

This went on swimmingly for a few weeks until The Bishop showed up for a surprise visit the same week Maria decided to experiment with rainbow sprinkles.

Dad remembers hearing the bishop through the windows roaring “THE HOLY BODY OF CHRIST DOES! NOT! CONTAIN! RAINBOW! SPRINKLES!”

The matter went clean up to The Archbishop, who decided that while Pat was probably right to not feed spoiled hosts to his parish, he should attend some remedial classes to remember what Communion was all about, so that if it happened again, he’s come up with a more suitable substitute.

Father Patrick returned in late March, full of spite and some fascinating new ideas.

*

“Is this where the Cannibalism happens?” Six-year-old me asked, eager to get to the good parts.

*

At his remedial classes, the teacher had stressed the importance of transubstantiation, aka “That bit where the wafer and wine, Actually, Literally, become the flesh of Jesus Christ and we expect you to swallow.”  Also on the syllabus was understanding the importance of Christ’s suffering and sacrifice.

“So, I was thinking about Easter Service.”  Said father Patrick one afternoon while dad was doing his computer science homework at the church because his dorm was a barely-standing fire hazard and the library was where you went to have sex.

“Well, we do re-enactments for christmas.  Why not on easter?  Why not re-enact the crucifixion of Christ right here? Make it real for everyone.  Trauma’s great for bonding a community together.”

“Who’s playing Jesus?” asked Maria, always one for a good laugh.

“That’s the thing- A Host, it doesn’t look much like flesh, right?  Doesn’t look like much of anything, really.  Not great for reinforcing one’s belief.

What if, instead, we- and I mean you, Maria, I can’t cook to save my life- make a man-sized loaf of bread, maybe in the shape of a T, and we have some of the boys dress up as romans and whip the bread and we pour the wine on so it’s bleeding and them- then we make a big wooden cross and actually nail the bread to it with, I don’t know, railroad spikes, more wine all over. And we raise the cross, all while telling the story of the crucifixion.”

He paused to take a drink, Maria slowly crumpling onto the floor in horrified laughter and Dad now thoroughly distracted from his homework.

“Then we lower the cross, and invite everyone who wants to take communion up to tear a hunk of Jesus off.  Just descend into his corpse like vultures.  I think that’d really be a good bonding experience for the church.”  he nodded thoughtfully.  “The hard, part, I suppose, will be finding enough romans.”

“I WANNA BE LONGINUS.” bellowed my father, barreling into the room.

And so, the plan was hatched.  Dad hit up every other guy in the Church and eventually rounded up four more romans, three of them from the Education Department of Cal Poly, and one guy from Chemistry, who just liked to watch things burn.

This, being a play, naturally meant that there was a rehearsal, and test Bread jesus.  Maria had decided that if they were going to start being extra-literal, she needed to make the most lifelike Bread jesus possible, and made a distressingly buff and human-proportioned Jesus by Advanced bread-braiding, complete with plaited hair, quail’s-egg-and-raisin eyes, bready muscle groups, and an eight-pack because why not make the lord completely shredded?*  She also made the important theological decision that since Jesus loves everyone and was happy to die in spite of all his suffering, he should be smiling, and had a toothy corn-kernel smile.  He was Wonderful and Terrifying all at once.

“Maria,” asked Father Patrick after a few minutes of delighted and horrified cooing over Jesus’ toothy grin and abdominals. “Why is he wearing a tea-towel?

“Well, he’s the Son of God. A Man.  With all that entails.”  She said, pointedly staring at Father Patrick while everyone stared at the suspiciously lumpy tea-towel.  “And he might have… burnt, slightly.”

Everyone nodded and agreed that the tea-towel was the best course of action.  The rehearsal goes splendidly and everyone agrees that this is the most delicious Jesus they’ve ever had.

*

Easter Sunday arrives and the Church is PACKED, from the more lapsed Catholics showing up for a high holiday, parents visiting for spring break and a whole horde of newcomers who had gotten wind that something was up and they ought to come.

Dad is a lanky as hell 21-year old composed mostly of technical jargon and acne but he is STOKED to be playing Longinus, the roman that speared Jesus on the cross, because he gets to do the BEST technical effect in the whole parade.  Since he came in at the end me missed a good portion of the sermon, but did hear the “oooh” from the crowd as the massive cross was dragged in by the other Romans, followed by horrified gasps and high screams and a discernible “What the FUCK” as they brought in Bread Jesus 2.0, whipping him enthusiastically, and hammering him into the cross, the sound of wine splashing onto the floor loud in the terrified silence of that Parishioners.

Finally Father Patrick gets to the part about Longinus, and Dad comes sprinting down the aisle as hard as he can, because in order for Bread Jesus to be seen by everyone, his middle had to be about 10 feet off the ground, so Dad had to run, shrieking latin curses,  down the length of the church, with a big honking spear and take a flying leap at Jesus in order to spear him in the gut.

Please take moment to imagine you are some normal god-fearing catholic who has decided to visit little bobby or maybe patricia at college and you’re all going to church together like a nice family and this Fucking madman has decided to go all Silence of the Lambs on mass and now there’s some sort of underfed translucently pale man in ill-fitting Roman armor and cape flying at a horrifying glutinous effigy of your lord and savior, with an actual fucking spear, screaming like a madman.  Don’t you feel yourself drawing closer to God already? Defensively, perhaps, like an octopus trying to ooze itself into a crevice against the horrors of the ocean.

However, two things happen that were not planned on

1. Dad misses.  In his defense, Bread Jesus is close to but not quite the size of a man- more like the size of a doughy teenager, and his middle is a small target 10 feet up in the air and dad is has a computer science minor, not an athletics scholarship.  He misses by about 8 inches and instead very solidly stabs Bread Jesus right through the groin, leaving a big hole in Maria’s tea-towel and the spear jutting out at a decidedly… attentive angle, as Bread Jesus’s Bread Dick drops to the floor with a splat.  Nobody notices this, however because

2. In rehearsal, Dad had managed to get the spear right in jesus’s navel but neither Father Patrick nor the other romans could get the wine up there to make his middle appropriately bloodied.  

Maria come up with the Genius solution that since wine is made of grapes and Jam is made of grapes, she could make a jelly-filled Jesus for Dad to stab.  There was a normal-sized test loaf and when dad stabbed it on the table, it had a nicely gooey dribbling effect.

However, this time the loaf was torso-sized, still hot from the oven and upright, so when dad speared the very end of the loaf, all the steam-pressured jam had collected at the bottom and a spray of lukewarm smuckers exploded out from bread jesus, turning the first three pews into a splash zone of symbolic entrails.

There was  a hot, sticky minute of complete silence in the church after that. 

Then, Father Patrick indicated it was time for the cross to be lowered, and continued on with the normal preparations of the Host, he himself covered in hot smuckers, as though nothing particularly ordinary was occuring, quietly kicking the bread-dick under the altar. At the end of it all, Father Patrick and invited everyone up with the Last Oration:

“Thou, O God, has kindly allowed us to have a part in this Holy Sacrifice; for this we give Thee thanks. Accept it now to Thy glory and be ever mindful of our weakness. Amen.”

…And everybody came up, shuffling like terrified zombies, pinching off tiny bits at first but then the madness took them and they began tearing apart bread jesus by the handful, weeping as they partook, scattered prayers and begging for forgiveness.  The whole congregation was kneeling about the altar, tearful and united in their guilt and their need for God.

*

“IS CHURCH ALWAYS LIKE THAT?” six-year-old me asked, absolutely stoked.  I’d convert on the spot if I got a show like that.

“No, it’s normally bland wafers and lots of chanting in latin.”

“Well that’s boring as hell.” I remember muttering and Dad snorting the coffee he was drinking out of his nose.

*

As people filed silently out of the Church to a gloriously sunny California afternoon, faces wan and smeared with wine and jam, Father patrick turned to Maria and asked “You don’t think that was too much, do you?”

“No.”  Said Maria with a sarcastic deadpan so intense it was hard to tell from sincerity.

It was the exact same tone she used when the Archbishop and Six other high clergy showed up, clutching a letter someone had written, Livid and almost foaming at the mouth, demanding to know if such blasphemy had transpired.

“No.  That’s crazy.”  She said, staring down the archbishop like he was an idiot.

“Such imaginations some people have!” Said Father Patrick, much less convincingly.

“And you-  you didn’t…  Spear an effigy of our lord and savior?”  the archbishop demanded of my father.

“Do I look like I can jump that high?”  Dad asked, having in the interim been drafted for 51 days then nearly died of pneumonia from it, and therefore no longer afraid of the Church, the Law or God.

Somewhat relieved that he’d only received the extremely detailed ramblings of a doddering parishioner, the Archbishop sat down and complemented Maria on her most excellent Mexican Wedding Cookies, may he please have another plate for his nerves? Perhaps the ones with sprinkles?

Dad went on to help build the internet, Father Patrick converted to Buddhism and Maria became a Nun.

*For those of you wondering, Jesus was made of Challah.

If you got a laugh out of this, please consider donating to my Ko-Fi or subscribe on Patreon,  Thank you very much and I hope you enjoyed it!

[froggie-the-frogman]

[froggie-the-frogman]

my coffin shaped locket is the perfect size to fit one singular ibuprofen

[froggie-the-frogman]

[froggie-the-frogman]

[froggie-the-frogman]

[froggie-the-frogman]

[froggie-the-frogman]

[froggie-the-frogman]

[froggie-the-frogman]

You, the queen of a fairy tale kingdom, got cursed to give birth to a princess who’s going to live her life isolated in a tower the first 20 years of her life. Narrate how you avoid your daughter’s fate.

[froggie-the-frogman]

The Seven Daughters Of The Cailleach Foraoise

Once upon a time, long, long ago, there was a great forest with trees so tall that they shut out the sky, and it was always dark in that place. A single road passed through it, one side to the other, and no wise traveler ever ventured off that road.

In the forest to the east of the road there was a great hill, with a tower on it, and in that tower there lived a wizard. He was solitary and ill-tempered, but if someone in trouble came to him humbly and begged his aid, he did not usually refuse.

In the forest to the west of the road - or so it was said, for it was not visible as the hill and tower were - there was a great dark hollow with a house at the bottom of it, where the forest witch, the Cailleach Foraoise, lived with her seven daughters. She was ill-natured and dangerous, but still, she had been known to give aid to those willing to pay her price.

It happened that the king of the land had grown cruel and dangerous, and he taxed his people to starvation, he poisoned their land and slew any who displeased him. He slew even his own sons, when they defied him, and all went in terror of him. This king had three nephews, the sons of his sister, and they saw that soon they would be in danger from him as well, so they fled his castle by night, and took the road through the dark forest.

When they reached the river that ran through the heart of the forest, they stopped and took counsel of each other. They must do all that they could to save the kingdom and its people, that they agreed, but they debated what that was until the youngest spoke.

Keep reading

[froggie-the-frogman]

Two identical infants lay in the cradle. “One you bore, the other is a Changeling. Choose wisely,” the Fae’s voice echoed from the shadows. “I’m taking both my children,” the mother said defiantly.

[froggie-the-frogman]

Here’s a story about changelings: 

Mary was a beautiful baby, sweet and affectionate, but by the time she’s three she’s turned difficult and strange, with fey moods and a stubborn mouth that screams and bites but never says mama. But her mother’s well-used to hard work with little thanks, and when the village gossips wag their tongues she just shrugs, and pulls her difficult child away from their precious, perfect blossoms, before the bites draw blood. Mary’s mother doesn’t drown her in a bucket of saltwater, and she doesn’t take up the silver knife the wife of the village priest leaves out for her one Sunday brunch. 

She gives her daughter yarn, instead, and instead of a rowan stake through her inhuman heart she gives her a child’s first loom, oak and ash. She lets her vicious, uncooperative fairy daughter entertain herself with games of her own devising, in as much peace and comfort as either of them can manage.

Mary grows up strangely, as a strange child would, learning everything in all the wrong order, and biting a great deal more than she should. But she also learns to weave, and takes to it with a grand passion. Soon enough she knows more than her mother–which isn’t all that much–and is striking out into unknown territory, turning out odd new knots and weaves, patterns as complex as spiderwebs and spellrings. 

“Aren’t you clever,” her mother says, of her work, and leaves her to her wool and flax and whatnot. Mary’s not biting anymore, and she smiles more than she frowns, and that’s about as much, her mother figures, as anyone should hope for from their child. 

Mary still cries sometimes, when the other girls reject her for her strange graces, her odd slow way of talking, her restless reaching fluttering hands that have learned to spin but never to settle. The other girls call her freak, witchblood, hobgoblin.

“I don’t remember girls being quite so stupid when I was that age,” her mother says, brushing Mary’s hair smooth and steady like they’ve both learned to enjoy, smooth as a skein of silk. “Time was, you knew not to insult anyone you might need to flatter later. ‘Specially when you don’t know if they’re going to grow wings or horns or whatnot. Serve ‘em all right if you ever figure out curses.”

“I want to go back,” Mary says. “I want to go home, to where I came from, where there’s people like me. If I’m a fairy’s child I should be in fairyland, and no one would call me a freak.”

“Aye, well, I’d miss you though,” her mother says. “And I expect there’s stupid folk everywhere, even in fairyland. Cruel folk, too. You just have to make the best of things where you are, being my child instead.”

Mary learns to read well enough, in between the weaving, especially when her mother tracks down the traveling booktraders and comes home with slim, precious manuals on dyes and stains and mordants, on pigments and patterns, diagrams too arcane for her own eyes but which make her daughter’s eyes shine.

“We need an herb garden,” her daughter says, hands busy, flipping from page to page, pulling on her hair, twisting in her skirt, itching for a project. “Yarrow, and madder, and woad and weld…”

“Well, start digging,” her mother says. “Won’t do you a harm to get out of the house now’n then.”

Mary doesn’t like dirt but she’s learned determination well enough from her mother. She digs and digs, and plants what she’s given, and the first year doesn’t turn out so well but the second’s better, and by the third a cauldron’s always simmering something over the fire, and Mary’s taking in orders from girls five years older or more, turning out vivid bolts and spools and skeins of red and gold and blue, restless fingers dancing like they’ve summoned down the rainbow. Her mother figures she probably has.

“Just as well you never got the hang of curses,” she says, admiring her bright new skirts. “I like this sort of trick a lot better.”

Mary smiles, rocking back and forth on her heels, fingers already fluttering to find the next project.

She finally grows up tall and fair, if a bit stooped and squinty, and time and age seem to calm her unhappy mouth about as well as it does for human children. Word gets around she never lies or breaks a bargain, and if the first seems odd for a fairy’s child then the second one seems fit enough. The undyed stacks of taken orders grow taller, the dyed lots of filled orders grow brighter, the loom in the corner for Mary’s own creations grows stranger and more complex. Mary’s hands callus just like her mother’s, become as strong and tough and smooth as the oak and ash of her needles and frames, though they never fall still.

“Do you ever wonder what your real daughter would be like?” the priest’s wife asks, once.

Mary’s mother snorts. “She wouldn’t be worth a damn at weaving,” she says. “Lord knows I never was. No, I’ll keep what I’ve been given and thank the givers kindly. It was a fair enough trade for me. Good day, ma’am.”

Mary brings her mother sweet chamomile tea, that night, and a warm shawl in all the colors of a garden, and a hairbrush. In the morning, the priest’s son comes round, with payment for his mother’s pretty new dress and a shy smile just for Mary. He thinks her hair is nice, and her hands are even nicer, vibrant in their strength and skill and endless motion.  

They all live happily ever after.

*

Here’s another story: 

Keep reading

[froggie-the-frogman]

Do you ever go insane thinking about how every member of Laios' party is extremely atypical for their species, but a lack of exposure and understanding smoothes out these differences and makes everyone think they're the "typical" representation.

Senshi is terrible with other dwarves since he has no practical interest in mining or weapons craft. We cannot know this until Namari and later, Senshi's backstory are introduced. When we see him interact with dwarves, it's awkward and clear there's a fundamental disconnect.

Chilchuck is incredibly tall for a half foot and as such has to manage his weight more than other half foot dungeoneers so he doesnt set off traps. The first detail takes the changlings to properly understand, the second is referenced in text but is fully explained in additional materials. It is plot relevant that people who don't have the exposure to half foots might not even realize they're their own species.

Marcille as a half elf is kind of obvious to many of the elves who encounter her and they're deeply cruel and assume she's driven by a desire to be able to have children but the party never notices and Senshi especially thinks of her as a typical elf even though in truth she's so outcast she could never dine with her mother at the queens table.

Laios and Falin are a bit more complicated, since we as the audience do have context for most of tallman culture, since it mirrors our own mostly, but both of them have magical aptitude that both people like Marcille, who has a lot of access to mana and people like Chilchuck, who has very little and no magical training, fail to understand how isolating it is to have that much potential and aptitude.

Arguably Toshiro and Namari fall into this as well. Toshiro looks like the embodiment of the silent but noble warrior, but his own party and extra material confirm that he's abnormally shy and introverted, something that makes it hard for him even in his own family. Meanwhile Namari is able to stand on her own as a weapons expert and "typical" dwarf, but total dwarves who are total strangers like Dya know who she is and resent her.

Arguably a lot of dungeon meshi is about peeling back layers and assumptions not working out, but it's so great that every member of the core party gets interpreted by others (and maybe the reader) as "typical", especially with the skills line up, as a human fighter, halfling rogue, and an elven mage are so basic a stereotype. But none of are able to achieve that standard. These assumptions and misunderstandings only thrive because each party member is so inexperienced with both the biology and culture of the others. The only way they gain context is either interacting with a wider pool of people or experiencing it for themself. Everything in this story is so layered and I love it.

[froggie-the-frogman]

I hope you dond't mind me asking: How is your novel of Eindred and the witch coming along? I just reread your story here on Tumblr and would love to someday purchase a whole book with these two. 💕

I’m so happy to say it’s DONE! I’m in the process of querying agents to see about traditional publishing options, and if that doesn’t work out, I’ll be self-publishing.

I can’t thank you enough for your excitement and interest in this story. I know the novel has been a few years in the making, but it’s still such a delight to hear that others love these characters as much as I do ❤️

[froggie-the-frogman]

You are a supervillain with the power of giving life. You wish to conquer the world. Only two problems - a superhero who always manages to stop your plans, and the fact that they have power of death.

[froggie-the-frogman]

You are born with the ability to see whether people listen more often to the angel or the devil on their shoulder, based on the opacity of each- if they listen more to the angel, it’s more solid and the demon is more transparent, and vice versa. You recently met a guy online and you’re finally going to meet. You go in for a handshake and glance at his shoulders, but you can’t see the angel. Only a solid demon.