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Ten incredible pictures that showcase astronomy’s future
What Hubble sees at its best is only a tease for what James Webb will deliver. ( Compare Visible and Infrared Images )
A visible-light telescope can reveal incredible views of nebulae, thanks to multi-wavelength imaging and advanced camera technology.But in order to view what happens inside, you have to go into space
Visible light can reveal the wispy tendrils of evaporating gas, the presence of various elements and light-blocking dust. But to see the location of stars and the density of the heated, star-forming material, an infrared telescope is necessary.
Hubble provides the best visible light views, achieving better resolution and identifying more detail than any other observatory.But thanks to the infrared views of the Wide Field Camera 3, stars, gas globules and even external, background galaxies can be revealed.Even inside the largest, most spectacular star-forming regions, infrared views can reveal stars that would otherwise be obscured by neutral atoms.
When the James Webb Space Telescope launches next year, it will look farther and deeper into the infrared than any observatory ever has, uncovering secrets hiding in the remote Universe. All Image credits ( NASA. ESA . ) on original page link.
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Bruno Barbey. Advertisements for a local hair salon in Ndjole.
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Art is Trash by Francisco de Pajaro
“Art is Trash” (El Arte Es Basura) is the street name of Barcelona-based artist Francisco de Pájaro. He takes action when he sees a pile of rubbish and creates art with it, making funny and striking art installations with boxes, garbage bags, broken furniture, old mattresses. He gives life to them with paint, sticks them with tape.
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Balinese girl with a movie camera of a tourist, 1935, photographer unknown.
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Serie, De la niebla vengo...
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Smökers - Mark Reigelman
Smökers, consists of a miniature monochromatic wooden cabin, temporarily installed throughout the New York City. This cabin replaces the brightly colored plastic steam tubes that dot the New York landscape, allowing the byproduct of the city’s essential industrial process of providing power and heat to thousands of homes and businesses throughout the city, to be highlighted and subverted, all while referencing this process in the selection of using a house structure for the work.
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Peng Ruilin 彭瑞麟 , A man with a hat (Taipei), 1931-1933.
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