forgetwhatyousee
into the sea, you and me
20K posts
Ellie, twenties, UK. she/her. Hopeless optimist and internet lurker. I like Marvel, Parks and Recreation and pretty things.
Last active 60 minutes ago
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forgetwhatyousee · 1 hour ago
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Oops! by Hisashi Eguchi, 1989
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forgetwhatyousee · 1 hour ago
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Emma (2020) dir. de Wilde
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forgetwhatyousee · 2 hours ago
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guys. please
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forgetwhatyousee · 2 hours ago
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Here’s to 2023, a year of as many little courageous kindnesses as possible. ♥️
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forgetwhatyousee · 2 hours ago
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Elladj Lincy Deloumeaux
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forgetwhatyousee · 2 hours ago
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Sligachan Old Bridge, Scotland - by Joe Purmal
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forgetwhatyousee · 2 hours ago
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Autumn Mist (by Kenny Barker)
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forgetwhatyousee · 2 hours ago
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forgetwhatyousee · 2 hours ago
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Fast Car (Tracy Chapman)
You got a fast car, I want a ticket to anywhere/Maybe we make a deal, maybe together we can get somewhere/Any place is better, starting from zero got nothing to lose/Maybe we'll make something, me myself I got nothing to prove
So I remember when we were driving, driving in your car/Speed so fast, I felt like I was drunk/City lights lay out before us/ And your arm felt nice wrapped 'round my shoulder/And I-I, had a feeling that I belonged
You got a fast car/Is it fast enough so we can fly away?/We gotta make a decision/Leave tonight or live and die this way
"I know it's an obvious one but YOU try playing it without crying I dare you"
"I cant explain the yearning but this makes me howl"
"OH GOD the longing!! The yearning in the recurring central image of the narrator and her lover on the highway, feeling this sense of limitless possibility and incredible hope!!! And then the verses take us with brutal efficiency through the collapse of their marriage, the way that the cycle of poverty stomps down on their hopes, and how with nothing left, the narrator does what her mom did and leaves!! Leaving the kids to experience the same thing she did growing up!! But it’s all punctuated and bookended by these callbacks to that central iconic memory of hope!!!!! But by the end we realize that the last line “leave tonight or live and die this way” offers only the illusion of a choice: when the narrator first runs away and later when she leaves her husband and kids, she’s still fulfilling her role in this cyclical generational story. God!!"
Never Love An Anchor (The Crane Wives)
I am selfish, I am broken, I am cruel/I am all the things they might have said to you/Do you ever think of me and my two hands/And wonder why they never soothed your fevers?/And wonder why they never tied your shoes?/And wonder why they never held you gently?/And wonder why they never had the chance to lose you?
"This song. this song is from the perspective of a parent, speaking to their child. about how they failed them, how they weren't there for them, out of fear of doing it wrong. they were an anchor to their child's ship, so they pulled away, and maybe they regret it now, but it's far too late. ALSO the guitar riff is meant to mimic the gentle rocking of a boat (or a parent's arms) and that shit has NEVER left my mind"
Fast Car submitted by @smallboyonherbike + @uchihasasukeofficial + @all-our-exploring
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forgetwhatyousee · 2 hours ago
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By Li Hui
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forgetwhatyousee · 4 hours ago
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You know that Ada Limón poem where she’s like “i can’t help it i love the way men love”? my dad recently confessed to me that he became a shoemaker because they buried my grandma shoeless
oh…………………………………
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forgetwhatyousee · 4 hours ago
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i’m “the petrol of sun of flowers” 
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forgetwhatyousee · 4 hours ago
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whether you like star wars or not, you need to watch this
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forgetwhatyousee · 5 hours ago
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"Well, I say we hire a couple'a wranglers to go upstairs and beat the shit out of him." 9 to 5 (1980) dir. Colin Higgins || Costume Design by Ann Roth
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forgetwhatyousee · 5 hours ago
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Vogue India Oct 1997 - Sasha Pivovarova by Paolo Roversi
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forgetwhatyousee · 5 hours ago
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Juan Brufal
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forgetwhatyousee · 5 hours ago
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Keep reading
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