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tiny malevolent sketch

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HANG IN THERE BABY!! instagram | bluesky | patreon

‼️prints here

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Only day you can reblog this

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a love that is devotional. a love that only has eyes for you. a love that is consistent. a love that is always sure about you. a love that never stops pursuing you.

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Diversity win! Ancestral curse recognises non-biological parenthood!

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*covered in blood* I'm literally fine guys. im still funny. Would you like to hear a joke Im going to tell you a joke

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*right clicks on you*

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“A map to me. It made no sense, lines overlapping and inverting, but once within, Michael knew which turns to make, which doors to open, which mirrors to shatter. Until he became me.”

base, no effects :D

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This one goes out to all the bitches who love some good Safehouse Era Horror. It's me, I'm bitches. I want Jon and Martin to be fucked up and eldritch but I want them to be fucked up and eldritch and loved

(Notes under the cut because I can't help myself. Heads up, I do go into some detail of how Jon gets injured so I can explain my thought process for how I designed his scars. All canon-typical and fairly clinical in tone.)

Here's how I picture Safehouse Jon!

He doesn't need glasses anymore by this point, so he should just be wearing empty frames, but I drew this before I settled on my glasses headcanons. This drawing looks better with the reflection anyways.

He hasn't gotten a haircut since before his promotion to Head Archivist. He doesn't love the weight of it on his neck, but he also uses it to fidget, and he really doesn't want to go through the whole process of cutting it. He's disliked haircuts since he was a kid (People: Bad. Small talk: Bad. Touching: Bad. Loud sounds: Bad. People talking all at once: Bad) and since his time with the Circus he's only grown more reluctant to go and get it done.

At this length his hair is naturally pretty curly but he is. Not taking care of it. I actually put a lot of effort into trying to make it look brittle and tangled (I have a lot of experience lol, my hair is quite thick and I've always hated taking care of it. Yes I am also projecting my feelings about going to a hairdressers onto him why do you ask.)

The various scars were a bit of a strange task, but anyone who has seen my takes on The Bad Kids knows I'm not averse to selective realism in my fiction. Easiest one was the neck, I always pictured Daisy making a vertical cut based on "through the voice box". The larynx is longer than it is wide, so I think Daisy would go for the method that dealt damage across the largest total surface area. Yes I am aware that I'm speaking the same way Martin does when he explains his corkscrew.

The worm scars were easy because I barely drew any. There are a few marks on his cheek, but they're just surface bites. I picture most of his encounter with Prentiss showing on his legs, particularly on the right side, with enough damage there that he starts using a cane after the incident to keep weight off his right leg. More research to be done on this particular detail.

Finally the burn on his hand from Jude. This was the weirdest one to figure out just because of the nature of the injury. How do you quantify the damage done to an epidermis by a living manifestation of sometimes-boiling wax that can heat and cool at will? I settled on it being a second-degree burn that healed supernaturally fast, containing the damage to the space Jude had direct contact with. He'd probably have some mobility issues there as well. I know there are ways to help with mobility and pain after a severe burn, but I don't know how much of it Jon would actually. Do. Like I said, definitely further research to be done on these last two.

Hey so I'm gonna ask you to stop and consider the horror of the watcher. The helplessness. The guilt. The inherent terror of being a spectator, a participant by proximity but not by action. The horror of not being able to look away, of being a bystander. Jon forgets to blink sometimes. But wouldn't it be so much worse if there were no eyelids at all? That's how I interpret the description of The Archivist being "All Eyes" :D

I love a good Many-Eyed Jon, so I whipped up my own interpretation here. I think the more he Becomes the more he starts to resemble the thing from the dreams. He has a lot more control of it in S5, but it still creeps up on him and he has to consciously go back to a human shape.

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i still haven’t started my s5 relisten

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Do I not deserve a rest in the mud from which I came?

(saw @nightcat-png’s amazing hezekiah art and theyr So right, theres not nearly enought art of him!!!!)

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Statement of Dolly Parton regarding…”Jolene”

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GUYS I HAVE A THEORY

...ok so kinda crack theory but also I wanna be able to say I Knew It if it somehow turns out I was right

Alia and Alexander are the same person, she uses the bird form as a disguise

You know why?

Alia Showl

AliaS < - howl

Alias Owl

ALIAS OWL. THE OWL IS AN ALIAS. EVERARD WAS USING HER TO SPY ON JARTHUR BUT SHE HAS HER OWN SINISTER AGENDA. (they start to drag me offstage) OR maybe. THE WOMAN IS THE ALIAS FOR THE OWL! I BET IF YOU TAKE OFF THAT BLINDFOLD SHELL HAVE YELLOW FUCKING BIRD EYES!!!!!!!!! (I claw tightly at the curtains as they pull me away by the waist with a vaudeville cane) YOU CANT SILENCE ME

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Gertrude Robinson