finchknits

[finchknits]

A lot of people say Enjolras is too harsh on Grantaire but honestly? Imagine if your DSA meeting was constantly interrupted by a loud long-winded Redditor going on 30-page long rants about how everything is futile and also here are some weird facts he’s learned from somewhere and no he won’t cite his sources and also did you ever consider the deeper philosophy of this meme and also here’s his thoughts on a book he half remembers reading and also has he mentioned he dropped out of Art College —-

Honestly Enjolras is more patient than I would be tbh

[finchknits]

having online friends who are busy is just like. I LOVE YOU. I miss you. YOU GOT THIS. I'm giving you space to work. I LOVE YOU.

[finchknits]

Trying to sell handmade crafts in this economy is so. Like. Hey guys I know we're all broke as fuck but do you want my silly little things. I'm very good at it. For the time it takes to make them + skill + materials it's gonna be 30$ per silly little thing. But also shipping costs 12$ for reasons outside my control so it's actually 42$ now. Sorry. No I really can't charge less than that. Yeah I know. Ok. Bye

[finchknits]

My dream as a writer isn’t to get published and make a lot of money, it’s to have a fanbase devoted enough that I can post a story about a background character that had four lines or drop a piece of obscure lore and they go crazy over it

[finchknits]

Busy daydreaming about an accessible future

Digital illustration of a fat brown queer fem. She is seated in a mobility scooter and holding a picket sign that reads, 'if it's not accessible, it's not acceptable.' Her scooter is green and pink, and in the front basket is a white cat holding a fish.

[finchknits]

no matter how bad things get at least im not the guy that pushed the crowdstrike update that bluescreened all windows computers and grounded every flight worldwide. what a week

[finchknits]

i just want knitblr to know my current project is a lace shawl and i am using black suri alpaca for the yarn. please react accordingly

[finchknits]

it's funny although a little exasperating how artists designing "princess" or medieval-esque gowns really do not understand how those types of clothes are constructed. We're all so used to modern day garments that are like... all sewn together in one layer of cloth, nobody seems to realize all of the bits and pieces were actually attached in layers.

So like look at this mid-1400's fit:

to get the effect of that orange gown, you've got

chemise next to the skin like a slip (not visible here) (sometimes you let a bit of this show at the neckline) (the point is not to sweat into your nice clothes and ruin them)

kirtle, or undergown. (your basic dress, acceptable to be seen by other people) this is the puffing bits visible at the elbow, cleavage, and slashed sleeve. It's a whole ass dress in there. Square neckline usually. In the left picture it's probably the mustard yellow layer on the standing figure.

coat, or gown. This is the orange diamond pattern part. It's also the bit of darker color visible in the V of the neckline.

surcoat, or sleeveless overgown. THIS is the yellow tapestry print. In the left picture it's the long printed blue dress on the standing figure

if you want to get really fancy you can add basically a kerchief or netting over the bare neck/shoulders. It can be tucked into the neckline or it can sit on top. That's called a partlet.

the best I can tell you is that they were technically in a mini-ice-age during this era. Still looks hot as balls though.

Coats and surcoats are really more for rich people though, normal folks will be wearing this look:

tbh I have a trapeze dress from target that looks exactly like that pale blue one. ye olden t-shirt dress.

so now look here:

(this is a princess btw) both pieces are made of the same blue material so it looks as if it's all one dress, but it's not. The sleeves you're seeing are part of the gown/coat, and the ermine fur lined section on top is a sideless overgown/surcoat. You can tell she's rich as fuck because she's got MORE of that fur on the inside of the surcoat hem.

okay so now look at these guys.

Left image (that's Mary Magdelene by the way) you can see the white bottom layer peeking out at the neckline. That's a white chemise (you know, underwear). The black cloth you see behind her chest lacing is a triangular panel pinned there to Look Cool tm. We can call that bit the stomacher. Over the white underwear is the kirtle (undergown) in red patterned velvet, and over the kirtle is a gown in black. Right image is the same basic idea--you can see the base kirtle layer with a red gown laced over it. She may or may not have a stomacher behind her lacing, but I'm guessing not.

I've kind of lost the plot now and I'm just showing you images, sorry. IN CONCLUSION:

you can tell she's a queen because she's got bits I don't even know the NAMES of in this thing. Is that white bit a vest? Is she wearing a vest OVER her sideless surcoat? Girl you do not need this many layers!

[finchknits]

I’m a cis man sure but i also wanna opt out of the gender binary. None of that shit is my fault or my responsibility and i don’t want any part of it

[finchknits]

Buddha also killed a bitch.

really recommend getting a partner with a different religion than you and very little knowledge of your religion because the opportunities for explaining things to each other are just exquisite

[finchknits]

there are some internet friends where eventually you start calling them by their real name and then there’s times where its like nah son your name is crispy forever

[finchknits]

every time someone says ‘oh, you knit? do you like it?’ i have the marrow-deep urge to tenderly take their face in my hands and press my lips to their eyelids and telepathically transmit the full overwhelming awareness that i carry just beneath my skin every moment of every day of how important fiber crafts and textiles are and historically have been to humanity. every stitch i work is a thousand billion stitches that have already been worked and will be worked in the future, from the farthest reaches of prehistory until time immemorial. every spindle i spin is spun with the same flick of uncountable fingers from ages past, all united across history in the deceptively simple movement that has shaped history, and art, is the context within which every single person on earth has ever lived their life and lives their lives still. everything from our phones to our homes is given shape and form by the overlooked but utterly important textile arts.

‘of fucking course i like knitting, you jackass,’ i say gently. ‘i wouldn’t do it otherwise.’

[finchknits]

Musical Madness

We all knew it would come down to this. Which should represent the era they defined? Whose show stopping set piece is more impressive? Which show is the best 80’s Mega Musical?

[finchknits]

idk how to say this more kindly but you are not immune to antisemitism just because you belong to another marginalized group or experience another form of oppression. in fact, chances are you don’t understand antisemitism just as much as the next guy doesn’t. it’s that simple. :)

[finchknits]

Mongolians are cool because they’ve merged their traditional and modern ways of life so rather than having poverty due to losing all their important skills they just live in their yurts with their cows and 827474874mbs internet

[finchknits]

[finchknits]

so i study decolonization, as in i studied it as part of my degree, and i thought I'd make a list of some readings/films that might offer additional insight about decolonization (it also helps if you're tired of the christian moralistic thinking)

occupation 101 (can be found on youtube i believe, it's about the history between isreal and palestine, it focuses on palestinians and it is quite comprehensive. there's live footage, there's interviews with palestinian children, etc. it's a must watch i think, regarding palestine. it points the finger squarely at the united states.)

the wretched of the earth, franz fanon. fanon is really well known in the decolonization sphere because he writes about it in a very succinct and clear way. to him, decolonization can never occur peacefully, and i think that's a really important key lesson. he also talks about how colonizers don't just take land, they reframe ideas, they take language, art, thoughts.

the battle of algiers, 1966. this is a fascinating film, it's sort of a documentary, they got the actual people to play their parts. it describes and interviews the main individuals involved in the fight for independence within Algiers. i think understanding how a nation can gain independence over its colonial forces is really important in the grand scheme of decolonialism.

unthinking eurocentrism. if you can get your hands on it, i love this text. it's so poignant and it lays everything out so clearly and it really shows how we center our worlds around eurocentrism and westernism.