filmsinmotion
films in motion...
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filmsinmotion · 10 months ago
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THE LORD OF THE RINGS: THE RETURN OF THE KIND (2003) dir. peter jackson
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filmsinmotion · 10 months ago
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Gwen Stacy: "In every other universe, Gwen Stacy falls for Spider-Man. And in every other universe, it doesn't end well."
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filmsinmotion · 6 years ago
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Alice in Wonderland (1951)
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filmsinmotion · 6 years ago
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In the land of Mordor, in the fires of Mount Doom, the Dark Lord Sauron forged in secret a master Ring, to control all others. And into this Ring he poured his cruelty, his malice and his will to dominate all life. One Ring to rule them all.
The Lord of the Rings: The Fellowship of the Ring (2001) Dir. Peter Jackson DP Andrew Lesnie
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filmsinmotion · 6 years ago
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Spider-Man: Homecoming (2017)
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filmsinmotion · 7 years ago
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                      “Ohana means family.  Family means nobody gets left behind or forgotten!”
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filmsinmotion · 7 years ago
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I wish we had more time.
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filmsinmotion · 7 years ago
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“every once in a while I like to give them something real...”
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filmsinmotion · 7 years ago
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filmsinmotion · 7 years ago
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All I want is to fly with you, All I want is to fall with you.
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filmsinmotion · 7 years ago
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The Hurt Locker (2008)
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filmsinmotion · 7 years ago
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great leaders give others hope…
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filmsinmotion · 7 years ago
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In the original Blade Runner, the Voight-Kampff method was used to distinguish Replicants from humans. In this film, a more advanced technology analyses a Replicant’s operational stability. “The Baseline is designed to test the effects of a Blade Runner’s job on his brain and psyche.” Explains Ryan Gosling. “Because they have to kill their own kind, they constantly need to be assessed as to whether their work is having some kind of impact on them.” 
Two versions of the Baseline scene were filmed for the movie: the original scripted version, and a much longer take written by Ryan Gosling himself. It was a lengthy eight-minute staccato dialogue, and Gosling delivered each take without hesitation for every camera angle. The moment it was filmed, everyone on set felt that they had witnessed something unique and powerful. “When you are shooting a movie, there’s always a scene that makes you feel you’ve made contact with the soul of the story,” recalls Villeneuve. “That was it, and it became our own Baseline for the rest of principal photography.” 
This feeling was shared by Joe Walker in editorial, “it was one of those great times as an editor, where you lift off from the page and it’s no longer about the scripted material, but there is blood running through the veins of an idea.” The long scene was later fine tuned to serve its percussive purpose in the final cut. “It’s an attack on K’s psyche, so it has to wrong foot him and be hellishly aggressive. That gave me a lot of material to work with rhythmically in the cut” From the Art and Soul of Blade Runner 2049
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filmsinmotion · 7 years ago
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“I knew that I couldn’t lie beside her, without wanting to touch her. I couldn’t have felt her breath upon my mouth, without wanting to kiss her. And I couldn’t have kissed her, without wanting to save her.”
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filmsinmotion · 7 years ago
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They sold you for drinking money.
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filmsinmotion · 7 years ago
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The first thing he [Denis Villeneuve] said was, “In my Blade Runner, it snows. I’m Canadian I need to work in an environment that I understand, and I know it’s real and truthful to me, and for me that’s snow.” I was immediately relieved and I thought “Ok, this guy’s got it.” - Ryan Gosling
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filmsinmotion · 7 years ago
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Every one of us is special, and nobody is like anyone else. That’s the point of my show. No one ever made a difference by being like everyone else.
The Greatest Showman (2017)
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