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PREACH.

The Reality of Being a Woman in the Music Industry

Hi guys! I realize it’s been an eternity since my last blog post, my apologies. Today however, I was feeling rather inspired. I thought I’d share with you, from my point of view, the reality of being a woman in the music industry today.

My sister and I have been in this business since we were 15. Sitting here now at the age of 24, I feel like I have some fairly-decent insight and a whole lot of experience on the subject.

Prepare for weird, sexist comments.

 The way we started was on YouTube. It all started as sunshine and rainbows in the beginning; lots of “wow you guys are so greats” and “keep uploading” types of comments. However, after the first, I guess you’d say, “big video” for us, we realized that this industry was a whole lot tougher than they lead you to believe. It was around the 300k subscriber mark when the comments comparing our looks and voices against one another began, the “you sucks” as well as the “take your shirts off” or the “are they kissing yet” comments. At this point, we were freshly 17-years-old, still in high school living in a small town of 1,200. It was a hard dose of reality, but you could say coming up on this platform gives you a very, very thick skin. Friendly reminder; it’s a whole lot easier to say mean, rude or hurtful things behind a username and a computer screen. We held our heads high and continued-on this journey with confidence because passion is passion.

From 18 to 19, let’s just say a lot of things changed. We went from living in a small town to living in Nashville, with no friends except our champion of a mama, going into this business fearlessly. We not only lived in a new city in a new house, but were also spending a large amount of our time in LA. Now LA is crazy at any age you go there, but to us it was the biggest culture shock. At this point in time, the thought of living there was a joke. (little did we know we’d want to move there in just one short year.) Anyway, this is when what Liz and I like to call “music business university” began.  Here’s just a few of the highlights of what we learned about being a young woman (or woman) in this business:

Are you a cute boy who sings? No? Keep moving please.

 This was possibly the most frustrating part of performing live. At 18, 19, 20, you’re already insecure about growing into the woman you will be and constantly comparing yourself to the impossible standard that society sets us up against. However, Liz and I stepped on so many stages owning ourselves and accepting who we were at that point in time. The most difficult part came when we would follow or open for the young, attractive teen boys. To go from watching most of the girls in the audience screaming until their voices were gone and quite literally throwing themselves at the stage to rolling their eyes when we stepped on stage and mouthing insults to you and their friends was all sorts of discouraging. We could never understand where we were lost in translation. What did we do? Why don’t they react to our show like they do the young boys? Why aren’t we teenage boys? It was as if there was a mute button everyone pressed when a girl stepped on the stage.

   Hair and makeup

 Let me just say this: it is terrifying to walk into a new hair and makeup situation with a stranger who doesn’t know what kind of makeup you like. I can’t tell you how many times we’ve had to “suck it up” and deal with what makeup and hair we were given that day because there “wasn’t enough time” to fix it. Talk about a confidence killer. I understand why most artists have a hair and makeup person they know they like travel with them, unfortunately we never had this luxury.

 Not only that, but you have to make sure you have at least 2 extra hours to “get camera ready” or “stage ready.” This already puts us 2 hours less of sleep behind the boys, and yet we are still expected to get out there and do the same things. Not to mention you feel like the biggest diva ever for “demanding” enough time to get to looking like the standard everyone holds a young woman to look like.

Make sure you’re tan, skinny, wearing a good outfit, and push up your boobs if you’ve got them.

The impossible standards women are held to in society and in the music business are infuriating. Say you have an 8 AM soundcheck. As a woman, to adhere to society standards, you’d need to get up at 6 AM, workout, take a shower then head to your soundcheck. Then you’d head back to the bus eat, get your face and outfit on for the meet and greet at 3, then head back to the bus and change into yet another outfit (because outfit repeating is a no-no,) then head to stage at 7. Now keep in mind, if you were a boy you could have used this time to take a nap if you wanted. You play your set, hop off stage and back to the bus. Odds are there are a handful of people to meet or see after your set, then you wait for the headliner to finish around 11. You say your goodbyes, do a few more selfies and head to sleep at around 1. This leaves us a whole 5 hours of sleep. We are tired and we get up and do it all over again every morning.

Remember, you’ll do all this work to be 1 of the 4 female voices on the Country Top 40 Chart today.

I’m not writing this post to complain. I love every second of every minute of what I do. I just wanted to write this post to make more people aware of how hard women work in the music business. Now I’m not saying men don’t work hard, because they do. I just feel like society forgets all the extra little things women are expected to do. Be kind, be respectful, and remember that we’re doing this because we want to connect with you and share our stories with you, among many other things. We’re all that 8-year-old girl singing karaoke in her mirror, daring to dream big enough to make it in the big leagues. Next time you hear a female voice at a show, on the radio, at a bar, put yourself in her shoes. She’s honored to have the opportunity for you to hear her voice and her songs. She is probably running on little to no sleep and spent the last week picking out her perfect outfit. She might have just come from a meeting where someone told her no, or maybe this is her second show of the day where she was ignored by the male artist’s fans and she’s feeling discouraged. You don’t have to like her music, but respect her. You never know what battles she had to fight to get to where she is today. As women, if we all stood together and supported one another not only in music but in life, what an amazing world it could be. Women, listen to your fellow women.

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Day 27 watch out I’m coming!

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pll fans: wren is a

marlene: wren is not a

pll fans: i can't believe wren is uber a

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OMG thank you.  This has been driving me crazy.  Of all the dropped threads, “WTF WAS UP WITH CREEPY WREN AND HIS SHADINESS” has to be at the tippy top of my list.

The fact that Wren hasn’t appeared in an episode since season 4, really kills my endgame dreams.

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So f-ed.  You can donate to help David replace his chair here: https://www.youcaring.com/david-rinella-437103

FUCK EVERYTHING SOMEONE STOLE MY WHEELCHAIR

Someone stole my fucking wheelchair, a TiLite ZRa, off my front porch today. If anyone in Portland sees a chair that looks like the one in the top photo, please let me know or inform the police- case number is 15326857.

The second photo is someone on Yik Yak claiming responsibility because I “don’t really need it”, and telling me it is in my former dorm. We checked, but without a warrant our Public Safety department cannot check individual rooms. And honestly, it might not be there. Some asshole might be fucking with me, because they think this is all funny.

I have never been this hurt, angry, or afraid in my life. If you know anything at all, please inform me and the cops. If you don’t, please signal boost, I’m begging you.

I need my mobility back.

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Someone suggested that I draw modern versions of the characters from “The Breakfast Club”, and I really like the idea! Here are my versions of what I think they’d look like! Stay tuned for the rest of the cast! What do you think?

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You will recognize it.

Trust me.

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How to Make an American Quilt, 1995 (dir. Jocelyn Moorhouse)

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“Oh, you’re pretty and smart, don’t worry, you’ll make it.”

— A guy trying to be nice to me. 

 Excuse me? I can’t even imagine the face of a male producer when receiving that “compliment.”  “Pretty” before “smart,” of course.

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Newest addition to me #teatowel collection from @theautry #votesforwomen

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Wanted: Hot Protagonists Only

On multiple occasions, I’ve received notes from Producers asking me to please describe my female characters as good-looking, “We want to know they’re hot.”

I have never received this same note regarding my male characters.

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The world of casting calls is a dangerous place for women as our life expectancy seems to decrease so dramatically.

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Why I Feel Like The Show Isn't Over

This is overdue because a) I’m in the middle of writing/rewriting and b) it’s pilot season & I have headshots and Harry Potter improv and whatever, I’m so busy you guys. *dies*

Yes, Classic Alice could absolutely end right this very second — in fact, it also could have ended after book 1 (Crime & Punishment) because when you don’t know if you’re going to get another season, it’s much more satisfying to give your audience a proper ending. (shout out to our big-sister show that has no idea it’s our big-sister show, Parks & Rec whaaaaaat)

We’d be able to go out on a significant note, get resolution, the audience doesn’t feel quite so cheated, and in general, it’s just nice to have a ‘real’ ending. Parks did the same thing for several seasons - I think it’s like, every season after season 3 had a concrete resolution. Because they are smart. 

HOWEVER. Just as they didn’t have to end (until last night. UNTIL LAST NIGHT.), neither do we — and here’s why:

A relationship should not, is not, the end of a human being’s story.

Sure, it might be the end of that particular arc - but, as I am sure many of you know, a relationship is drama and work and conflict as well. You might love each other, but there are compromises to handle. Two people might be PERFECT (wtf does that mean?) but life gets in the way: how they navigate those struggles is fascinating and truthful and while our show can be a little silly sometimes (really, Alice, puppets right after your friend is forcibly outted to the school?) I do hope it GENERALLY stays in the realm of reality.

And if I can get on a soapbox here (JK JK, I’ve been on a soapbox this ENTIRE TIME!!!), I think it does a wild disservice to girls, young women, and grown women alike to say — Oh, look! Your protagonist is in a relationship! AND WE’RE DONE.

I MEAN WHAT THE CRAP IS THAT?! That’s not a story, that’s — I mean. Then it becomes the male’s story, doesn’t it? This was never Andrew’s story; yes, he grows, and yes, he has a personal ‘quest’, but this is Alice’s journey, not his. I’d like to see where she goes from here.

Here are some threads I’d love to resolve:

He submitted her stories. What does a relationship between these two (rather different) people look like? How much does anyone change? How much can we grow? What is Alice’s new crutch? What is Andrew’s? How does art fit into a romantic life?

There are many, many more. 

So if you would, join me (and the rest of the cast and crew) in standing up and raising a little fist to combat the idea that being in a relationship is the end of a story. That’s been force fed to you since FOREVER because it’s an easy ending. I don’t want our show to be ‘easy’; I want to challenge myself and you, and to do that, we should have a full books 8+!

To say no to that idea, that trope, donate here.

— hackettkate 

PS: Do me a favor & reblog as a text, not a link! 

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Recently I came across a Goodreads post that asked, very plaintively,a simple question: the poster wanted to know what I was like in high school, and whether I actually experienced the degree of drug...

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