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Sharon Tate, 1966
Photographed by Orlando Suero.
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The Artist and His First Wife, Isabella Brant, in the Honeysuckle Bower
Artist: Peter Paul Rubens (Flemish, 1577 – 1640)
Date: 1609-1610
Medium: Oil on canvas mounted on oak panel
Collection: Bavarian State Painting Collections, Munich, Germany
Description
You can almost smell the sweet fragrance of honeysuckle emanating from the garden alcove in this full-length portrait by Peter Paul Rubens of Rubens and his new wife, Isabella Brant. Few paintings convey the promise of wedded bliss and marital fidelity as this double portrait, likely painted as a gift for Isabella’s father.
Seated in their “garden of love,” the painting speaks of a steadfast and tender strength between husband and wife. This is exemplified by the clasped right hands of the united couple (to which Rubens’s left index finger points) that binds them in faithfulness forever, unto and after death.
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Portrait of Jean de Thevenot
Artist: Philippe de Champaigne (Flemish, 1602 - 1674)
Date: 1660-1663
Medium: Oil on canvas
Collection: The Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA, United States
Description
Jean de Thévenot was a linguist, natural scientist, botanist, and traveler who wrote extensively about his journeys to the eastern Mediterranean and Turkey. He is also the man we can thank for introducing coffee to Parisian society in 1657 and for instructing the French in its use. We do not know why Philippe de Champaigne, one of the greatest French painters of the 17th century, painted his portrait but it is obvious he took pleasure in rendering the lavish fabrics, Turkish-inspired domed architecture, and almost translucent complexion of this striking and exotic figure.
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Portrait of Nicola D'Inverno: John Singer Sargent, 1892.
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