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Sophia Loeb (Brazilian, b. 1997), PANTANOSA, 2022. Pigment and oil on aluminium, 40 x 50 cm

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Tomiyuki Kaneko — Akayama Earth Dragon (mineral pigments, ink, transparent watercolor, acrylic, pen, shell powder, foil, 2018)

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Shingo Hoshino (1923-1997) — Dark Room [mixed media on japanese paper mounted on panel, 1989]

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Mario Persico (1930-2022)—Figures from The Big Circus [oil, canvas, 1980]

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by Alex Katz

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Michael Ryan (Dutch, b. 1953), Sri Lankan schoolgirls in deep violet, indigo and blue, 2020. Oil on metal, 80 x 60 cm

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Robert Tatin Museum

Robert Tatin was born in 1902 in Laval, capital of Mayenne. He was a construction worker for most of his early working life but in his spare time he studied art. He lived for a while in Brazil and travelled around South America. At the age of 43 he decided to follow his dream and moved to Paris to open an artist’s workshop. By now he had gained international recognition. He returned at the age of 60 to Mayenne and bought an old, small house on the outskirts of Laval. Here his artistic passions were fully unleashed.

Tatin wanted to build bigger and bolder and more imaginative rooms but the lack of space was holding him back. He was told that if he declared his home and creations a museum he would have more privileges. He applied for museum status and seven years later the house and buildings were approved, and Tatin used the additional rooms he built to exhibit his paintings and sculptures. He carried on building until he died in 1983.

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Suisse, Lac de Thoune, Coucher du soleil, c.1925

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Robert Tatin (1902-1983) — Arcane XXI [oil on canvas, 1968]

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It’s an Ursula k le Guin free your mind from the idea of deserving kind of day

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Mark Rothko, Untitled, 1969

Acrylic, ink on wove paper 53 15/16 x 42 ¼ in. (137 x 107.3 cm) Inscription Verso in black crayon: MARK ROTHKO Estate/Inventory Number2040.69 Collection National Gallery of Art, Gift of The Mark Rothko Foundation, Inc., 1986.43.274. © Kate Rothko Prizel and Christopher Rothko

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Koen van den Broek (Belgian, b. 1973), Explosion, 2020. Oil on canvas, 165 x 110 cm.

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Giovanni Giacometti (Swiss, 1868-1933), Mare di Nebbia [Sea of Fog], 1921. Oil on canvas, 87 × 90 cm.

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Fragments, relief.

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Pavel Tchelitchew (1898-1957), The Living Shell, 1944. Gouache and watercolor on paper, 76 x 56.2 cm.

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jean cocteau’s home