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Are you against YouTube's AI Age Verification bs? Listen up!

There's a blackout/boycott being organized starting on August 13th, the day the policy is supposed to go into effect. That day, we stop using youtube until they roll it back. Use other video websites (cuz they do exist) if you have a youtube premium subscriptin (for some reason), cancel it and state this new policy as the reason why. leave feedback on why you're against this. Call them and don't email. no human answers the emails. and more importantly, TANK. THEIR. RATINGS. On the 13th, go to the app store if you have the youtube app, and en masse leave 1 star reviews and site this new policy as the reason why.

if you want to help/join in on the black out, there's a discord server for planning it which I will like the invite to here

I will also link the change.org petition because the current amount of signatures is alarmingly low for my taste

It's never about the kids when it comes to stuff like this. They're only ever used as a scapegoat and this will make kids even less safe.

Spread the word. reblog. lets give youtube HELL! make them listen!

if we don't make them backpedal here, they can and WILL try to expand this globally and to the rest of google (whom owns youtube)

while I'm at it, since it *is* owned by google, leave a 1 star review for it on the google play store as well

reblog like crazy. spread the word

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Peaky blinders date everything

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I just finished my first playthrough of Date Everything! This game is so rich in stories, characters, and options that it almost hurt to put some of these people in the tier that they are in. Some of them are in the tier level because I didn't explore them enough, or I accidentally got a hate ending so I was not able to figure out their deal. This is all just my opinions and with 100+ characters that you can interact with, you are bound to find the ones that fit your fancy.

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poor memory is a huge deal and i wish people wouldn't diminish it by saying "oh yeah i can't remember what i had for breakfast lol."

i can't remember the first 10 years of my life. i can't remember entire days, weeks, months at a time. i can't remember entire people, i can't remember names or faces. i can't remember when things are scheduled for, my calendar app on my phone is booked to the max with reminders and task checklists. i can't remember when i moved into what home when, i can't remember important milestone dates like when i got or lost certain jobs, or when i started a new hobby.

that's what i mean when i say i have poor memory. poor memory is so scary for the person who has it. it's not a quirky thing, everyone forgets small details. memory problems are scary because you can go through entire events or days with no memory, or plan for things in the future that you can't recall ever even looking into or scheduling. it's not a funny haha kind of thing, it's serious, and it affects a lot of people in very unavoidable ways.

not being able to plan for appointments or work schedules, not being able to remember people's names or faces, not being able to recall whether or not you were present for something or whether or not you met someone, not being able to keep track of what's happening on what dates and losing track of items because you can't remember where you put them are all very real problems, and anyone dealing with them deserves to be taken seriously, and not diminished when they choose to speak up about it.

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Let’s talk about translations of the Odyssey for a second, because, honestly, I’m over here sobbing over how ridiculous some of these choices are.

Every time I pick up a new translation, I hope it’ll finally capture the true grit and messiness of Odysseus, but nope, every one of them polishes him up too much, turning him into either a tragic hero or a charming rogue. Where’s the Odysseus who lies as easily as he breathes, who manipulates his way through every encounter, and who leaves a trail of ruin wherever he goes? I want the man whose brilliance is as sharp as his selfishness, whose cleverness cuts both ways — not just a hero, but a survivor who’s as flawed as he is formidable.

Anyway, I’m gonna break down the biggest mistranslations that really make me want to pull my hair out and remind everyone how different the original Greek actually is. Prepare yourselves.

Let’s start with the absolute disaster that is Telemachus and Peisistratus’ bond. Homer used the word ὁμοφροσύνη to describe their relationship, a term that’s about fucking soulmates, alright? But what do these translators do? They water it down to “just good friends” or “nice companions.” It’s about a relationship where minds and hearts are aligned — telepathic level shit, not just a handshake between two dudes. Yet these translators just gloss over the whole thing, so you get this milquetoast version of their relationship when it’s actually so much more.

Homer says: "ὁμοφροσύνησιν ἐνὶ καρδίᾳ ἐνθα καὶ ἄλλων οὐδὲν ἐπέλθομεν" ("In like-mindedness of heart, where no other man could compare.") So, Telemachus sees Peisistratus as someone he’s totally aligned with, in a way that’s almost romantic in its depth. ὁμοφροσύνη is usually used for romantic couples most often.

Then, we’ve got Odysseus and Calypso, which — oh my god, don’t even get me started on this absolute trainwreck of a translation. The term ἀνάγκῃ is used when Homer talks about Odysseus’ “relationship” with Calypso, but translators somehow miss the force behind the word. It doesn’t just mean “necessity” like they’d have you think. It means force, violence, and distress. When Odysseus is on Calypso’s island, stuck there with her, it’s not this peaceful love story where Odysseus is some willing lover. It’s a prison. There’s no choice, and no one’s riding off into the sunset together. But translations just gloss over this desperation and make it sound so much more peaceful and comfortable than it ever was. It’s forced captivity, and the use of ἀνάγκῃ screams that: “ἔνθα μὲν ἀμφ᾽ ἀνάγκῃ, τῇ δὲ θεὰ ἐρῶσά μιν ἔσχε.” (“There he stayed out of necessity, for the goddess, in her love, held him there.”).

Homer uses the same word when Odysseus describes his time with Circe: “ἀλλ᾽ ἔμεν᾽ ἐν σπέσσι λαῶν ἀνάγκῃ.” (“But I stayed in her halls by necessity.”). Again, ἀνάγκῃ shows that Odysseus's relationship with Circe is dictated by forces beyond his control. His connection to her isn’t out of love or desire, but out of a divine obligation, a situation where choice is completely stripped away. It’s not love; it’s divine manipulation. So much for romantic freedom!

And let’s not forget how Homer actually portrays the suitors and their reaction to Antinous’ violence. After Antinous, in his full rage, decides to throw a chair at disguised Odysseus, other suitors chime in, disapproving of his actions. They say things like “ἀργὸς εἶναι,” which roughly translates to “you’re acting cowardly,” and “ἀτασθαλία,” meaning “reckless.” They’re still on the same side, sure, but they can’t quite get behind the utter savagery of his actions, and it’s maddening how this detail is often glossed over in some translations. They make it sound like they were all in on the violence, but in the original text, these suitors are not all cut from the same brutal cloth, no matter how much some translators want to make them seem like one big mob.

Homer uses the word οἰκέτες to refer to the people in Odysseus' house. "οἰκέτες" means slaves, people who are literally owned by the household. But oh, what happens in the translations? We get “maids” and “servants,” as if these slaves were just there because they wanted to be, doing chores like it was a normal job. But no, they’re not “maids,” and they sure as hell aren't "servants" in the modern sense. These people have no freedom — they belong to Odysseus. The translation of οἰκέτες as "maids" completely erases the brutality of the system that Homer is talking about.

Interestingly, Telemachus, who is often portrayed as rude or immature, calls these individuals “servants” or "maids" in a more respectful manner. This is the same guy who can barely get his act together most of the time, but here he is, calling the οἰκέτες — slaves, remember — not just slaves but “ἄνδρες ἰκέτες,” which translates to "men-servants" or “butlers.” Like, hello, Telemachus! For once, he’s actually treating them like people instead of just the property that they are in Homer’s original telling. Respectful? Who knew?

And lastly, let’s talk about Penelope. Odysseus, when he finally speaks to her, he says: "ἀλλὰ μὴ ἐπεὶ καὶ σὺ μὲν ἔμπεδος ἐν οἴκῳ, ἔτλησαν δ’ ἐμαὶ ἄλγεα." ("But you, steadfast in your home, endured my sorrows."). Odysseus sees Penelope as the rock, the one who has suffered patiently in his absence. Unlike the goddesses, she’s his equal in suffering, not a forced relationship due to divine will. He longs for her, and her presence stands in stark contrast to the chaotic, imposed relationships he’s had with Circe and Calypso. Penelope is the constant, the one Odysseus has chosen — no divine manipulation, just pure, enduring love.

Anyway, all of this goes to show that translations can twist what Homer was actually trying to say — especially when it comes to the relationships in the story. It’s frustrating to see these critical, subtle moments get flattened into bland, palatable phrases. Maybe if they spent less time trying to make everything sound "noble" and more time actually getting at the grit of what Homer wrote, we wouldn’t have to deal with these watered-down, emotionless versions of The Odyssey that everyone is so obsessed with.

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Tor Publishing Group is BACK with a guide of books to gift the people in your life…and yourself!

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Not enough books? Don’t worry, we have another GET BOOKT: THE BOOKENING guide to help you out!

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List of Interesting Latin Phrases

A list I made just to satisfy my vain cravings for resonating mottos for a secret society I'm working on. Enjoy!

abi in malam crucem: to the devil with you!

ad astra per ardua: to the star by steep paths

ad augusta per angusta: to honors through difficulties

aegis fortissima virtus: virue is the strongest shield

amor vincit amnia: love conquers all things

animo et fide: by courage and faith

arbitrium est judicium: an award is a judgement

aut mors aut victoria: either death or victory

aut vincere aut mori: either victory or death

bello ac pace paratus: prepared in war and peace

bibamus, moriendum est: let us drink, death is certain (Seneca and Elder)

bonis omnia bona: all things are good to the good

cede nullis: yield to no one

cito maturum, cito putridum: soon ripe, soon rotten

consensus facit legem: consent makes law

data fata secutus: following what is decreed by fate (Virgil)

durum telum necessitas: necessity is a hrad weapson

dux vitae ratio: reason is the guide of life

e fungis nati homines: men born of mushrooms

ego sum, ergo omnia sunt: I am, therefore all things are

pulvis et umbra sumus: we are but dust and shadow

quae amissa salva: things lost are safe

timor mortis morte pejor: the fear of death is worse than death

triumpho morte tam vita: I triumph in death as in life

tu vincula frange: break your chains

vel prece vel pretio: for either love or for money

verbera, sed audi: whip me, but hear me

veritas temporis filia: truth is the daughter of time

vero nihil verius: nothing is truer than the truth

vestigia nulla restrorsum: foosteps do not go backward

victus vincimus: conquered, we conquer (Plautus)

sica inimicis: a gger to his enemies

sic vita humana: thus is human life

─── ･ ｡ﾟ☆: *.☽ .* . ───

💎If you like my blog, buy me a coffee☕ and find me on instagram! Also, join my Tumblr writing community for some more fun.

💎Before you ask, check out my masterpost part 1 and part 2 

Reference: <Latin for the Illiterati: a modern guide to an ancient language> by Jon R. Stone, second edition, 2009

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Do you know anything about pre-colonial ilokano culture? Like any practices, myths etc :)

Precolonial Ilokano culture has also been on my radar especially since I myself am of Ilokano descent actually! My ties to the culture had been severed by my Ilokano grandfather after a falling out with his family, but I might be able to get together some sources and articles on precolonial Ilocos some other time.

One of the most popular myths from the Ilokos region that is often taught in schools even outside the area is the Life of Lam-Ang or Biag ni Lam-Ang. This story follows Lam-Ang and different parts of his life from before his birth and up to his peaceful life after all of his adventures. You can read it here alongside a collection of other epics from other Filipino ethnic groups and an English translation here (thanks to a Christian school's English class lol)

From quick research, an article by Jordan Clark of the Aswang Project lists the 1978 book Handbook of Philippine Language Groups as source for knowing the early Ilokano pantheon or at least the generally accepted Ilokano pantheon.

This book identifies Buni as the supreme being of the pantheon, who, from other sources I've seen, is often referenced as someone who has tasked the giants with creation. I can't seem to find the specific myth that exactly references how the world had come to be. Parsua was also identified as a creation deity.

Then there are the deities related to different nature-related and weather-related things which are listed as Apo Langit (Lord Heaven), Apo Angin (Lord Wind), Apo Init (Lord Sun), and Apo Tudo (Lord Rain).

There are also variations listed within the article that had been referenced to have come from the book published in 1952 called the Historical and Cultural Data of Provinces specifically from Vigan, Ilocos Sur, although it seems to have more outsider influence.

Here's the plain-text from the article since it's pretty difficult to find other sources of this myth other than the book and the article:

Cabalangegan was formerly a jungle at the edge of the river Abra. On the far side of the river were mountains high and steep. On these mountains lived an old man named Abra, the father of Caburayan. The old man lived and controlled the weather. It is said that the river Abra was a gathering of water vapor, shaded, and the days were always bright with sunlight. At that time Anianihan, God of Harvests, was in love with Anianihan, Goddess of Healing. Her mother, Lady Makiling knew about their mutual understanding, but Abra did not know it for the three were afraid to tell him since he might punish them as he disapproved of Anianihan. Abra wanted his daughter to marry either Saguday, God of the Wind, or Revenador, God of Thunder and Lightning. This being so, Anianihan took Caburayan from her home. Abra wept a great deal. He sent Lady Makiling away after beating her. When Abra was alone, he wept day and night till Bulan, God of Peace and Calm, came. But though Bulan was there to brighten Abra’s spirits, Abra did not stop weeping. He could not express his anger. He begged the other gods to bring back his daughter. One day the sun, eye of Amman, shone so bright that the water of the river Abra was excessively heated. Smoke rose from the river. Soon, thick, black clouds began to darken the sky. Then Saguday sent the strongest wind until the crowns of the trees brushed the ground. The god Revenador sent down the largest strings of fire. The heaviest of rains fell. All these frightful events lasted seven days. The river Abra then rose and covered the trees. There rose a vast body of water and the highest part of the mountain could be seen. It looked like the back of a turtle from a distance. At this spot Abra lived. On the seventh day, Abra heard a cry. He also heard a most sorrowful song. Abra dried his tears and looked around, but he saw no one. He determined to find Maria Makiling, his grandchild. He did not find her for the cries of the baby had stopped. The search for the baby lasted three full moons, but to no avail and the poor old man returned to his home very sad. He lost all hope. His wits were gone. At that time Maria Makiling was under the care of the fierce dog Lobo, that was under a god of the Underworld. He had been punished by the other gods and that is why he looked like a fierce dog. He was sent down to do charity.

From just the story alone, there's some obvious influences from other cultures such as one of the deities mentioned, Lady Makiling, the mother of Caburayan, having come from Laguna, as well as the usage of the word Lobo to name a fierce dog with the word having come from Spanish.

This may be the reason why this myth isn't regarded as highly as a more authentic version of the precolonial Ilocano pantheon although it is an interesting story still.

I do want to learn more about Ilocano precolonial culture too but that's all I have for now! Hopefully it's informative enough especially since finding sources outside the Aswang Project website is rather difficult.

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✨️ Who were the Bisayan deities? Let's discuss a few of them! There are a lot more deities that were not mentioned here, but you can read all about these different deities on my blog post, "The Bisayan Deities: Who were the Gods & Goddesses?" on my blog, thepinaywriter.com !

I will also be briefly discussing these deities in my first class of the year on July 19 via Zoom! To be able to participate, you must be in the Mayari Tier on my Patreon. During this first class we will also be discussing the babaylan and traditional tattooing. Classes are held monthly along with monthly book discussions for the Filipino Book & Reading Club! ✨️📚 Visit my Patreon at patreon.com/thepinaywriter for more info!

➡️ Do you know any of these deities? Who is your favorite?

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Can you tell us more about Filipino mythology and moneters, cause there's no 1 official website and I almost always barely passed filipino? Can you also list like great sources for me to read? Thanks

I had a pretty busy week last week so it took a while to get to this ask but I'd love to give more info on the topic!

More on Filipino Mythology:

Si Apolaki at Mayari - Bakit may araw at gabi

EN: Apolaki and Mayari - Why there's day and night

An illustration of Apolaki and Mayari created by the illustrator PM Graphix

I am currently still doing a write-up on the Tagalog pantheon so I could start by maybe talking about that and what I've found. For the mythology section of this, let me start with something that's actually not from the Tagalog pantheon but is often attributed to the Tagalog pantheon: the Kapampangan story of Apolaki and Mayari or why the day and night exist. This story has been sourced from Maximo D. Ramos's book Philippine Myths, Legends, and Folktales (which you can buy on Amazon here, sadly I cannot find a free version of the book without going through suspicious links) and posted by Jordan Clark of The Aswang Project on his website.

BATHALA, the creator of the world, had a son named Apolaki and a daughter named Mayari. The light that shone upon the world and enabled the people, the beasts, the birds, and the fish to see came from the bright eyes of Apolaki and Mayari, So all the creatures loved them dearly. Bathala himself was very fond of his children, and he watched over them as they wandered across the meadows of heaven. Since the eyes of Apolaki and Mayari shone continuously, it was always day on the earth. In time Bathala grew feeble with age and died. Then Apolaki and Mayari had a quarrel, for each wanted to rule the world alone. “I am the man and I will succeed my father to the throne,” said Apolaki. “I am going to rule the world, whether you like it or not.” Mayari’s eyes flashed with anger and she said, “I am no less my father’s child than you. I will succeed him to his throne, whether you like it or not!” The quarrel grew from bad to worse, and finally words could not express their furious rage. So they picked up wooden clubs and fell upon each other with fierce blows. Back and forth they fought until at last Apolaki struck Mayari in the face and she became blind in one eye. When he saw his sister stricken, Apolaki took pity on her and said, “Let us fight no more, my sister. Let us share our father’s kingdom equally between us. Let us reign by turns and be friends.” Mayari agreed, and from then on, Apolaki, whom we know today as the Sun, has ruled the world half the time. Mayari, whom we now know as the Moon, has taken turns with her brother in ruling the world. When Apolaki is on the throne, the world is flooded with warm light, because the light beams from his two bright eyes. On the other hand, when Mayari is reigning, the world is bathed with cool and gentle light; for she is blind in one eye.

Now from what I've researched, a lot of places tend to attribute the story to the Tagalog people or state that it is a shared story from both the Tagalogs and their neighboring Kapampangan up north from them but I cannot find any specific source prior to the late 1960s that even mention that Mayari was part of the Tagalog pantheon so it may be a more recent addition.

The source that first states Mayari's inclusion as a part of the Tagalog Bathala's court comes from a paper written by F. Landa Jocano called Notes on Philippine Divinities (1968) where he does not cite a specific source of where he has learned Mayari was of Tagalog origin nor even stated that he had learned it from a Tagalog local and considering Jocano himself isn't a Tagalog nor is he Kapampangan, it's unlikely he's learned it from his upbringing or otherwise.

I had also done a little digging on his sources and none of them bring up Mayari nor her sister Hanan, the goddess of dawn, so the paper leaves much room for doubt. Tala, the goddess of stars, who is also listed in Jocano's paper make a lot more sense despite the lack of sources as it is the actual word for star in Tagalog but I still have to do further research on her as well.

Either way, I had also never heard of Mayari as a Tagalog deity outside Jocano's work and online articles that heavily source Jocano (The Aswang Project, one of the most popular sources for Filipino mythology which I had used as a specific source for Kapampangang mythology, has cited him twice in regards to Tagalog mythology specifically but not Kapampangan mythology). This is also despite me being born and raised within a mostly Tagalog community.

All of that for me to say that this story of Apolaki and Mayari may be a later addition to the Tagalog mythos after interests on Filipino mythology got revitalized from the mid-20th century onward rather than something that has always been a part of the Tagalog mythology.

Note that I'm not saying that it is an impossibility that this had been part of the Tagalog culture prior to that time period, but a lot of sources that discuss this do not bring up this story until after Jocano's work. I will have to maybe do more reading on this to find out more information about this and Mayari's status on whether or not she did belong to the Tagalog pantheon prior to the 60s.

I also want to add a quick note that it's pretty common for people to misattribute this story to the Pangasinense people as well but it may be from both people constantly confusing Pampanga from Pangasinan (think of it as how people confuse Sweden and Switzerland), as well as a name overlap with Apolaki who is referred to as Apolaqui in Pangasinan. The two places are both north of the Tagalog Regions. I might look into this connection/association/coincidence later on.

Further Readings and Sources

It's actually pretty hard to suggest a specific source for Filipino mythology given that a lot of them pull from the same reference (Notes on Philippine Divinities) which I had said has some dubious information but Maximo D. Ramos's book that I had referenced is a good read as it collects various myths from different places throughout the country. I myself had been thinking of getting a copy of the book soon as well as his other books.

Some Filipino Monsters

As for Filipino monsters, I could say that its similar with Filipino mythology, in that with so many cultures, there's many different kinds on who you're asking. These ghouls seem to be more widely similar from culture to culture, however, probably owing to the fact that the Catholic Church didn't discourage the belief in them as much as they did the precolonial gods. Whether you go to the northernmost part of the country to the southernmost islands, there is a lot of similarities between the creatures that they could be classified easier than the gods with some creatures even sharing traits from cryptids from other Southeast Asian countries.

I'll give some of them here that you may hear pretty often when looking through catalogues of Filipino monsters. I have to be honest that I may not source as much for this section since I will be bringing up some personal stories and anecdotes that are passed around the community. I'm also open to discuss more about these creatures as well as other monsters later on.

The Aswang

An artwork of an aswang uploaded to Wikipedia by H.M.Bec

Aswangs are often considered as the most ubiquitous of the Filipino monsters. When you look up monsters from the Philippines, this may be the top result. Aswangs are often portrayed as people who transform into ghoulish creatures that feast on human flesh but especially children, babies, and fetuses. There's so many stories and variations of aswangs, however, that some of the monsters in this list are actually sometimes considered as part of the aswang category depending on the source or who you ask.

Aswangs are shapeshifters, often turning into dogs, pigs, and many other creatures, in order to stalk their prey in the middle of the night.

Aswangs are also considered as one of the main stock monsters in FIlipino media so you may see them as the villains of a lot of fantasy series and movies. They're one of the villains that Alexandra Trese faces of regularly on the folklore-inspired supernatural comic book series turned Netflix original animation Trese. They're also the main antagonist in my favorite FIlipino fantaserye series Juan De La Cruz (although I don't particularly like the lead actor anymore lol).

Here's some stuff I've heard about Aswangs from those around me.

Aswangs often won't attack their neighbors and would rather attack neighboring villages/barangays/towns. This is so they avoid detection or suspicion from their community. So, if you suspect your neighbor's an aswang, then you might just be lucky they won't target you.

Aswangs are often said to have come from the province of Capiz. It's an often common joke and stereotype that Capizeños may be aswangs themselves or know people who are aswangs. The people of Capiz are mixed on how they feel about the association with the provincial government seemingly trying to shake off the specific association to their province.

They can go to mass but cannot stay during the consecration of the holy host. Holy water and holy [coconut] oil also boil in their presence.

When you look directly into their eyes, your reflection would be upside-down. They also don't have the dent between the nose and the lips.

They could pass their curse through different ways and may depend on belief or tradition. One belief states that if a person marries an aswang, they also become an aswang.

One of the other beliefs that can turn a person into an aswang is if one makes contact with an aswang's saliva.

According to another belief, a person could also become an aswang if they ingest a black chick alive.

Similarly, an aswang cannot die until they pass their curse to another person (typically a relative). This is done by passing a black stone or chick hidden in their body to the chosen new curse holder.

They hate the typical ghoulish hated items like holy crosses, water, oils, and the classic garlic and salt, but they also hate calamansi (a small Filipino citrus fruit), and my mother had always told me that they hate suha or pomelo (a type of citrus fruit) and the smell of burning rubber.

A typical weapon used to fight against them or ward them off is the buntot pagi or stingray tail that is often sold in occultic shops around the country. You could also buy this from online stores as I've learned (x)(x)(x).

Now here's a story I've heard about them:

A story I had heard was that of the aswang bus. I had heard it repeatedly throughout the years but the basic premise is that there's a bus of a bunch of aswangs from a different province that's traveling to [province you are in] and are hunting down people at night. This is some of the more funny stories about aswangs because I keep imagining an aswang bus driver purposefully running over people and then a bunch of aswang tourists hops off of the bus to drag the body for a snack later.

I honestly might come back to the aswangs topic later since I had just learned some things from a Capizeña who works to help around our house.

The Manananggal

An artwork of an aswang uploaded to Wikipedia by Gian Bernal

The Manananggal is a ghoulish creature and is often times categorized as a kind of aswang. They are typically humanoid creatures that appear as regular people (often women) during the day, but at night their torso severs from their legs and fly away with bat wings. They often feast on fetuses using their long proboscis tongue.

These ghouls share a lot of similarities with the Southeast Asian ghoul called the Penanggal which is a similar creature but instead of their torsos separating, their heads separate from their body alongside their entrails.

Manananggals are also some of the typical stock monsters in Filipino fantasy stories. I can't think of any specific instances of the manananggal being the main character besides the softer depiction of a manananggal girl named Anna in Dayo: Sa Mundo ng Elementalia who acts as a deuteragonist to the human boy Niko. They are also featured in Trese where a tribe of manananggal is shown. They are also the main lead or love interest in some horror movies and even horror romances.

Here's some stuff I've heard about Manananggals

It's name comes from the Tagalog word "tanggal" which means "to remove" or "to separate" and specifically means "the remover" or "the separator". This of course is a reference to the fact that it removes its torso from its legs or separates its body in half.

Unlike the typical aswang which transform back during daylight, the manananggal needs to find their way back to their body or else die by sunlight.

The unattached legs of the manananggal is their weakness. If found by a person, they only need to sprinkle salt or smear crushed garlic on the legs in order to destroy them.

A lot of the typical things that ward off the aswang are also typically effective towards the manananggal.

Similarly to the aswang, manananggals are also said to had come from Capiz.

The list is shorter because honestly, just take what most you've heard about the aswang and apply it here. I don't know specifically if things like the upside-down reflection or the lack of the dent between the nose and lips could apply to manananggals, however, and I don't think I've heard people claiming that about the manananggal.

Now here's a story I've heard about them:

One story I heard that I find quite funny was something my sister heard from one of her high school friends. This friend was struggling to fall asleep at night and was tossing and turning in bed when she heard bat-like fluttering from outside. She went out to inspect the source by looking out the window and was shocked to see a manananggal climbing up a coconut tree and seemingly harvesting the fruit in the middle of the night. She wasn't flying up the tree, she was climbing it.

The next day, an old woman who was selling her goods door-to-door came by their house. She was selling coconuts.

The Tiyanak

A screenshot of a tiyanak from the movie Tiyanak (1988)

The tiyanak is considered as a demonic baby that would transform itself into a regular looking baby, crying in the middle of the night in order to attract their unfortunate target who may feel pity towards the child. The tiyanak may also be classified as an aswang but is typically considered as a separate thing more often than the manananggal from my experience. This creature has noticeably a lot in common with a lot of other Southeast Asian and East Asian myths about demonic babies and toddlers like the tuyol or the tuyul.

Like the previous two, the tiyanak is also part of the typical stock monster antagonists found in Filipino media, but not as much as either the typical aswang or the manananggal. They are often used to add a bit of a scare factor into a story and isn't typically the main antagonist of a story as of recent horror movies (with only a single short B-Movie I could think of called Flight 666 from the Shake, Rattle & Roll horror anthology series. It is not a good movie but it's stupid fun). They are featured, as usual, in Trese as the main supernatural antagonists of a specific story arc. Their depiction from the comic and the Nteflix show has been changed due to the controversial nature of the comic book depiction.

When they appear in a horror series, there's often a sort of reason or lesson as to why one has appeared and typically based on the typical origins of the tiyanak.

The most common belief is that the tiyanak is the ghost or ghoulish corpse that had come from an unbaptized child.

At times, they may be a ghoulish baby that had been created after a woman gets an abortion, other times it is simply just a baby that had died before baptism often as a stillbirth or even as a joint death with their mother.

I had also heard that it may be an abandoned baby that had died to the elements.

It is also believed, the reason that they are cursed to wander the earth after death is because they were not given a name through baptism.

Because of this, when they typically appear in stories, it is often either a story about the bad that could come from abortion or child abandonment depending on the values of the writer.

The tiyanak would also sometimes lead people astray with its cries.

Speaking of its cries, there are some places that believe if the cry sounds loud and near, the tiyanak is actually farther away from you than if you hear the cries to be quieter and farther.

Here's a story I had heard about them:

A common Filipino story of the tiyanak is the parking lot story. Story goes that in certain parking lots of buildings, typically malls, you may hear a baby cry in the middle of the night when you're alone. This is a tiyanak that's trying to lure you in by seemingly tricking you into thinking that it is just an innocent abandoned baby which is sadly common in the country. It is common enough that there are some people who would often want someone to accompany them when they're alone in a parking lot at night.

Further Readings and Sources

As much as I had stated that The Aswangs Project and their handling of discussions about Filipino mythology, specifically Tagalog mythology, is dubious at best, they have a lot of good articles about aswangs that do align with local beliefs so reading through their website for monsters specifically could be a good and free resource. They had also made a documentary that you can watch for free on YouTube that covers a lot of this and more about aswangs.

For written works, I would suggest any of Maximo D. Ramos's works as I've brought up before. There's his published paper The Aswang Syncrasy in Philippine Folklore which is considered as basically the holy grail of Aswang research, which, as I had stated, take up a bulk of the FIlipino monsters. It's hard to find easily accessible PDFs of the paper and I remember that I found a copy of this or a similar work by Ramos but the link has eluded me.

For a less academic and more fun fictionalized source for Filipino monsters I suggest The Lost Journal of Alejandro Pardo: Meet the Dark Creatures from Philippines Mythology by Budjette Tan and David Hontiveros which is available through Amazon here. It follows a fictional researcher and his discoveries of Filipino monsters and other creatures. It's a pretty easy read with a lot of good information about cryptids and monsters from the Philippines, owing to it's style of found media. If you've seen something like Gravity Falls's officially published Journal 3 from the show's universe, it has a similar vibe to that.

That's all I have for now, but I am looking more into this topic! My PC has issues right now so I might answer questions more slowly than my already slow answering speed. I hope this post helped you learn a little more about Filipino mythology and cryptids.

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✨️ Our ancestors before the Spaniards arrived wore gold and passed them down through the generations, regardless of social class. They even crafted bowls, liquid vessels, and the hilts and covers of daggers and swords out of gold.

They buried these ornaments with the dead so that they could use it in the afterlife and as a token to give the spirit or deity to leave purgatory. They also covered the faces of the dead with gold death masks to protect them from evil spirits entering the body.

Numerous Spanish accounts record that they wore gold and buried their dead with gold bahandi, or heirlooms. From Antonio Pigafetta, Francisco Alcina, Pedro Chirino, Friar Bobadilla and within the Boxer Codex Manuscript. Together with historical accounts, archeological finds of gold artifacts from Luzon, the Bisayas, and Mindanao show how much our pre-colonial ancestors wore and used gold in their clothing, divine figures, and everyday wear, similar to the rest of Southeast Asia.

To see many of these artifacts, check out the gold exhibit in the National Museum of the Philippines and Ayala Museum.

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It's because it's hard to take care of yourself when you do feel like you deserve to take be care of, but its easier to take care of a pet that does nothing but love you unconditional

Some people aren’t mentally well enough to take care of themselves but are capable of taking care of their pets.

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ENCANTO (2021)

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Miscellaneous Angst Prompts

1. “I finally found a place where I am loved.”

2. “I’m never going back.”

3. “You will have to learn to live with the monster you made.”

4. “When will you admit that you messed up?”

5. “You will be greater than I ever was.”

6. “Find someone better than me.”

7. “Just go before you ruin something else.”

8. “I’ve never been more scared of something that won’t matter.”

9. “There’s nothing we can do but wait.”

10. “You were never supposed to find out.”

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do you have any hurt/comfort prompts of character A reassuring character B who's crying?

— hurt comfort dialogue prompts

“ you're welcome to stay here, for as long as you'd like. “

“ do you need anything? “

“ anything you want me to get you? “

“ stop apologizing — you didn't do anything wrong. “

“ just tell me what i can do to make you feel better. “

“ you are what's important right now. “

“ it's okay if you need to vent. i'm here to listen. “

“ i don't want to bother you... seriously, it's all just... a lot. “

“ i feel like shit. “ “ you look like it, too. “ “ hey! “

“ you know what they say — gotta get ugly before it gets better. “

“ it's okay to cry, you know. “

“ just... tell me, is this wrong? am i being childish? “

“ you're just a little hurt, that's all. “

“ come on, let's get you cleaned up. “

“ i'll sit here, with my arms wrapped around you, all night. “

“ really, all night? “ “ if that's what it takes to make you smile, then yeah. “

“ we don't need to talk, all right? “

“ how about we just stay here, holding each other? “

“ i don't know what's wrong with me. it's like i can't stop crying. “

“ i didn't know where else to go. “

“ you're always welcome here, you know that. “

“ hey, what's your favorite snack? “

“ how about i make a quick run to the store, get you some aspirin? maybe grab you a burger or something on the way home? “

“ let me repay the favor. you were always there for me when i needed you. “

“ there's snot all over your shirt. “ “ i trust you'll get it dry-cleaned. “

“ let me be there for you. “

“ oh, look at what i did to you... “ [shirt drenched in tears] “ sorry. “

“ i'm sorry, i didn't mean to bother you. “

“ you're not a burden. “

“ how long are you staying? “ “ for as long as you need me. “

“ aren't you tired? “ “ i'm fine. don't worry about me. “

“ i don't know what to do. “ “ we'll figure it out. “

“ you're going to be fine, okay? you're going to be fine. “

“ hey, look at me. i'm not going anywhere. “

“ you're not alone. “

“ just get it out. get it all out. it's okay. “

“ you know, you've got a really pretty smile. “ “ you call this a smile? “

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Saying "I Love You" Without Saying "I Love You"

When "I love you" isn't enough.

Cw: there is two (2) mentions of sex, once referred to as "fuck". A couple of lines have swearing.

"You mean everything to me."

"I can't say it back, but I need you to know I feel the same way."

"I genuinely don't think I've ever felt this strongly about anyone like I feel for you."

"I got you a little gift." "Awww! Thank you, this is sweet. What's the occasion?" "Nothing. I just saw it and I thought of you."

"Here. Happy Birthday." "Oh... my goodness. I... I can't accept this, it's too much." "You can. I want you to have it. You deserve only the very best."

*Pounces on them, kissing them deeply as soon as they come home* "Wow, what was that for?" "I just really missed you, today."

"I sometimes have to stop myself from grabbing you and kissing you." "Why would you stop yourself?" "I don't know."

"I don't ever want to stop touching you." "Good. Because I never want you to stop touching me."

"I cleaned the house, and the car, I made your favourite food, I gave the dog a bath, and I sorted through the accounts." "That's sweet of you, but how come?" "You've been really stressed lately, and I wanted you to come home and relax."

"When you smile at me, I have to remember to breathe sometimes."

"Dude, I just can't get her out of my head. I don't think I want to. All I want is to give her everything she's ever wanted." "Yeah, sounds like you love her, mate." "...Maybe I do."

"I want to marry you, have babies with you, buy you presents, kiss you, fuck you, make sure you've eaten and slept well, watch your hair go grey and your skin wrinkle and your belly go soft— be next to you for the rest of my life and whatever comes after it."

"I don't believe in coincidences. Someone upstairs sent me to you, saw that we needed each other more than anything, and I will thank them until my dying day."

"I think dying by your side, when we've lived a long, happy life, would be the best way to go."

"Ughhhhh... I don't want to go to work. I want to stay here and hug you all day."

"I have been blessed with you in my life, and I will spend it making sure you don't regret it."

"There isn't really anyone else. You're it for me."

"Saying your name brings me so much happiness."

"When you say my name, my brain just kind of fries. In a good way, though."

"God, you are so much better than my dreams."

"Hey, I got two tickets to this thing, I was wondering if you wanted to go with me?" "Me? Are you sure? Wouldn't you rather take one of your friends?" "No, not really. I'd rather take you."

"You're my best friend." "I thought James was your best friend." "No. You are my best friend."

"You make me so happy." "You make me happy, too." "I'm glad."

"I don't want you any other way. I want you as you are."

"You're my favourite person."

"I want you." "I'm not in the mood tonight—" "No, not sex. I want you. I want to know more. Talk to me, anything you want."

"I could sit here and listen to you forever."

"Your voice gives me goosebumps."

"When I look at you, my heart swells in my chest. That's never happened to me before."

"We'll see, James, I gotta ask the Missus." "We're not married." "That can be resolved."

I'm not that proud of this one, but I'll post it anyway in case someone else likes them.

-M

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My roommates mom knows the mom of the singers from the kpop band akmu. To further the connection. Suhyun, the sister , knows a seventeen member, and they know bts.

I am also 2 degree away from the whole marvel movie cast actors and actresses

if you have one, tag with the "6 degrees of separation" you have with a celebrity