Text
casual reminder before tomorrow arrives that abstaining or voting 3rd party instead of voting for harris is THE most selfish thing you can do. i know you think you are doing the right thing, but i cannot emphasize enough that these two candidates are NOT "equally bad." palestinians will be in significantly more danger if that criminal shitstain wins, IN ADDITION TO every other minority and less privileged person. if you really and truly want to prove your motivation is to stop the harm of others, then you MUST put your ego aside and do the uncomfortable thing. this is not the time for a boycott. this is not the time to dig your heels in the sand and claim you can't possibly go against your morals. the truth of the matter is that palestinians will be safer if you vote for harris. as a queer woc, with so many friends and family whose well-being is at risk, i will feel more betrayed by you than by the people who vote for trump, bc we are supposed to take care of each other, and yet you'd rather watch us burn than do the uncomfortable thing. abstaining is nothing but a selfish, holier-than-thou, performative act. if you abstain, then you are actively causing harm, and if he wins because of it, those of us who can use our common sense will never forget how much you fucked us over. if he wins, more people (including palestinians) are going to get hurt, and that blood will be on your hands. do the uncomfortable thing. it's a better show of moral integrity than abstaining will ever be
512 notes
·
View notes
Text
Charles Giron - Femme aux gants, dite La Parisienne (The Woman with Gloves, known as The Parisian Woman) 1883 oil on canvas, 200 x 91 cm Petit Palais
Ready to go out, La Parisienne wears an afternoon dress whose jet embroidery and velvet applications enhance the intense black. The drapes arranged on the hips are inspired by the 18th century pannier dress, the art of which was then brought up to date by great Parisian collectors.
The presence of a gilded wooden console in the rococo style confirms the citation of the century of Louis XV, while the wall decoration of interlacing prefigures the floral sinuosities of Art Nouveau.
Simone Giron, who donated this large painting to the Petit Palais, was very familiar with this work, which her father, Charles Giron, always kept close to him. She states in the monograph devoted to the painter that he had met his model in Ville-d'Avray near Paris and nicknamed him the Black Diamond. It was this portrait of a woman buttoning her long gloves that Giron presented at the annual exhibition of the Société nationale des Beaux-Arts in 1883.
The catalogue of the retrospective exhibition presented at the Museum of Fine Arts in Bern in 1955 gives her the emblematic title of "La Parisienne", which is well suited to this elegant woman with a pretty, mischievous profile, highlighted by the hat covered with black marabou feathers.
Born in Switzerland, Giron, who had trained in Paris in Cabanel's studio, enjoyed his first success at the Salon of 1876. His life was divided between Paris, Geneva and Cannes, then continued in the Swiss Alps where he painted rural scenes and mountain landscapes. His fame spread throughout Europe thanks to the success of his society portraits.
51 notes
·
View notes
Text
Frogmore Cottage, Windsor, England by Howard Carshalton
4K notes
·
View notes
Text
So far I've read up to Pyramids (going in publishing order) and the thing I love about every opening so far is that they immediately tell me what I am investing my time in and why I should.
But like, it's not just handed to you. It's like Pratchett takes out the most interesting puzzle pieces, hands them to you, and says, "Now wouldn't you like to see the full picture?"
I took a break for a little bit to read some other books and I realized that A LOT of books just... feel so aimless for the first 1/4 at least. I continue because I figure I might as well, I've gotten that far, but it's difficult when I'm this far in and I don't even know what the book is really about yet or why I should care.
Anyway, I'm onto Guards! Guards! and I am yet again in love with the opening.
A little whimsy about dragons, and then suddenly: "And presumably, somewhere, there’s the key."
The what?
You just expect me to know what that is?
It's not "a key", it's not any old thing -- it isn't even described, it's just "the key". The knowledge is presumed, because of course one knows what THE KEY is.
Oh, but I don't, how embarrassing. I'm missing out. This is clearly some kind of exciting adventure. Only exciting adventures are befitting of the key. I need to remedy this situation, and get to reading immediately!
115 notes
·
View notes
Text
oh emily wilson translation of the iliad we’re really in it now
25K notes
·
View notes
Text
Andrew Gifford, Hawthorn Blossom in Late Sunlight, 2021, Oil on canvas, 2021
4K notes
·
View notes
Text
3K notes
·
View notes
Text
2K notes
·
View notes
Text
Me discovering a fibre art I haven't tried yet
(It's a medieval tapestry at the Met)
1K notes
·
View notes
Photo
10K notes
·
View notes
Text
rhinoplasty this buccal fat removal that for godssake watch a film produced in a country that isn’t the united states of america read a book read non-fiction learn to sew go to a pottery class go on a walk talk to old people look at medieval manuscripts do something interesting stop looking in the mirror so much someone will fuck you someone will love you and if not it doesn’t even matter that much but do something you don’t need botox you need to build muscle before you’re old and take care of your bones and take max 3 pictures of yourself per year
10K notes
·
View notes
Text
"Fairy Bridge" of Glen Creran, Appin, Scotland,
Credit: Caled Onianino
5K notes
·
View notes
Text
“fem-presenting” this, “masc-presenting” that. what if i wanna just be Presenting. i am showing you something and you have no idea what it is
81K notes
·
View notes
Photo
66K notes
·
View notes
Text
The holy grail of searching through academic literature is coming across a string of publications that are like:
Here’s An Idea. Smith et al. 2016
Terrible Idea; a comment on Smith et al. 2016. Johnson 2016.
You’re Wrong Too; a response to Johnson 2016. Nelson 2016.
Guys Just Stop Fighting, None Of Us Know What’s Going On; a Review of the Current Literature. McBrien 2017.
213K notes
·
View notes