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I've lost every job I've had. But what i'm looking for is a job and a dream. Tohno Hoeru, the lone wolf

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everything I love and miss is here.

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"You become Oma Zi-O and create a sinister future! But I fled from that future to this era. I know I have to go back. But I want to continue living in this era! I want to create a new future with you!"

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IchiRuki is my roman empire.

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★ 【zzz】 「 月光 」 ✔ republished w/permission ☆ follow me on twitter // bsky

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In regards of the Trump government scraping all trans inclusion in its queer information portion of its websites I have made this thing. Spread the word. Don't let them pretend we never existed.

P.S: Don't like! Reblog! <3

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Perfect 10 Liners, I'm ready for Junior and Mark to look each other deeply in the eyes and fuck. It's time! I don't know who the second couple will be in their story, but the two previous stories had the deep looks and sex for all the couples so . . . let my boys shine!

They deserve it.

-I- deserve it.

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don't ruin the captain's surprise!!! 🍫🍓

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🐺 & 🍬

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Miyazaki’s visual storytelling thrives on a sense of flatness that doesn’t diminish but rather enriches his worlds. By compressing the layers of his compositions—merging the foreground’s details, middle ground’s action, and background’s context—he crafts images that feel like living illustrations. Take the Warawara swarming with dishes in "The Boy and the Heron" or the jubilant feast scene in "Spirited Away" : both are packed with vibrant details, yet the visual plane feels collapsed, like a tableau unfolding all at once. This "flatness" isn't a flaw but a deliberate technique, pulling us into the frame as if we’re unrolling a scroll of visual wonder. It’s not depth that Miyazaki aims for—it’s a sheer density of storytelling in every frame, a reminder that 2D animation’s strength lies in its ability to immerse without imitating.

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just a normal spanish study group

(art from 2020)

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you're the only one who understands

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a collection of images with no theme whatsoever