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Soon. 9.

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Удовольствие в поглащении.

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Martyrdom of St. Thomas, 1639, Peter Paul Rubens

Medium: oil,canvas

https://www.wikiart.org/en/peter-paul-rubens/martyrdom-of-st-thomas-1639

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Calling of Saint Matthew, 1600, Caravaggio

Medium: oil,canvas

https://www.wikiart.org/en/caravaggio/calling-of-saint-matthew

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Jacob Jordaens - Susanna and the Elders. 1653

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Interior with sleeping John Neil Rodger,

South African , 1941-2013

oil on canvas ,100 x 150 cm.

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~ Barberini Faun.

Date: ca. 220 B.C.

Medium: Marble

Provenance: Munich, Glyptotek

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Samson and Delilah, 1893 by Oscar Pereira da Silva (Brazilian, 1867–1939)

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Albert Ritzberger

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A Ship in the Fog, 1883 by Carl Philipp Weber (German-born American, 1850?–1921)

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kiss ma lips now

 “The mouth, with its opening joining the red of the lips to the flesh of the face, seemed to be real flesh rather than paint. Anyone who looked very attentively at the hollow of her throat would see her pulse beating: to tell the truth, it can be said that portrait was painted in a way that would cause every brave artist to tremble and fear, whoever he might be.” 

-Giogrio Vasari, Lives of the Artists (1550)

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Pieter Christoffel Wonder, Time, 1810

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Pieter Christoffel Wonder, mecenati e amatori d'arte, 1830

Pieter Christoffel Wonder (10 January 1780, Utrecht - 12 July 1852, Amsterdam) was a Dutch painter, active in England.

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Joachim Patinir (Netherlandish, Dinant or Bouvignes, active by 1515–died 1524 Antwerp) - The Penitence of St. Jerome c. 1512-1515

“Acknowledging Patinir’s leading role in a new genre, Albrecht Dürer referred to the artist in 1521 as the “good landscape painter.” This intact altarpiece was probably a German commission, since its exterior wings show Sebald, patron saint of Nuremberg, and Saint Anne with the Virgin and Child. Following Netherlandish tradition, large-scale sacred figures dominate the foreground of the interior: Saint John baptizing Christ, Saint Jerome, and Saint Anthony the Hermit with the monsters that assailed him. The picture’s true subject, however, is the magnificent panoramic landscape, which the viewer is encouraged to travel through visually in the manner of a pilgrimage.” - The Met