Literally anything that inspires me But mostly lyrics to songs i'll never write
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Frost piles as bridges burn behind me
I imagine that i am not alone
And have preserved you in some way
So before I forget openings I had not turned to before
Due to not so subtle intoxication
Tell me landscapes are frames of mind
I'd like to believe that words have meaning
And that no gift will do
A clear horizon, no anxiety
Only things that are destructively creative
That are within yourself and within me
Is that really too much to ask? A reconnection?
I think hatred is wasted energy
I know you humans experience a flux of emotions
But when those are channeled and removed
And the road ahead is dense with morning dew
And your going to create something
Tell me what that means to you, to people in emotional and spiritual solitude
Because to me, i think that
That's as happy as I'd ever want to be
Z
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She was submissive, a donator
Of pathos straight from her breast
Staring into nostalgiaĀ
Repeatedly getting shot in the chestĀ
Meanwhile, Iāve been dissolving in my dreams for daysĀ
Been slicing when the voices say,
Obsessed with chemicals that kill,Ā
Been taking all these snow white pillsĀ
That's the difference between us, you see there's nothing but difference between usĀ Ā
Iāve been dancing in a screen for days,
Been nodding when the bass guitar plays,
Been jumping off cliffs for thrills,
Been crushing all these fuchsia pillsĀ
She believes in a system,
Of basic cause and effect,
You see, I believe in nothing,
While youāre convinced of some spiritual textĀ
That's the difference between us, you see there's nothing but difference between usĀ
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āI fell in love with your chaos because it matched with my own.ā
ā Isaac A (via wnq-writers)
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I've often wondered why I always return here to browse through emotionally charged pieces of writing and I've come to realise all these images accompanied by meaningful captions can explicate an outsiders dilemma. They are meant to encapsulate an entire and startling moment of grief, perhaps the vast airless plain at the other end of heartbreak and loss, it's a sincere declaration, by turns triumphant and grieving. Misanthropic teens can upload deep quotes on their social media, and for a second in digital time, cut themselves free of the gruelling sameness of society and it's pointless scripture. For a brief moment, they are both poem and poet. Created by a particular kind of nocturnal, loveless creature who colludes desire with elegant, elegiac grief, filtering perspectives through vintage cracked photographs and skeletal, pouting mannequins smoking endlessly and tearfully. They transform supermodels into creatures that tattoo death poems on their wrists. And they have known the cuts of the most old fashioned melancholia.
Is this glamorizing a particular form of suicidal ideation? We will never be sure, but for now they are the briefest of truths, snippets of modern art that seem both transparent and voluptuous. Can neurosis be bewitching, godly, a witch's spell? For scribes such as ourselves, it affirms all the delights of the dark
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Looking back, lately I've been thinking on that trick of the light. Driving North, towards the asylum, back to the fever dream. To introduce more chaos.
No answer. Just another fever dream in which I can almost see myself. It seems sort of more obvious out here. Or maybe things just stay the same beneath the eternal mirrors.
Let me drive North again, where the only memories of value I had were ones where i silenced the world with dope. The rest is just paid advertisement. Almost as if the price of gold is crashing into your frontal cortex.
Buy high to burn low eh? Were you ever really there? I thought you and I were the same person, singing love songs to the whirlwinds. Only know i realise she was just giving roses to the rain. We all take too much to heart. One of these days she'll come to realise I was only a trick of her light
See them reflected in the flash. There's a place for pictures that we've created. And there's a face in this mosque but they all look the same. And that's when it's time to drive away from this carnival and straight through the projected screen. The closer you come the less i can see you. Just say you wont be here when the quiet comes.
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Franz Kafka, The Diaries of Franz Kafka
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I constantly feel am inside someone
who seriously hates me.
I look out from his eyes.
Inhale what vile fumes he forcibly breathes in.
Love his broken women.
Slits in the metal, for sunlight brought by music
Where my eyes sit turning, at the cool air
the glance of light, or hard flesh
rubbed against me, a woman,
without shadow, or voice, or meaning.
This is the enclosure (flesh)
where innocence is a weapon.
A abstraction. Touch. (Not mine)
Or yours, if you are the soul I had
and abandoned when I was blind and had
my enemies carry me as a dead man
It can be pain. (As now, as all her
memories hurts me.) It can be that.
Or pain. As when she ran from me into
that vast unknown.
Or pain, my mind silver spiraled whirled against the
sun, higher than even old men thought God would be.
Or pain. And the other form of pain, the constant seeking for escapism. So what if I chose the needle and she chose the bottle? We are all entitled to seek our preferred emotional suppressants.
Or pleasure, as the only pleasure worth having is self destructive, exquisite and leaves you feeling just slightly unsatisfied
Or, the cold men in their gale. Ecstasy. Flesh
or soul. The yes. (Their robes blown. Their bowls
empty. They chant at my heels, not at yours.) Flesh
or soul, as corrupt. Where the answer moves too quickly.
Where the God is a self, after all.
Cold air blown through narrow blind eyes. Flesh,
white hot metal. Glows as the day with its sun.
It is a human love, I live inside. A bony narcotic drenched skeleton
you recognize as words or simple feeling.
But it has no feeling. As the metal it's hot, as it's not given to emotions
It burns the thing
inside it. And that thing shrieks
At a pitch no musical scale in this universe contains
z
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I remember pushing open the door to the living room, going over to the piano, opening the lid and summoning up all my strength, pounding on the keys. A mad, cacophonous, jangled chord echoed
around the empty room, bounced off the walls, and returned to me in the guise of a shrill sound that seemed to tear at my soul. Yet it was an accurate portrait of my soul at that moment.
I pounded on the keys again, and again the dissonant notes reverberated around me.
I kept thinking to myself :
āIām crazy. Iām allowed to do this. I can hate, I can pound away at the piano. Since when have mental patients known how to play notes in the right order?ā
I pounded the piano again, once, twice, ten, twenty times, and each time I did it, my hatred for existence seemed to diminish, until it vanished completely.
Then, once more, a deep peace flooded through me and I again looked out at the starry sky
and at the new moon, my favorite, filling the room I was in with gentle light. The impression returned of Infinity and Eternity walking hand in hand; you only had to look for one of themāfor example, the limitless universeāto feel the presence of the other, Time that never ends, that never
passes, that remains in the present, where all of lifeās secrets lie. As I had been walking from the ward to that room, I had felt such pure hatred that now I had no more rancor left in my heart.
Finally allowing my negative feelings to surface, feelings that had been repressed for years in my soul. I had actually felt them, and they were no longer necessary, they could leave.
I remember sitting on in silence, enjoying the present moment, letting love fill up the empty space left behind by
hatred. The blend of SSRI's, benzodiazepines and anti psychotic medications coursing through my system provided a subtle tranquility to the moment, slowing and distorting each passing second.
When I felt the moment had come, I turned to the moon and played a sonata in homage to it, knowing that the moon was listening and would feel proud, and that this would provoke the jealousy of the stars. It was Bach's Cello Suite 1 : Prelude, the first classical piece i ever learned on bass. Then I played music for the stars, for the garden, for the mountains I could not see in the darkness but which I knew were there.
While I was playing that music for the garden, another nutter appeared: Maryam, a catatonic schizophrenic who was beyond all cure. I was not bothered by her presence; on the contrary, I recall smiling, and to her surprise, she smiled back, putting her arms around me and her head upon my shoulders.
The music could penetrate even her remote world, more distant than the moon itself; it could even perform miracles
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Apathy, you have struck me straight, good lord
past deceptive love and past guilt
I carry in my soul the sword
you buried to the hilt
Though my Chi is in such a pain
that Heaven and Earth may reel
For fear you may not strike again
I will not draw the steel
Take no drug for sorrow ; drain the cup
Until you hold it bottom up
Know that pains own bitter wine
Is pains only anodyne;
And of this truth your comfort make
After all, hearts can break
But truly who gives a shit
when in your pocket you have insanity and wit
z
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Man i sometimes feel like I'm nothing but a music obsessed sex addict running on nothing but caffeine, nicotine and an unrivaled loathing of the human species
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The drugs peeled back
The layers of the universe
like the layers of an onion
And I saw the world for what it is
And myself and her as nothing but stardust
So fuck it, let the whiskey swallow us whole
Let mushrooms stir our soul
Let acid burn our tongue
Let heroin steal our sun
-Z
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The unconscious mind holds more surreal beauty then anything this plasticine world has to offer
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