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Vereis que, pouco a pouco, as letras vão rolar do próprio nome: amor sem m. amor sem o. amor sem r. amor sem a.
LLANSOL, Um beijo dado mais tarde
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e a poesia mais rica é um sinal de menos
CDA, poema-orelha
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a suspeita de que mais adiante, onde agora vejo o ar limpo, ou nesta indecisão, na encruzilhada da opção, eu mesmo, no restante da realidade que ignoro, espero por mim inutilmente.
— Jogo de Amarelinha.
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As histórias precisam de espaço
Vinciane Despret, Um brinde aos mortos
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We were, once again, Orpheus's incompetence. We found everything we wanted in the past but couldn't bring it with us. We made the same mistake we always do. We were okay anyhow so we did not become wiser. Instead, we were made holy by the persistent foghorn. Or the foghorn's persistence, we weren't sure which. We were made beautiful by the act of looking each other in the mirror and asking if we were beautiful. We were made hopeful by grass growing clandestine on the roof. We were alive, most the time. We were the lingering compromise living made of the day. We chased groundhogs out of the barn and for this we apologized profusely to each other but not, for some reason, to the groundhogs. This much I loved, like the tenderness of asking for a favor without saying what it is first.
Robert Wood Lynn, "From the List of My Fears"
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hearts of darkness (1991) dir. eleanor coppola, george hickenlooper, fax bahr
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marcel duchamp directing a life-size chess game, 1956
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(O presente é aquilo que cola, como se tivéssemos o nariz junto ao espelho)
RB, A preparação do romance
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Ancient Courses, Mississippi River Meander Belt Creator: Harold Norman Fisk
https://mappingmovement.newberry.org/selection/ancient-courses-mississippi-river-meander-belt
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Map depicting the changing course of the Mississippi river. Harold Fisk 1944
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