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Masaomi Yasunaga
“Material transformation is fundamental to ceramics, but what Yasunaga does with clay, glaze, ash and glass is radically inventive as well as profuse in metaphorical resonance. Many pieces are identified as made only of glaze. Through a process involving burial in sand, soil or stone, Yasunaga turns what is conventionally used as a skin to sheathe a clay body into a body itself, both bone and flesh. Extracting the works from the kiln and placing them atop a bed of gravel furthers the notion of reciprocity between what is below ground and what is above, between archaeological time’s expansive breadth and the immediate now of touch, utility and sensual reverie. The work feels at once primal and urgent.”
from cfileonline.org
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January 28, 1943: Firefighters carry a musician and her violin to safety after a fire.
Photo: Weegee via International Center of Photography/Magnum Photos
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https://www.instagram.com/icantseemt0findmolly?igsh=MTRxNHdyMXRub3Bxcg%2525252525253D%2525252525253D&utm_source=qr
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Most of life is learning how to love your solitude
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'untitled no. 25, rongrong & inri, 2008' in hair: fashion + fantasy - laurent philippon (2013)
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