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The Four Horsemen of the Apocalypse by Luigi Sabatelli (1772-1850)
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Master E.S., The Fool and the naked woman in the mirror. Upper Rhine, around 1465. Engravings on copper with chisel.
Courtesy Alain Truong
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Valère Bernard (1860-1936) - Four engravings from the series 'Guerra' , 1893-1895
source
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Twelve Months of Flowers: September (hand-colored engraving), Henry Fletcher, 1730
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Jacques Callot, Saint Livier, etching, 1592 - 1635
National Gallery of Art, Washington DC
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Woodcuts taken from ‘Herbarum, Arborum, Fructium, Frumentorum’ (circa 1540) ‘De Speciali quarundam plantarum’ by Christian Egenolff (German, 1502–1555.
Published 1552.
Images and text information courtesy The Met.
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Ivan Ivanovich Shishkin – Album Cover, 1886
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(phone camera pictures of drawings of orchids)
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DÜRER, Albrecht The Men's Bath c. 1497 Woodcut British Museum, London
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Saint Andrew, Lucas Cranach the Elder, 16th century, Harvard Art Museums: Prints
Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall
https://www.harvardartmuseums.org/collections/object/242551
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The Cripple Portfolio, 1920– Heinrich Hoerle
Help the Cripples // Hallucinations
The Father // Friendly Dreams
The Tree of Longing // The Married Couple
The Unemployed Man // End of the Road
The Man with the Wooden Leg Dreams // The Breadwinner
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Woman Looking Up, 1514, Matthias Grunewald
Medium: chalk,paper
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