X-Files, Gillian Anderson, David Duchovny, Woman in STEM (Sex Time w/ Elderly Men) (see above)
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sobbing. scully wakes from her coma and tells mulder she had the strength from his beliefs
then he pulls out her cross necklace he’d been carrying around bc he had been getting strength from her belief
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PLATONIC WORK PARTNERS
(click for higher quality)
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Photo
It’s called hip-hop, you wouldn’t get it. Just take the fucking picture, Tea.
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No nuance, you have to choose. Also there is a correct answer :)
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Christmas Trees in Windows
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🎄 decorate my tree 🎄
Thursday's tree
I made one of those too this year. Could be fun. Feel free to leave me a message and/or make your own! ❤️
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fox mulder is so full of love it literally defines his character
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We ask your questions so you don’t have to! Submit your questions to have them posted anonymously as polls.
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So I rewatched "Our Town" last night and when I sat down at my laptop this morning to do something that was not writing, I ended up writing instead. These things happen. Just a silly fluffy-ish little thing because omg that ep is so gross and also Scully has to be getting sick of being abducted all the time. Mulder feels the same way.
She can’t sleep. It’s not every day you almost get beheaded—even after everything that she’s already been through this year, it seems there are still things that can shake her up pretty badly. She rolls over on the lumpy motel mattress and tries to get comfortable. For a glorious moment, she considers quitting. Handing Skinner her resignation and walking away, finding a nice job with regular hours where people won’t handcuff her to radiators, stick her in closets, contort their stretchy bodies through cracks in her bathroom window, or drive her around in the trunks of their cars before handing her over to aliens or the government or whatever theory Mulder’s going with right now. A job where she won’t spend the end of a work day strapped into a metal harness as a guy in a mask raises an ax above her head.
In her mind she pictures a simple life: a nice house with a yard, a dog greeting her as she opens the door and walks inside after a long day at the hospital…no, a private practice? A day of teaching? Whatever she’s been doing, she walks into a kitchen that smells like home-cooked dinner, leaning up to kiss her faceless husband who’s vaguely Mulder-shaped. “Honey, I’m home!” “Dinner’s almost ready! How was your day?” “Fine. Narrowly avoided decapitation. Nothing exciting.” Fuck. Not even fantasy-Scully can escape the absurdity of this life.
The knock on her door doesn’t even surprise her. She already knows who it is. He stopped waking her unless it’s something really important, so she groans and gets up, her bones aching, weeping inwardly as she makes her way to the door. So she can’t sleep; that doesn’t mean she wants to spend the night going over their case report or whatever that infuriatingly charming insomniac wants from her this time.
But when she opens the door, he doesn’t look as if he wants to go over case reports. He looks like shit. As much as that’s even possible for him. Another thing that’s simply unfair about her life, she thinks with a sigh. Even with bags under his eyes and pale as a sheet he still looks beautiful. “Mulder?” she says.
He doesn’t answer, just steps right into her and pulls her into a wordless hug, so tight she’s a little afraid he’ll crack her ribs. She hugs him back weakly and pats his back, not quite sure what else to do since she has no idea what the fuck he’s even doing. She expects him to pull back, but he just keeps holding on, and she’s genuinely having trouble breathing.
“Uh, Mulder?” she says again, a little louder.
“You’re okay,” he mumbles into her hair, and she wiggles in his arms, trying to loosen his grip.
“Not for much longer if you don’t let go.”
“Sorry.” He drops his arms and takes a step back, but keeps looking at her like he’s never seen her before. “Sorry, I just—”
“It’s fine,” she says. “Did you have a bad dream?”
He shakes his head. “I couldn’t sleep.”
“Yeah.” She grimaces. “Me neither. It’s been…a day.”
“Are you sure you’re okay?” he asks, and she laughs. She’s too tired not to.
“Thanks to your timely rescue, my head is still firmly attached to my body.” It sounds a little bitter, and she’s surprised at herself before she feels another little piece of her frustration clicking into place. Ah, yes, she thinks. There’s that too. Rescued once again. She makes a mental note: fantasy-Scully in her little imaginary suburban nine-to-five utopia will never have to be rescued. She’s gonna be the one doing all the rescuing. Except nobody needs to be rescued in that perfect little world, because nothing bad ever happens to anyone.
“You don’t sound okay,” Mulder says, and she closes her eyes for a second. She’s not annoyed with him, she reminds herself. It’s not his fault that she became part of these townsfolks’ dinner plans, and it’s not his fault that she needed him to keep that from happening.
“I’m just a little tired.”
“I’ll let you sleep.” He sounds exhausted and when she looks at him, she sees leftover fear in his eyes. “No more interruptions, I promise.”
Her hand reaches out for his before she’s fully conscious of what she’s doing. It’s just that he’s here and she’s had enough of being Agent Scully for tonight, and he really looks so much like Doctor Scully’s faceless dinner-cooking husband in her nice little fantasy home. “Come on,” she says.
“What are you—”
“Bed,” she explains, hoping he won’t ask any more questions.
“Oh. Okay.”
She gets in on her side and is relieved when he lies down next to her without another word. She closes her eyes, but she can feel him stock-still as a statue next to her, she can feel the tension radiating off of him, and, hell, it sounds like he’s even trying to breathe without making a sound. So she grabs his arm and rolls onto her side, tugging him with her until he has his back against her chest, and she holds firmly onto his hand and snuggles back into him.
“Scully?” he asks, sounding a little confused.
“Relax, Mulder,” she tells him. “Sleep.”
“Are you sure?”
“About sleeping?”
“You know what I mean.”
She laughs and squeezes his fingers. “No. Of course not. But honestly? I really don’t care right now.”
“Okay,” he says, and he gets it, she knew he’d get it. “Okay,” he repeats, and laces their fingers together. She feels him lift his head, feels his hot breath against the side of her face, and then a gentle kiss against the corner of her eye. “Good night, Scully.”
“Good night, Mulder.”
Behind her closed eyelids, fantasy Scully lies just like this with her faceless partner, who’s just as warm and smells just as good as real Scully’s friend-partner spooned up behind her. The only difference is that her own real Mulder is…well, real. No matter how perfect her beautiful little dream house with her beautiful perfect husband may be, she kind of prefers snuggling with someone who has a face and a name. And maybe she’d actually miss the mess.
Not all of it. Not the ax-swinging, homicidal maniacs or the lumpy motel mattresses. But a partner who knocks on her door in the middle of the night because he couldn’t sleep without making sure she was okay? Who sleeps wrapped around her with his breath ruffling the hair at the back of her neck, knowing this isn’t leading anywhere other than comfort and friendship? And…she kisses the backs of his fingers once she convinces herself he’s probably asleep…a vague hope that maybe this won’t always be all there is between them?
Yeah. She’ll take it.
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I was bleeding out in the snow and it was all cool and stuff until like a bunch of teenager showed up and then It got really cringe so I put all the blood back and went to go bleed out somewhere else but all the good bleed out places were taken so I decided just to die like a natural peaceful death like look overlooking the Cliffside but lo and behold somebody's already fucking dying there against a tree and it looks way sicker than what I had planned I guess I'll just fucking live
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last christmas man me a sand but the very next day man car door hook hand
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how to say “I love you” in x-files [49/?] ⤷ 6.06 — “How the Ghosts Stole Christmas”
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THE X-FILES | 4.12
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