ellathestoryteller

[ellathestoryteller]

Overused Words in Writing & How to Avoid Them

We’ve all got our comfort words—those trusty adjectives, verbs, or phrases we lean on like a crutch. But when certain words show up too often, they lose their impact, leaving your writing feeling repetitive or uninspired.

1. “Very” and Its Cousins

Why It’s Overused: It’s easy to tack on “very” for emphasis, but it’s vague and doesn’t pull its weight.

Instead of: “She was very tired.” Try: “She was exhausted.” / “She dragged her feet like lead weights.”

💡 Tip: Use precise, vivid descriptions rather than vague intensifiers.

2. “Looked” and “Saw”

Why It’s Overused: It’s functional but flat, and it often tells instead of shows.

Instead of: “He looked at her in disbelief.” Try: “His eyebrows shot up, his lips parting as if words had failed him.”

💡 Tip: Focus on body language or sensory details instead of relying on generic verbs.

3. “Suddenly”

Why It’s Overused: It’s often used to create surprise, but it tells readers how to feel instead of letting the scene deliver the shock.

Instead of: “Suddenly, the door slammed shut.” Try: “The door slammed shut, the sound ricocheting through the empty room.”

💡 Tip: Let the action or pacing create urgency without needing to announce it.

4. “Said” (When Overdone or Misused)

Why It’s Overused: While “said” is often invisible and functional, using it in every dialogue tag can feel robotic.

Instead of: “I can’t believe it,” she said. “Me neither,” he said. Try: Replace with an action: “I can’t believe it.” She ran a hand through her hair, pacing. “Me neither.” He leaned against the counter, arms crossed.

💡 Tip: Don’t ditch “said” entirely; just mix it up with context clues or action beats.

5. “Felt”

Why It’s Overused: It’s a shortcut that tells instead of showing emotions.

Instead of: “She felt nervous.” Try: “Her palms slicked with sweat, and she couldn’t stop her leg from bouncing.”

💡 Tip: Let readers infer emotions through sensory details or behavior.

6. “Really” and “Actually”

Why It’s Overused: They add little to your sentences and can dilute the impact of stronger words.

Instead of: “I really don’t think that’s a good idea.” Try: “I don’t think that’s a good idea.”

💡 Tip: If a sentence works without these words, cut them.

7. “Walked” or “Ran”

Why It’s Overused: These are go-to movement words, but they can feel bland when used repeatedly.

Instead of: “He walked into the room.” Try: “He strolled in like he owned the place.” / “He shuffled in, avoiding everyone’s eyes.”

💡 Tip: Use verbs that convey mood, speed, or attitude.

8. “Just”

Why It’s Overused: It sneaks into sentences unnecessarily, weakening your prose.

Instead of: “I just wanted to say I’m sorry.” Try: “I wanted to say I’m sorry.”

💡 Tip: Delete “just” unless it adds essential nuance.

9. “Thought”

Why It’s Overused: It tells readers what a character is thinking instead of showing it through internal dialogue or action.

Instead of: “She thought he might be lying.” Try: “His story didn’t add up. The timelines didn’t match, and he wouldn’t meet her eyes.”

💡 Tip: Immerse readers in the character’s perspective without announcing their thoughts.

10. “Nice” and Other Vague Adjectives

Why It’s Overused: It’s generic and doesn’t give readers a clear picture.

Instead of: “He was a nice guy.” Try: “He always remembered her coffee order and held the door open, even when his arms were full.”

💡 Tip: Show qualities through actions instead of relying on vague descriptors.

Final Tips for Avoiding Overused Words:

1. Use a thesaurus wisely: Swap overused words for synonyms, but stay true to your character’s voice and the scene’s tone.

2. Read your work aloud: You’ll catch repetitive patterns and clunky phrases more easily.

3. Edit in layers: Focus on eliminating overused words during your second or third pass, not your first draft.

[ellathestoryteller]

Body Language

When someone is...

Sad

Face/Body:

Avoidant/reduced eye contact

Drooping eyelids

Downcast eyes

Frowning

Raised inner ends of eyebrows

Dropped or furrowed eyebrows

Quivering lip/biting lip

Wrinkled nose

Voice:

Soft pitch

Low lone

Pauses/hesitant speech

Quiet/breathy

Slow speech

Voice cracks/breaking voice

Gestures/Posture:

Slouching/lowered head

Rigid/tense posture

Half formed/slow movement

Fidgeting or clasped hands

Sniffing or heavy swallows

Self soothing gestures (running hands over the arms, hand over heart, holding face in palms, etc)

[ellathestoryteller]

Dear Writers,

Let’s learn about character creation with Susi pt.1

Chreating a character is freaking hard. How does one even start? After a lot of research* on the topic, here is my take on it:

*The process in this post is mostly inspired by the work of Susan Dennard. Check out her website for some of the most amazing writing/editing resources and worksheets ever.

Let’s start by filling in the blanks:

(Characters name) wants to (goal) because (motivation) but (conflict).

Do this twice. One for internal, one for external. Those are not the same things but they do walk hand in hand.

For an easy example, let’s introduce Susi:

External: Susi wants to win in her basketball tournament because she needs a scholarship but her childhood rival competes too.

Internal: Susi wants to be successful because she wants to support her poor family but she has a deep seated fear of failing and not being good enough.

The goals create character agency. Susi makes the decision to compete. She is working towards her own success. Susi is an active character that drives the plot and is not just along for the ride.

The motivation makes the reader care. We don’t really care about Susis basketball tournament. But we do care that she wants to get into college on a scholarship in order to help her family. We connect with this notion on a emotional level. That’s why we want her to win.

The conflict creates development. An external conflict drives the plot. An internal conflict drives character development. If Susi went into her tournament and won without any struggle or doubt, it wouldn’t be a convincing and engaging plot.

With those three things in hand (goal, motivation, conflict), you can dive deeper into your character to flesh them out to their fullest potential.

Maybe I’ll bring Susi back for another post to talk about more details of character creation.

Have fun writing!

[ellathestoryteller]

So You Want To Make a Character..

I’ve got a few generators you can use.

Need some clothes?

Try Here Here or Here Definitely here Steam punk clothing Char Style preference Dress

Need an Appearance idea?

Humanoid generator? check Non-Humanoid? Got that too and this and maybe this Need Monsterpeople?  I’ve got you. Maybe you need Cats?

Need some details and shit like that?

Bam Backgrounds and stuff? yep Personality. you need that shit Need something fandom related? World-building? location? got ya City generator hell yeah make your own god damn laws Oh shit someone died Landscape. CHAR DEVELOP QUESTION GEN Profile Thingy Have some dates Quirks

You thought I was done? Nope. Motha. Fuckin. Names.

So many fuckin names MOTHERLOAD OF NAMES

Plant Names Magic Book title

Just search ur ass up some names man

Items. Yeah. You heard me.

Medicine? got it Items out the ass more items wow

Other shit.

Wow Yep Plots More writing stuff This site has everything so fucking go for it Need AUs? How the shit did these two meet? Fanfic plots. you bet your ass. (tag me in the shit u write i wanna see what you get) What does it do thing (you come up with a better name for this one. fuckin fight me.

You bet your ass I will continue to update this. If you’ve got something I should add to this hmu. Now, go forth! Make characters and live yo life. UPDATE: Added more shit everywhere.

[ellathestoryteller]

Writing Tips; Dialogue

Does your dialogue fall flat, or feel thin and strange? Does it feel like your characters are talking like robots? Do your conversations sound repetitive and monotone? We’ve all been there. It’s a very common occurrence amongst writers. Here are some of my favorite ways to avoid the monotone robot characters and add life and movement into your dialogue!

In this post, we’re going to have an example sentence that changes as I talk about different additions. Here it is in its naked, base form: “I know it’s real I saw it,” Nico said.

Now, let’s hop into making it lively, shall we?

-

1) PUNCTUATION

Commas and punctuation are your best friends! Use them. Use the crap out of them. Many people will say commas can’t go here and they can’t go there, but I say, in dialogue, it doesn’t matter. If you want your character to pause but you don’t want to use an ellipsis because it feels too long, use a comma. Put them wherever you want. Wherever your character pauses. If your character is rambling or talking really fast, take them out. It’s your dialogue. Use any and all punctuation to bedazzle up your lines. There is never too many or too little of anything if you want it that way, folks.

Keep in mind, punctuation can change the whole feeling of your sentence and the way your readers imagine your character talking. For example, your punctuation should differ between an excited and a sad line.

Here is the example sentence, punctuated in two different ways. “I know it’s real, I saw it!” Nico said. “I know it’s real… I saw it,” Nico said.

Can you see how just the change in punctuation changes the way you imagine him saying it? Really hone in on how your character is speaking and punctuate it to show that. (Keep in mind that this is your story and your character. You don’t have to obey punctuation rules and writing stereotypes, your story obeys you.) Put whatever punctuation you want there. Use thirty commas in your sentence. Use an ellipsis after every word. If it makes your character sound how you want them to sound, go for it, friends!

-

2) ITALICS

Some people hate reading over-italicized works, but that’s their own preference. Italics is a great way to add interest, movement, and a characters natural inflection into your dialogue. (I freaking love italics.) Italics helps readers understand what the character is focused on, and how they’re speaking. Again, people will say not to use it too much or only to use it so many times in a paragraph… but the key here is still to write it how you like it. Italics can make your sentences sound more human and more authentic.

Here is our pair of examples, now with punctuation and italics. “I know it’s real, I saw it!” Nico said. “I know it’s real… I saw it,” Nico said.

Take a minute and read through the example dialogue, imagining each word italicized one by one. Pay attention to the meaning and context it gives it. (For example, if the ‘I’ at the beginning is in italics — I know it’s real — that could imply that he’s talking to someone who doesn’t know or believe whatever he’s talking about is real.)

-

3) DIALOGUE TAGS

Tags. Tags, tags, tags! Tags are so important! Tags are brilliant for clarifying and identifying exactly how your character is speaking and how they intend for the statement to come across. If you ignore every other tip in this post, don’t ignore the tag! There are so many different words you could use instead of said that give life and context to your lines. Muttered, mumbled, yelled, shouted, exclaimed, whined, groaned, whispered, and a ton ton ton more. Use these to your advantage, like an outline for your dialogue. The tag is undoubtedly the easiest way to make your lines come across the way you want them to.

Here’s the examples with different tags! “I know it’s real, I saw it!” Nico defended. “I know it’s real… I saw it,” Nico mumbled.

Don’t be afraid to move your tag around, either! Sometimes, in order to make your conversations less repetitive, moving your tags are nice. You can put them at the beginning, middle, or end! (Middle tags are my favorite, I use them a whole, whole lot…)

Here’s the example sentence with a tag at the beginning and middle. Nico growled: “I know it’s real, I saw it!” “I know it’s real…” Nico muttered. “I saw it.”

Don’t forget, tags don’t always have to be how they’re speaking. It can also be what they’re doing or how they’re acting, which can be just as telling as other tags. (I use action tags sooooooo much. Action tags in the middle of dialogue is my jam.)

The example sentences with action tags: Nico crossed his arms, huffing deeply. “I know it’s real, I saw it!” “I know it’s real…” Nico averted his gaze, staring down at his shoes instead. “I saw it.”

Or, you can mix them both! An action tag plus how they’re speaking for maximum impact and description.

Here’s the example sentence with both! Nico rolled his eyes, hissing: “I know it’s real, I saw it!” “I know it’s real…” Nico uttered, poorly stifling a shudder. “I saw it.”

-

4) DESCRIPTION

Describing the way your character looks, moves, speaks, etc etc before and after the line can further help your readers know how they feel about what they’re saying. This is especially important if the character is not the main character and doesn’t have internal dialogue. Body language can explain things voices can’t or won’t. You can explore putting these descriptions before the line, after the line, in the tag, or after the tag. Whatever you prefer!

Here’s the sentence with descriptive sentences with it. I did one before the line & tag and one in the middle! He was practically fuming, his eyebrows knitted so closely together they looked like a single strip of hair. His eyes were flicking between his friends like he was trying to determine if they were joking, blue irises blurred with a rage-fueled haze. Nico finally rolled his eyes, hissing: “I know it’s real, I saw it!” “I know it’s real…” Nico uttered, poorly stifling a shudder. His eyes never left the floor, and he looked smaller, younger as he spoke. His breaths weren’t exactly even, but they weren’t too quick, either. “I saw it.”

-

Look at those two very different scenarios we got out of the same base line! This is the power you hold, folks, the power to un-bland your dialogue and make it into something intense and memorable for your readers! The power to make it portray exactly what you want it to portray! No more worrying how your readers took that line, because you set in stone how it was presented.

Remember, making a paragraph like that for every line might get tiring or repetitive to read. Sometimes tags alone are good enough in fast-paced or long conversations, and sometimes, if the dialogue makes it clear who is speaking, the line can suffice by itself!

If you have any writing tip requests, drop them in my inbox!

[ellathestoryteller]

"You hear that? The sound coming from back there? That's your friend diligently learning how to behave."

[ellathestoryteller]

12 Enemies-To-Lovers Dialogue Prompts For Writers

"You know, for someone I can't stand, I can't seem to get you out of my head."

"I never thought I'd say this, but maybe we've misunderstood each other all along."

"You're infuriating, but somehow you manage to make me laugh."

"I never expected us to end up like this. It's strange how things change."

"You're always so quick to push my buttons. Do you enjoy seeing me lose my temper?"

"You drive me crazy, but there's something about your smile that's hard to resist."

"I thought I hated you, but when I look into your eyes, everything feels different."

"Our rivalry has consumed us for far too long. Maybe it's time we put it behind us."

"I never thought I'd admit it, but you make my heart race in a way that no one else does."

"I can't believe I'm saying this, but maybe our differences are what make us perfect for each other."

"You challenge me in ways no one else does, and it's both infuriating and exhilarating."

"Underneath all the arguments and animosity, I think there might be something more between us."

[ellathestoryteller]

Reunion After Suffering Dialogue Prompts

"Is that really you? I thought I’d lost you forever."

"I’ve dreamed of holding you in my arms again. Now that you’re here, it feels like all my wounds are healing."

"I kept hoping, even when everyone else gave up. And here you are."

"The world was so dark without you. Please don't leave again."

"Your absence was a hole in my heart."

"Now that you’re back, I feel whole again."

"All the pain and suffering seem worth it, just to see your face again."

"I missed you every second. Your presence is the greatest gift I could ever receive."

"I carried you in my heart every day. Now that you’re here, it feels like coming home."

"I'll meet you in every lifetime, you can never leave."

"All this time, I felt a part of me was missing. Now that you’re back, I feel whole again."

"I survived by holding onto the thought of seeing you again. You were my strength."

Masterlist

[ellathestoryteller]

domestic afternoons with your s/o prompts ˚ ༘♡ ·˚ ₊˚ˑ༄ؘ

☆ they bring coffee to your work everyday at the same time. without delay

☆ you’re always there when they wake up from their afternoon nap so you can give them a kiss, and cuddle<3

☆ they have perfected your favourite snack for you

☆ you take weekly walks with them through your favourite park

☆ you spend the afternoons working in your favourite coffee shop together

☆ taking early afternoon naps together

☆ jumping into their arms when they enter the houses

☆ texting them pictures of yourself with captions like “miss you.” + “can’t wait to come home.”

☆ playing with your pet(s) while you wait for them to come home.

☆ making out in the doorway so it takes 20 minutes for them to even step inside after a long work day

☆ drawing baths for each other (candles, roses + everything)

☆ sharing recipes over text and coming up with dinner plans while you’re both in meetings

☆ they watch tv whilst you read with your head on their lap<3

☆ afternoon couch makeouts

☆ shopping together for dinner groceries

☆ rewatching your favourite movies<3

☆ dragging your s/o to a store

☆ afternoon swimming with your s/o

☆ dropping by their office just to give them a kiss

@celestialwrites for more<3

[ellathestoryteller]

Confessing & Leading To A Confession Dialogue Prompts

“Look, I know I’m not what your dream partner would’ve looked like, but I think we could work.”

“Fuck, I… I think I’m in love with you.”

“This is gonna sound crazy, but what if we… y’know got together?”

“Whenever I see you with someone else I can’t help but feel hurt."

“There isn’t anyone else but me! I’m the one!”

"There's a reason why I kissed you, idiot."

“No, wait, I have something to tell you.”

"I don't know... but I feel a lot of different things when I look at your face."

“How could you be so blind? I’m right here.”

"Don't make me say it out loud."

"My attention is always undivided for you"

"There's something I've been keeping from you."

"You already know what I'm about to say."

"I want to be more than what this is."

"I don't go around telling everyone these things you know."

"It's real this time. Not a fleeting love."

"You're my priority."

"Don't feel ashamed, it's mutual."

"But I don't want them, I want you."

"You need me just as much as I need you."

"Our future-- or-- I mean..."

"Is that door locked properly?" "Yeah." "Okay, I need to get this off my chest now."

"Sorry I've been avoiding you. I knew we couldn't see each other if I couldn't keep myself under control."

"It's not your fault I got all these ideas in my head."

"Maybe I'm crazy, but I started to imagine what I'd do without you and I really couldn't"

"Just promise to return I have something I need to share with you."

"Had I known all this would've happened, I would've told you the truth from the start."

"I was thinking about it and I've decided it's best if I just told you everything."

~~~

MASTERLIST

[ellathestoryteller]

List of 400+ Dialogue Tags

Below is a full (but not exhaustive) and updated list of dialogue tags. Dialogue tags are a widely debated topic for writers, some saying you should only use said, others arguing the opposite. You will get no opinion for me—only a list to use as you wish :D

Some words may differ in categories based on context.

Expressing Agreement or Confirmation

Acknowledged, Admitted, Affirmed, Agreed, Apologized, Confirmed, Conceded, Gibed, Professed, Reassured, Verified, Vouched

Initiating or Continuing Conversation

Added, Began, Chimed In, Commented, Continued, Conversed, Discussed, Elaborated, Greeted, Interjected, Offered, Proposed, Remarked, Went On

Making a Declaration or Announcement

Announced, Attested, Declared, Decreed, Emphasized, Enunciated, Proclaimed, Revealed, Stated, Voiced

Formal or Deliberate Communication

Chanted, Concurred, Observed, Postulated, Preached, Put Forth, Reasoned, Surmised, Testified

Indirect Communication 

Digressed, Hinted, Implied, Insinuated 

Providing Information, Explanation or Speculation

Alleged, Articulated, Asserted, Clarified, Doubted, Equivocated, Explained, Guessed, Imparted, Informed, Lectured, Noted, Predicted, Quoted, Recited, Reported, Theorized

Expressing Doubt or Uncertainty

Doubted, Faltered, Guessed, Hesitated, Pondered, Questioned, Speculated, Wondered, Ventured

Seeking or Giving Advice

Advised, Coaxed, Proposed, Recommended, Remonstrated, Suggested, Supposed, Urged

Animalistic

Barked, Croaked, Growled, Hissed, Hooted, Howled, Hummed, Roared, Snarled 

Expressing Discontent or Frustration

Complained, Fretted, Grumbled, Protested, Ranted

Demonstrating Authority or Command

Avowed, Commanded, Crowed, Decided, Demanded, Dictated, Directed, Insisted, Instructed, Maintained, Ordered, Pressed, Proclaimed, Reprimanded

Displaying Confidence or Assertiveness

Asserted, Assured, Boasted, Bragged, Claimed, Piped Up, Pledged, Spoke Up, Told, Vowed

Exhibiting Anger or Aggression

Accused, Bristled, Challenged, Cursed, Erupted, Exasperated, Fumed, Groaned, Huffed, Raged, Seethed, Snapped, Spat, Stormed, Swore, Threatened, Whinged

Displaying Sadness or Despair

Anguished, Bawled, Bemoaned, Blubbered, Cried, Despaired, Grieved, Lamented, Mourned, Sobbed, Wept, Whimpered, Worried

Persuasiveness 

Appealed, Begged, Cajoled, Convinced, Persuaded, Petitioned, Pleaded, Prayed

Conveying Fear or Worry

Cautioned, Entreated, Gasped, Quaked, Shuddered, Stressed, Trembled, Warned

Softly or Quietly

Breathed, Called, Crooned, Murmured, Mumbled, Muttered, Sighed, Whispered

Loudly or Forcefully

Bellowed, Boomed, Cried Out, Hollered, Screamed, Screeched, Shouted, Shrieked, Thundered, Wailed, Whooped, Yelled

Demonstrating Disgust or Disdain

Cringed, Gagged, Griped, Groused, Rasped, Scowled, Sneered, Snorted

Expressing Mockery, Disrespect or Sarcasm

Dared, Imitated, Insulted, Jeered, Mimicked, Mocked, Ribbed, Ridiculed, Scoffed, Snickered, Taunted 

Doing Annoyingly

Gloated, Goaded, Nagged, Pestered, Provoked, Sassed, Tattled

Emotional or Expressive Communication

Grunted, Mewled, Panted, Quavered, Sniffled, Snivelled, Squawked, Whined, Yowled

Showing Empathy or Comfort

Comforted, Consoled, Empathized, Soothed, Sympathized

Indicating Thoughtfulness or Reflection

Contemplated, Echoed, Mused, Pondered, Recalled, Reflected, Remembered, Reminded, Reminisced, Retorted, Reiterated

Expressing Humour or Amusement

Cackled, Chirped, Chuckled, Giggled, Guffawed, Jested, Joked, Laughed, Quipped

Revealing Information

Confessed, Confided, Divulged, Disclosed, Expressed, Hinted, Revealed, Shared, Spilled, Uttered

In a Flirtatious Way

Bantered, Cooed, Flirted, Joshed, Moaned, Purred, Teased

Demonstrating Surprise or Astonishment

Gasped, Marvelled, Yelped

Indicating Hesitation or Reluctance

Faltered, Hesitated, Stammered, Stuttered

Engaging in a Dispute or Argument

Argued, Bargained, Bickered, Contended, Debated, Disputed, Negotiates, Objected, Rebutted, Shot Back

Showing Enthusiasm or Excitement

Beamed, Blurted, Cheered, Exclaimed, Gushed, Raved, Rejoiced, Sang, Squealed, Trumpeted

Expressing Approval or Praise

Applauded, Complimented, Encouraged, Exhorted, Extolled, Lauded, Praised

Speaking in a Continuous or Repetitive Manner

Babbled, Chattered, Jabbered, Rambled, Rattled On, Repeated

Questions and Answers

Answered, Asked, Cross-examined, Inquired, Implored, Probed. Prodded, Prompted, Queried, Questioned, Quizzed, Requested

Expressing Criticism or Disagreement

Challenged, Chastised, Chided, Condemned, Corrected, Countered, Criticized, Deflected, Demurred, Denounced, Scolded

Negative or Deceptive Communication

Denied, Droned, Exaggerated, Interrupted, Lied

Finishing the Conversation 

Concluded, Finished, Thanked

Neutral or Miscellaneous

Admired, Consented, Foretold, Invited, Mentioned, Mouthed, Pointed Out, Replied, Said, Sputtered, Volunteered

Don’t forget our Grand Opening Giveaway starts February 1st/24 on Tumblr, Instagram and slayingfiction.com! You don’t want to miss it!

Happy Writing!

[ellathestoryteller]

— anxiously venting to a trusted one prompt ₊˚⊹♡

shoutout to all my anxiously attached ppl lol

"may i vent for a bit?"

"i don't even know where to start"

the burning ache in your chest clawing all the way up to your throat

"your opinion of me won't change, right?"

"i've debated internally whether or not to talk about this"

"i don't know who else to tell this to other than you"

tears threatening to escape your eyes as you embarassingly stutter over your words

"i can't stop overthinking about this, it has been haunting my sleep"

"sorry, being vulnerable is not my forte"

subconsciously shaking your leg aggressively

uncontrollably biting your nails out of habit

"it's so hard to verbalize what i am feeling"

the guilt of feeling like a burden heavily weighing on your tense shoulders

"it is all too much"

"can you please just hold me?"

"is this even fixable? don't tell me it's beyond repair i'm begging you"

[ellathestoryteller]

father figure prompts pt. 1 (cw: daddy issues)

"why did you think i'd be mad at you? of course i'm not mad at you. it's just one broken cup. there are seven hundred other cups."

"you're okay. i promise you're okay."

"it's not your fault. it's not your fault."

(of MC's birth father) "did he hurt you again? going to beat him up one of these days i swear to god. come, let's get ice cream."

"you seem in dire need of cookies."

"oh, honey, come here." (hugging) "it's okay to be vulnerable, okay?"

"are you doing okay?"

"don't say you're sorry, please, you didn't even do anything."

"can't sleep?"

"are you sick? no, no, you're staying home. i'll make you soup and put on a disney movie you're not going anywhere like that."

"have you eaten?"

"i love you as much as my children, and no one hurts my children."

"nightmares?"

"you don't have to do anything, just rest. please."

"you're going to hurt yourself. take a break."

part. 2

[ellathestoryteller]

Concerned love interest?!?? Yes please with extra angst in top!

"It's 2 am! where are you?"

"I'm your best friend, of course I care!"

"Where. Is. My. Wife/Husband?!" (In marriage of convenience trope)

"You need to stop, I'm serious. I don't want to lose you"

"I'm right here. You're safe. I'm not leaving. Stay with me"

"You said you were okay! You promised!"

"You idiot!" (With extra concern)

"You stupid stupid idiot! I'm so glad you're okay"

"you're safe now"

"you told me not to worry. You told me you were fine"

"It'll be over before you know it. Just push through"

"Please don't cry"

"Let it out. Cry all you want. I'm right here"

"stay" "always"

"Holding everything doesn't help, you know?"

"Why do you keep lying to me?"

"Why are you awake right now?"

"You said no secrets! You promised! I was terrified"

"Please look at me"

"[out of breath] I know I shouldn't be here, and I might have gotten the wrong idea from the call but-" [gets cut of by sudden hug] "[relaxes and hugs back] I'm right here, I always will be"

[ellathestoryteller]

You are a young man, fair of complexion and strong of body. Unfortunately this means that people keep bothering the nice goth lady down the street instead of coming to you when seeking the services of a witch

[ellathestoryteller]

A Naga’s tongue is long, flat, and forked at the end. And there is so much He could do with it to you.

Imagine you're in the middle of a heated argument with Him. Your face is inches from Him as the two of you berate each other, but as you open your mouth to argue some more, He suddenly shoots His tongue all the way down your throat, and slides it back out, forked ends dragging, just as the shock sets into your face. His anger has melted into a teasing gaze, His forked tongue kissing your lips; it feels so nice, you can’t help but lean into it, nuzzling His tongue while moaning softly. And when He begins prodding between your lips, you mindlessly comply, opening your mouth so that He could properly tongue-fuck your throat.

Imagine the way He hisses and flicks His tongue against the back of your neck, your hairs standing on end, hypersensitive to His every touch as He warns you to stay incredibly still while He gazes upon your natural beauty. You feel incredibly vulnerable as His tongue flicks about, sensually tasting His prey as He slowly coils around you for the taking, binding you tighter and tighter.

Imagine He flicks His tongue out, deep inside your pussy. The forked ends are pushing along your walls up and down your g-spot, just enough to make you writhe for more but never enough pressure to truly satisfy you. You end up humping His face, asking- no, begging, for Him to just fuck you already. And by God, He is going to make you beg for it.

Imagine His tongue instead licking very shallowly down there, the forked ends rimming both your pussy and your ass at the same time. It would feel so relaxing, so good… you’d give a few gentle moans and poke your ass out more prominently for Him to explore. It would be the perfect foreplay to prepare for His juicy hemipenis to fuck both your holes at the same time. 

[ellathestoryteller]

Needed some chubby worship a/b/o royalty stuff so i decided to write some

Alpha kings and queens knew of the sweet omegan prince. Those who had met him told of his kindness, his sweet and airy voice, beautiful hair and eyes. And his body would be able to start wars. 

The prince had rolls on his stomach and his thighs touched which was a clear sign of his fertility. Many of the world would kill to see him in his heat, begging and whining for a cock and a knot to fill him up. 

One lucky king is the one to finally win the omega’s heart. The disappointed howls of the other alphas of the world could be heard the day they were married, knowing that the virtue of the prince would be taken by another.

But for the king and the prince, that night was filled with other howls. The howls of pleasure as the alpha plowed into his mate’s fertile cunt, growling and claiming him. Whimpers and moans could be heard throughout the palace as the prince was bred into the mattress. His thick thighs and ass jiggled with every thrust and hands explored all the curves along his waist and stomach. This night would be the first of many, the end of holding back for the king as he could finally fuck his omega as much as he wanted.