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gansos selvagens

Não tens de ser bom.

Não tens de caminhar centenas de quilómetros de joelhos, pelo deserto, arrependido.

Apenas tens de deixar que o animal suave do teu corpo ame aquilo que ama.

Fala-me de desespero, o teu, e contar-te-ei do meu.

Entretanto, o mundo segue em frente.

O sol e os seixos límpidos da chuva atravessam as paisagens, as pradarias e as árvores profundas, as montanhas e os rios.

Entretanto, os gansos selvagens, altos no limpo ar azul, regressam de novo a casa.

Quem quer que sejas e onde estejas, pouco importa quão solitário, o mundo oferece-se à tua imaginação, chama-te como os gansos selvagens, com rigor e entusiasmo, de novo e de novo, a anunciarem o teu lugar na família das coisas.

de Mary Oliver, tradução de Inês Dias

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Apichatpong Weerasethakul

- Syndromes and a Century

(2006)

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Auguste Herbin (French, 1882-1960), Chant, 1958. Oil on canvas, 130.3 x 97 cm.

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David Hockney (British, b. 1937), Will it Ever Work, 2010. IPad drawing printed on paper, 37 x 28 in.

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Drew Tyndell operates a one-man studio specialising in design, art-direction, animation and illustration in Nashville, but in his free time he manages to turn his doodles into these excellent loop animations.

See more of his work at studio.drewtyndell.com

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The River (1997), dir. Tsai Ming-liang

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April Greiman

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April Greiman Home

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Yusaku Kamekura annulled the mountain’s pictural qualities to represent a blank canvas and used the skiers as brushes. The trail in the snow works so well as temporal recording of the “brush strokes”. 

We can find similiar assimetry, simplicity and strokes quality in sumi-e paintings. That poster is one of the great Kamekura visual achivements.

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Submission for Blankposter. The word of the week was PRINT

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Boy at Riverside - Karoly Ferenczy

1903

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Károly Ferenczy (Hungarian, 1862-1917)

Red Wall, 1910. Oil on canvas.

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Karoly Ferenczy ( 1862-1917 )