eckeism-ultra

[eckeism-ultra]

Steve McQueen’s 1956 Jaguar XKSS

on Mulholland Drive

© petersen museum

[eckeism-ultra]

Architectural hats, 1960. Photography by Michael A. Tony Vaccaro/Library of Congress Prints and Photographs Division

[eckeism-ultra]

Harmony Korine and Chloë Sevigny, 1997 – Mary Frey

[eckeism-ultra]

Guy Bourdin - Vogue Paris (Oct.1968)

[eckeism-ultra]

[eckeism-ultra]

Ncolas Lamas

[eckeism-ultra]

[eckeism-ultra]

Vertigo. Op Art and a History of Deception 1520-1970, mumok – museum moderner kunst stiftung ludwig wien, Wien, May 25 – October 26, 2019 (image: Franco Grignani, Danza Strutturale, 1965, private collection, Bad Homburg vor der Höhe)

[eckeism-ultra]

Platform shoes, 1970s

[eckeism-ultra]

The Devil Rides Out (1968), by Terence Fisher

[eckeism-ultra]

Young workers mount the transformer (1967)

[eckeism-ultra]

@utilitarianarchitecture 65 of these structures was made & used to support the building of the 9000m dam (Oosterscheldekering) . For every pillar they used 7000 m³ of concrete. The pillars were between 30 & 38 meters high. The Oosterscheldekering, between the islands Schouwen-Duiveland and Noord-Beveland, is the largest of the 13 ambitious Delta Works series of dams and storm surge barriers, designed to protect the Netherlands from flooding from the North Sea. #brutgroup photo via #utilitarianarchitecture

[eckeism-ultra]

Hans Christian Hansen - Umspannwerk Amager, Kopenhagen

1968

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via

© seier+seier

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[eckeism-ultra]

Underpass. Milton Keynes, November 2015.

[eckeism-ultra]

[eckeism-ultra]

Günther Uecker [Germany] (b 1930) ~ “Duo”, 2012. Embossed printing on laid paper (120 x 80 cm).

Find out more here:  Günther Uecker : Hammering Passion   ©   ART HuNTER .

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