drartemysia

[drartemysia]

just in case there's anyone who wants to learn more about him with the release of the Prime Video doc, here's my old primer, a bit updated and revamped. as always, we have to respect a dude with a sense of self and his own autonomy. personally, i will always adore a forward who can play defense like this. jack eichel is a stanley cup champion.

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2024.07.12 Battle for Vegas. Pre game int

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you'll find that you were never not mine (1/1)

Read it on AO3

Summary: Leon goes from moping over his ex beating him to the Cup to flying to St. Louis in the hopes of getting another shot at their relationship. All because of one single emoji

AN: Anyway, happy birthday to @drartemysia - you deserve at least ten times as much fic but... Here goes, 10k of second chance for these idiots.

I’m so proud of you

You deserve this

Leon sends the two texts off rapid-fire style, using the text thread that always comes up first whenever he’s having a big emotion he needs to talk to someone else about. At least he’s not stupid enough to use a current phone number for any of it - it’s been almost two years since Matthew used his Canadian number regularly. Or at all. 

He’s never seen Leon’s texts, and that’s exactly how Leon likes it. 

Matthew never has to know that Leon is still in love with him. Leon won’t put that on him, especially now Matthew is celebrating a well-deserved victory. Over Leon. 

Read the whole thing on AO3

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that these are the oldest & newest jackhanny images on getty...i'm ill.

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Found the most forlorn looking lil guy on iNaturalist the other night

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I would be very interested in hearing the museum design rant

by popular demand: Guy That Took One (1) Museum Studies Class Focused On Science Museums Rants About Art Museums. thank u for coming please have a seat

so. background. the concept of the "science museum" grew out of 1) the wunderkammer (cabinet of curiosities), also known as "hey check out all this weird cool shit i have", and 2) academic collections of natural history specimens (usually taxidermied) -- pre-photography these were super important for biological research (see also). early science museums usually grew out of university collections or bequests of some guy's Weird Shit Collection or both, and were focused on utility to researchers rather than educational value to the layperson (picture a room just, full of taxidermy birds with little labels on them and not a lot of curation outside that). eventually i guess they figured they could make more on admission by aiming for a mass audience? or maybe it was the cultural influence of all the world's fairs and shit (many of which also caused science museums to exist), which were aimed at a mass audience. or maybe it was because the research function became much more divorced from the museum function over time. i dunno. ANYWAY, science and technology museums nowadays have basically zero research function; the exhibits are designed more or less solely for educating the layperson (and very frequently the layperson is assumed to be a child, which does honestly irritate me, as an adult who likes to go to science museums). the collections are still there in case someone does need some DNA from one of the preserved bird skins, but items from the collections that are exhibited typically exist in service of the exhibit's conceptual message, rather than the other way around.

meanwhile at art museums they kind of haven't moved on from the "here is my pile of weird shit" paradigm, except it's "here is my pile of Fine Art". as far as i can tell, the thing that curators (and donors!) care about above all is The Collection. what artists are represented in The Collection? rich fucks derive personal prestige from donating their shit to The Collection. in big art museums usually something like 3-5% of the collection is ever on exhibit -- and sometimes they rotate stuff from the vault in and out, but let's be real, only a fraction of an art museum's square footage is temporary exhibits. they're not going to take the scream off display when it's like the only reason anyone who's not a giant nerd ever visits the norwegian national museum of art. most of the stuff in the vault just sits in the vault forever. like -- art museum curators, my dudes, do you think the general public gives a SINGLE FUCK what's in The Collection that isn't on display? no!! but i guarantee you it will never occur, ever, to an art museum curator that they could print-to-scale high-res images of artworks that are NOT in The Collection in order to contextualize the art in an exhibit, because items that are not in The Collection functionally do not exist to them. (and of course there's the deaccessioning discourse -- tumblr collectively has some level of awareness that repatriation is A Whole Kettle of Worms but even just garden-variety selling off parts of The Collection is a huge hairy fucking deal. check out deaccessioning and its discontents; it's a banger read if you're into This Kind Of Thing.)

with the contents of The Collection foregrounded like this, what you wind up with is art museum exhibits where the exhibit's message is kind of downstream of what shit you've got in the collection. often the message is just "here is some art from [century] [location]", or, if someone felt like doing a little exhibit design one fine morning, "here is some art from [century] [location] which is interesting for [reason]". the displays are SOOOOO bad by science museum standards -- if you're lucky you get a little explanatory placard in tiny font relating the art to an art movement or to its historical context or to the artist's career. if you're unlucky you get artist name, date, and medium. fucker most of the people who visit your museum know Jack Shit about art history why are you doing them dirty like this

(if you don't get it you're just not Cultured enough. fuck you, we're the art museum!)

i think i've talked about this before on this blog but the best-exhibited art exhibit i've ever been to was actually at the boston museum of science, in this traveling leonardo da vinci exhibit where they'd done a bunch of historical reconstructions of inventions out of his notebooks, and that was the main Thing, but also they had a whole little exhibit devoted to the mona lisa. obviously they didn't even have the real fucking mona lisa, but they went into a lot of detail on like -- here's some X-ray and UV photos of it, and here's how art experts interpret them. here's a (photo of a) contemporary study of the finished painting, which we've cleaned the yellowed varnish off of, so you can see what the colors looked like before the varnish yellowed. here's why we can't clean the varnish off the actual painting (da vinci used multiple varnish layers and thinned paints to translucency with varnish to create the illusion of depth, which means we now can't remove the yellowed varnish without stripping paint).

even if you don't go into that level of depth about every painting (and how could you? there absolutely wouldn't be space), you could at least talk a little about, like, pigment availability -- pigment availability is an INCREDIBLY useful lens for looking at historical paintings and, unbelievably, never once have i seen an art museum exhibit discuss it (and i've been to a lot of art museums). you know how medieval european religious paintings often have funky skin tones? THEY HADN'T INVENTED CADMIUM PIGMENTS YET. for red pigments you had like... red ochre (a muted earth-based pigment, like all ochres and umbers), vermilion (ESPENSIVE), alizarin crimson (aka madder -- this is one of my favorite reds, but it's cool-toned and NOT good for mixing most skintones), carmine/cochineal (ALSO ESPENSIVE, and purple-ish so you wouldn't want to use it for skintones anyway), red lead/minium (cheaper than vermilion), indian red/various other iron oxide reds, and apparently fucking realgar? sure. whatever. what the hell was i talking about.

oh yeah -- anyway, i'd kill for an art exhibit that's just, like, one or two oil paintings from each century for six centuries, with sample palettes of the pigments they used. but no! if an art museum curator has to put in any level of effort beyond writing up a little placard and maybe a room-level text block, they'll literally keel over and die. dude, every piece of art was made in a material context for a social purpose! it's completely deranged to divorce it from its material context and only mention the social purpose insofar as it matters to art history the field. for god's sake half the time the placard doesn't even tell you if the thing was a commission or not. there's a lot to be said about edo period woodblock prints and mass culture driven by the growing merchant class! the met has a fuckton of edo period prints; they could get a hell of an exhibit out of that!

or, tying back to an earlier thread -- the detroit institute of arts has got a solid like eight picasso paintings. when i went, they were kind of just... hanging out in a room. fuck it, let's make this an exhibit! picasso's an artist who pretty famously had Periods, right? why don't you group the paintings by period, and if you've only got one or two (or even zero!) from a particular period, pad it out with some decent life-size prints so i can compare them and get a better sense for the overarching similarities? and then arrange them all in a timeline, with little summaries of what each Period was ~about~? that'd teach me a hell of a lot more about picasso -- but you'd have to admit you don't have Every Cool Painting Ever in The Collection, which is illegalé.

also thinking about the mit museum temporary exhibit i saw briefly (sorry, i was only there for like 10 minutes because i arrived early for a meeting and didn't get a chance to go through it super thoroughly) of a bunch of ship technical drawings from the Hart nautical collection. if you handed this shit to an art museum curator they'd just stick it on the wall and tell you to stand around and look at it until you Understood. so anyway the mit museum had this enormous room-sized diorama of various hull shapes and how they sat in the water and their benefits and drawbacks, placed below the relevant technical drawings.

tbh i think the main problem is that art museum people and science museum people are completely different sets of people, trained in completely different curatorial traditions. it would not occur to an art museum curator to do anything like this because they're probably from the ~art world~ -- maybe they have experience working at an art gallery, or working as an art buyer for a rich collector, neither of which is in any way pedagogical. nobody thinks an exhibit of historical clothing should work like a clothing store but it's fine when it's art, i guess?

also the experience of going to an art museum is pretty user-hostile, i have to say. there's never enough benches, and if you want a backrest, fuck you. fuck you if going up stairs is painful; use our shitty elevator in the corner that we begrudgingly have for wheelchair accessibility, if you can find it. fuck you if you can't see very well, and need to be closer to the art. fuck you if you need to hydrate or eat food regularly; go to our stupid little overpriced cafeteria, and fuck you if we don't actually sell any food you can eat. (obviously you don't want someone accidentally spilling a smoothie on the art, but there's no reason you couldn't provide little Safe For Eating Rooms where people could just duck in and monch a protein bar, except that then you couldn't sell them a $30 salad at the cafe.) fuck you if you're overwhelmed by noise in echoing rooms with hard surfaces and a lot of people in them. fuck you if you are TOO SHORT and so our overhead illumination generates BRIGHT REFLECTIONS ON THE SHINY VARNISH. we're the art museum! we don't give a shit!!!

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the most annoying thing about vgk losing is people celebrating their lost with the most boring, unoriginal, generic celebration post about how the devil is defeated and some vile celebratory posts on vgk’s players injuries in reg and post szn— please leave ur mailing address, i’ll send you guys postcards signed by bettman, gmkm and stone for those 🤍

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Threads in time, Natalie Ciccoricco (because)

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Here it is folks:

My definitive ranking of my least favorite bodies of water! These are ranked from least to most scary (1/10 is okay, 10/10 gives me nightmares). I’m sorry this post is long, I have a lot of thoughts and feelings about this.

The Great Blue Hole, Belize

I’ve been here! I have snorkeled over this thing! It is terrifying! The water around the hole is so shallow you can’t even swim over the coral without bumping it, and then there’s a little slope down, and then it just fucking drops off into the abyss! When you’re over the hole the water temperature drops like 10 degrees and it’s midnight blue even when you’re right by the surface. Anyway. The Great Blue Hole is a massive underwater cave, and its roughly 410 feet deep. Overall, it’s a relatively safe area to swim. It’s a popular tourist attraction and recreational divers can even go down and explore some of the caves. People do die at the Blue Hole, but it is generally from a lack of diving experience rather than anything sinister going on down in the depths. My rating for this one is 1/10 because I’ve been here and although it’s kinda freaky it’s really not that bad.

Lake Baikal, Russia

When I want to give myself a scare I look at the depth diagram of this lake. It’s so deep because it’s not a regular lake, it’s a Rift Valley, A massive crack in the earth’s crust where the continental plates are pulling apart. It’s over 5,000 feet deep and contains one-fifth of all freshwater on Earth. Luckily, its not any more deadly than a normal lake. It just happens to be very, very, freakishly deep. My rating for this lake is a 2/10 because I really hate looking at the depth charts but just looking at the lake itself isn’t that scary.

Jacob’s Well, Texas

This ��well” is actually the opening to an underwater cave system. It’s roughly 120 feet deep, surrounded by very shallow water. This area is safe to swim in, but diving into the well can be deadly. The cave system below has false exits and narrow passages, resulting in multiple divers getting trapped and dying. My rating is a 3/10, because although I hate seeing that drop into the abyss it’s a pretty safe place to swim as long as you don’t go down into the cave (which I sure as shit won’t).

The Devil’s Kettle, Minnesota

This is an area in the Brule River where half the river just disappears. It literally falls into a hole and is never seen again. Scientists have dropped in dye, ping pong balls, and other things to try and figure out where it goes, and the things they drop in never resurface. Rating is 4/10 because Sometimes I worry I’m going to fall into it.

Flathead Lake, Montana

Everyone has probably seen this picture accompanied by a description about how this lake is actually hundreds of feet deep but just looks shallow because the water is so clear. If that were the case, this would definitely rank higher, but that claim is mostly bull. Look at the shadow of the raft. If it were hundreds of feet deep, the shadow would look like a tiny speck. Flathead lake does get very deep, but the spot the picture was taken in is fairly shallow. You can’t see the bottom in the deep parts. However, having freakishly clear water means you can see exactly where the sandy bottom drops off into blackness, so this still ranks a 5/10.

The Lower Congo River, multiple countries

Most of the Congo is a pretty normal, if large, River. In the lower section of it, however, lurks a disturbing surprise: massive underwater canyons that plunge down to 720 feet. The fish that live down there resemble cave fish, having no color, no eyes, and special sensory organs to find their way in the dark. These canyons are so sheer that they create massive rapids, wild currents and vortexes that can very easily kill you if you fall in. A solid 6/10, would not go there.

Little Crater Lake, Oregon

On first glance this lake doesn’t look too scary. It ranks this high because I really don’t like the sheer drop off and how clear it is (because it shows you exactly how deep it goes). This lake is about 100 feet across and 45 feet deep, and I strongly feel that this is too deep for such a small lake. Also, the water is freezing, and if you fall into the lake your muscles will seize up and you’ll sink and drown. I don’t like that either. 7/10.

Grand Turk 7,000 ft drop off

No. 8/10. I hate it.

Gulf of Corryvreckan, Scotland

Due to a quirk in the sea floor, there is a permanent whirlpool here. This isn’t one of those things that looks scary but actually won’t hurt you, either. It absolutely will suck you down if you get too close. Scientists threw a mannequin with a depth gauge into it and when it was recovered the gauge showed it went down to over 600 feet. If you fall into this whirlpool you will die. 9/10 because this seems like something that should only be in movies.

The Bolton Strid, England

This looks like an adorable little creek in the English countryside but it’s not. Its really not. Statistically speaking, this is the most deadly body of water in the world. It has a 100% mortality rate. There is no recorded case of anyone falling into this river and coming out alive. This is because, a little ways upstream, this isn’t a cute little creek. It’s the River Wharfe, a river approximately 30 feet wide. This river is forced through a tiny crack in the earth, essentially turning it on its side. Now, instead of being 30 feet wide and 6 feet deep, it’s 6 feet wide and 30 feet deep (estimated, because no one actually knows how deep the Strid is). The currents are deadly fast. The banks are extremely undercut and the river has created caves, tunnels and holes for things (like bodies) to get trapped in. The innocent appearance of the Strid makes this place a death trap, because people assume it’s only knee-deep and step in to never be seen again. I hate this river. I have nightmares about it. I will never go to England just because I don’t want to be in the same country as this people-swallowing stream. 10/10, I live in constant fear of this place.

Honorable mention: The Quarry, Pennsylvania

I don’t know if that’s it’s actual name. This lake gets an honorable mention not because it’s particularly deep or dangerous, but it’s where I almost drowned during a scuba diving accident.

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saw someone on twitter say well eichel and hanifin can’t do it themselves and i was like Well Actually. and then i thought about it and i was like shit. fuck. they’re right aren’t they. however i will continue to believe in the power of soulmateism

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oh........ ohhhhhhh,,,,,,, i need to be hospitalised

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240503 DAL@VGK | happiest massholes

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6:31pm ET. book it.

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Wake up, babe, new religion just dropped

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tweet meme: good omens edition

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