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demigodbeyotch · 5 hours
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THE ARISTOCATS (1970) ⌊ dir. wolfgang reitherman ⌉  
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demigodbeyotch · 5 hours
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Disability benefits shouldn’t be tied to the income of a disabled person’s partner/spouse/parent.
Do you hear me?
DISABILITY BENEFITS SHOULDN’T BE TIED TO THE INCOME OF A DISABLED PERSON’S PARTNER/SPOUSE/PARENT.
This is the straight forward way to deprive a disabled person of their financial freedom and independence and trap them into possible abusive relationships.
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demigodbeyotch · 5 hours
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moved 😭
bonus panels on my patreon 💌
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demigodbeyotch · 5 hours
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In defense of a "Wicked Stepmother":
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Sarah's Stepmother in "Labyrinth", named Irene in tie-in media, only gets about a minute of screen time before Sarah rushes off to her room in a soaked snit. Fanfic writers usually turn her into an evil bitch and even the manga sequel, "Return to Labyrinth", has her cold and abusive to Toby, her biological child. But here's the thing...
I think Sarah's mother gets a bum rap.
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Dressing nicely for an evening out and having mild conflict with a teenager does not a Lady Tremaine make. And as someone who actually lived with a narcissistic, manipulative, emotionally abusive stepfather, I can tell you that Irene doesn't even come close to wicked step parent territory.
Backstory first. It's never spoken of in the film, but clues in Sarah's room tell us that her real mother is a stage actress who abandoned her and her father for another actor. Sarah idolizes her mother and tries to emulate her with play acting. Sarah's father met and married Irene sometime after Linda ran off, and Sarah, who thinks her mom walks on water, resents the hell out of Irene for taking her place. A place that Linda abandoned for another man.
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She couldn't help it. He looked like David Bowie.
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Let's look at her first alledged transgression. She won't let Merlin into the house. Instead she orders him into the garage. Heartless, we assume because we all love dogs and only the most soulless of monsters don't. But slow down. She didn't leave him out in the rain. She put him in the garage. Furthermore, Merlin is an Old English Sheepdog. Is he a nice dog? Sure, but he's also a breed that's notorious for being high maintenance and hard to keep clean and right now he's soaking wet and filthy. Irene isn't being cruel, she's trying to keep him from ruining the carpet.
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So now Sarah and Irene are in the house about to have their confrontation. "Sarah, you're an hour late..."
Sarah lost track of time. Sarah is the one who screwed up. Irene has every right to be frustrated. For all we know, she and Robert were supposed to see a movie or meet someone and Sarah's tardiness wrecks their plans. Note, please, that while she is frustrated, she's not even yelling. My mom would have screamed bloody murder and then held it over my head for weeks.
"Your father and I go out very rarely..."
"You go out every single weekend!"
There is no way to confirm who is right on this. I will say Sarah is the one prone to hysterics and exaggeration, so it's not looking good for her.
"And I ask you to babysit only if it won't interfere with your plans."
I ask. Irene asks. She doesn't demand, and she doesn't expect Sarah to give up her previous plans.
"Well how would you know what my plans are? You don't even ask me anymore!"
Sarah, you were LARPing in a park by yourself. Furthermore, with the storm you would have gone home anyway.
"Well I assume you would tell me if you had a date. I'd like it if you had a date. You should have dates at your age."
Irene doesn't want Sarah to be a Cinderella stuck at home every night. She wants her to go out and have a social life. This is literally the opposite of the bedtime story Sarah tells Toby later.
Also, "I'd assume you tell me..." Irene might not be wording it in the best way here, but she wants Sarah to communicate with her. She wants them to have a relationship.
Then Robert enters the scene. "Sarah, you're home. We were worried about you."
WE were worried. As in both he and Irene. You think that's the reason she was waiting on the porch? Because their sixteen year old daughter is an hour past when she said she'd be home and now it's raining and getting dark?
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It's not like she'd ever talk to a stranger.
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Sarah runs up the stairs in a snit, not even acknowledging her father and leaving Irene dismayed. "She treats me like a wicked stepmother in a fairy story no matter what I say." Her voice isn't angry, it's hurt. She's making an effort to reach Sarah, but nothings working. She can't break through the tantrums and the anger and the hero worship of Linda.
Sarah is a fantasy junkie. It's all over her room. Her books are all fairy tales. Her dog and her teddy bear are named after figures from Arthurian legend. But she's wrapped herself in a different kind of fantasy, a toxic one. One where Irene, well meaning and kind, is one of the evil stepmothers from her fairytale books, while Linda is good and virtuous like one of the dead moms at the beginning. Except Linda isn't dead. She's shtupping a costar.
Part of Sarah's coming of age and maturity is rejecting Jareth, the stand in for her mother's lover and therefore finally rejecting following her mother's selfish path. We see her finally let go of Linda by putting her picture and clippings in the drawer. Hopefully, the next morning, after she picks the confetti out of her hair, she'll finally be able to start over with Irene.
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demigodbeyotch · 5 hours
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Bug week: Pondering Wurmple
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demigodbeyotch · 5 hours
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@/savoirflair: On #EarthDay, it's crucial to recognize that the guardians of our planet are its indigenous peoples, who have historically maintained biodiversity and preserved natural resources through deep-rooted practices and ancestral wisdom. There is no climate justice without human rights, and we cannot celebrate our planet without honoring its original and eternal custodians. Without the stewardship of indigenous populations like the Palestinians, our environmental efforts are incomplete. Their resilience and ongoing struggle underline that Earth Day is not only a call for environmental action but also for justice and the recognition of the rights of indigenous guardians who have nurtured the land for centuries.
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demigodbeyotch · 5 hours
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demigodbeyotch · 8 hours
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You poor thing.
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demigodbeyotch · 9 hours
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if they made a clone of Colin Firth do you know what they'd call him
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demigodbeyotch · 9 hours
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demigodbeyotch · 13 hours
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I think one of the most fundamental plot failures I see across a lot of books is that the person chosen to solve a problem is not a person who it makes sense to choose to solve this problem.
This ends up being true for a lot of YA books where the teenager is the chosen solution to a problem because they need to be for plot reasons, but there is no actual logical reason why anyone would be relying on them to solve this problem (or often even letting them get close to this problem). No, this kid can't work for the FBI or the Secret Service. No, this twelve-year-old won't be a more accomplished soldier than a fully-trained servicemember. No, this kid isn't allowed to practice medicine.
And you can work around this by presenting a reason for them to be involved despite being less qualified--usually that they put themselves in a situation, despite the adults around them, but also that there is something else that makes them suited to a job/role despite their other lack of qualifications (we need someone who can blend in, etc.).
But it's also true for a lot of adult books. I'm reading a book where the ER doctor/medical professor First Gentleman is going to lead the response to a plane full of people who potentially have Marburg virus, and even ignoring the fact that he wouldn't be allowed within a thousand feet of that plane by the Secret Service, that also fundamentally just does not make sense with how U.S. pandemic and quarantine response work (or even how medicine works--an ER doctor is generally not an infecious disease specialist). It's waved away for plot reasons--but it also represents a failure of the plot as a whole.
Why is your character the one who is trying to solve this problem? Is it their job? If it's not their job, what does it mean for the story for them to be trying to solve a problem that they aren't qualified for, may not have access to, and/or aren't allowed to deal with?
If your only answer is "it works because it needs to work for plot reasons" then it doesn't work at all.
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demigodbeyotch · 13 hours
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Help:
This is driving me wild so please share. I don't even care if you reblog, just put it in your mutuals inboxes or send it by carrier pigeon or whatever works.
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demigodbeyotch · 13 hours
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demigodbeyotch · 16 hours
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Remember that "three items from the store to make the cashier most uncomfortable" meme? Apparently I accidentally found a winning combo tonight at the corner store, one of the usual clerks shot me a really weird look when I was checking out with these
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demigodbeyotch · 16 hours
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nothing an hour of meditation and a hot bubble bath and an ibuprofen and a cbd gummy and a hard cider and a handjob and a game of briscola and a sephora gift card and a new pair of platform boots and a sparkly plastic keychain and a sugary pastry and a large tiger milk tea and a domestic shorthair and an aquarium date and a heartfelt apology from your parents and the sound of your friends’ laughter and a second smaller domestic shorthair cant fix
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demigodbeyotch · 16 hours
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demigodbeyotch · 16 hours
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every day someone treats romans and greeks as interchangeable societies when not even greeks and other greeks are interchangeable and let’s not even begin on the fact there is a ~1000 years timespan that is also somehow getting ignored here
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