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One thing I find so funny in "Hell's Greatest Dad" is this scene of Lucifer looking so pissed off like he's about to slaughter Alastor for a split second but then he pulls out the fiddle.😂✨

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I can’t wait to see more of them. 😎

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If we ever find out that the other half of this photo is in Alastor's possession, I may end up needing a revival.

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Temporary truce 📺📻

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WHERE IS SHE?

WHERE DID THEY TAKE HER?

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I never see anyone talking about how Alastor hugged Charlie here for exactly two frames in Hello Rosie:

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The Price of Entertainment: An Episode-By-Episode Analysis of Alastor's Facade

I don’t think any character in Hazbin Hotel has been discussed as much as Alastor, and it’s a testament to how much the writers put in his character that the mystery of his intentions, past, and contract have been so debated on.

There are some takes I vehemently disagree with, but something a lot of people seem to have settled on is that Alastor is, behind his massive ego and cool-headed persona, insecure about his place in Hell after his long “sabbatical.” I want to do an episode-by-episode analysis of Alastor’s behavior and how Season 1 shifts our view of him from an unquestionably powerful Overlord to something with more depth, and while I won’t be speculating on who owns his soul and how he’ll break that contract in those post, I will take a guess at the future of his character in a narrative sense. I will also implicitly be addressing my issues with some of the conclusions others have made, or at least playing devil's advocate.

NOTE: I want to clarify that none of this is meant to depict Alastor as some poor woobie. He’s still awful. He’s in Hell for several reasons and being a serial killer is only one of them. Rather, I want to analyze what is shown to us about him, and how those story beats can be used to determine where he’ll end up by the finale of the series.

ALSO NOTE: I haven’t followed all of VivziePop’s comments outside of the show about the characters, and it’s possible that certain details have been changed between the release of the pilot and the show, so take any mentions of what hasn’t been explicitly depicted within the show with a grain of salt.

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Part 1: Recap Analysis

This section will consist of commentary regarding Alastor's appearance and behavior in the given episodes, with retrospection based on new information given in later episodes if needed.

“Overture”: Alastor is pretty one-to-one with his depiction in the pilot in the first episode. He’s snarky, open about his sadism, but helpful if begrudgingly so. Interestingly, he’s able to put together a well-edited, if tonally awful, commercial, and probably could have done better if he weren’t intentionally being an ass about it. From the finale we know that he and Vox likely used to have a more magnanimous relationship, and it’s likely that he picked up some tools of the digital trade in that time despite or before being turned off completely by it.

“Radio Killed the Video Star”: Vox effectively plays heel for Alastor this episode as we continue that first impression of the Radio Demon. We spend a good time showing off the former’s power and how far his roots have spread throughout Hell’s society, only for Alastor to effortlessly trounce him and steal from his audience, despite being gone for so long and his position in Hell less stable. This indicates that Alastor does still have pull, but at the same time that his position in the hierarchy of Hell is being contested due to the length of his absence. He deals with it easily here, but we’ll see in subsequent episodes that things aren’t as smooth as they first seem.

“Scrambled Eggs”: In terms of the eggs, there’s not much to talk about. He begrudgingly accepts Vaggie’s request to get rid of them “humanely,” but brings them back to the hotel after they prove to be useful spies.

More importantly, we get our first small hint that Alastor’s ego can be bruised when Carmilla doesn’t humor him during the meeting between Overlords. Now, I actually disagree with a lot of the takes on this episode in that I think it indicates that at least some of Alastor’s views and need to prove himself as a powerful Overlord are the result of self-delusion. Yes, he does need to reestablish himself as a person not to be messed with after being gone for so long, but I think it isn’t as bad as some are making it out to be, which makes his behavior in later episodes more strange and excessive if anything.

Carmilla, who mind you is a busy and stressed woman trying to hide the fact that she’s successfully murdered an angel, hits his ego by not caring where he’s been (something he wouldn’t have revealed in the first place), but she also welcomes him back, which is more than you could say to Velvette and by extension the Vees. And minutes before that, Zestial, who’s probably the highest on their totem pole, does go out of his way to meet with Alastor and inquire about where he’s been. Alastor himself gets over the slight pretty quickly and has no issue contributing to the meeting. Overall, he isn’t necessarily terrifying other overlords, but he still has an established place with them and they do seem to get along well enough. He’s “part of the group” unlike the Vees, who are treated more like upstart outsiders.

I also want to point out that despite Zestial likely outranking Alastor in power, they seem to be alright with each other. Alastor is cordial and does not demonstrate a desire to antagonize him like he does Lucifer in the next episode. Speaking of which…

“Dad Beat Dad”: This episode gives us a lot to chew on and is the first major indicator that Alastor’s issues go beyond wanting to be the center of the room. From the very moment Lucifer walks into the hotel*, his eye is twitching and he is visibly pissed. Lucifer undermining him (notably contrasting Zestial, who is polite despite his power) doesn’t help and makes Alastor let loose his first swear in the entire show. Being the petty bitch he is, Alastor, knowing he can’t intimidate Lucifer in any way, immediately goes for his weak point–Charlie–and plays up the role of a caretaker for her and the hotel. It’s a low blow, but it also feels like a defense–he’s signaling to Lucifer that this is his hotel, that things are taken care of already, and that they do not need his assistance, even though they ultimately do in order to get a meeting with Heaven.

But then things get more complicated with the appearance of Mimzy, who, to the surprise of several characters due to his solitary nature, was friends with Alastor all the way back when they were alive, and she carries a load of implications with her. She’s the only crack so far at what a “human” Alastor is like–apparently he’s a heavyweight drinker, a good dancer, and most notably, in Mimzy’s words, a sweet man who "becomes a kitten" when he's drunk. This is a huge departure from the unflappable, egotistical Radio Demon we’ve known up to now, and I think it’s a purposeful choice that we’re hearing this information but not shown it like his early days in Hell just prior. It’s simultaneously left to the imagination but difficult to do so because it contrasts so heavily with everything that has been shown to us beforehand. Another thing is that Mimzy is sure that Alastor will clean up her mess–and apparently this isn’t the first time he has, if Husk is anything to go by. So many people seem to miss this, but Alastor, who hates being tied down or disrespected, has been allowing Mimzy to leech off of him, presumably due to their past friendship making him turn a blind eye.

Alastor is on edge for this entire episode and is already unusually snappy when Husk addresses Mimzy, and pushing the button that was his contract is what sends him over the edge. His temper exploding is a direct result of his feeling that his control over both the hotel (via Lucifer) and his personal life (via Husk’s “doubt” that he can handle everything and that his reputation is what it used to be, plus the reminder of his deal) is being taken away from him. Alastor’s threat to Husk, which seems to not be his usual behavior if Husk’s willingness to show concern and talk back in the first place is anything to go by, is an attempt to remind both of them that he holds the cards, that he’s a powerful Overlord that is not to be trifled with, and he explicitly says as much when he goes out to deal with what Mimzy’s dragged in.

It’s only after he lets his anger out on the mobsters and “proves himself” that he visibly calms down and makes the logical decision to tell Mimzy to leave with a serious attitude, and also doesn’t antagonize anyone for the rest of the episode. It seems like despite his fury earlier, he was listening to Husk, who’s rightfully smug about it. He’s even present when Charlie declares her desire to protect her people, and his smile seems just a tad bit more genuine.

*Note: it’s not impossible that Alastor has some sort of personal grudge against Lucifer which caused his hate-on-first-sight, depending on the circumstances of his disappearance and contract (i.e. if it’s with Lilith).

“Hello Rosie!”: As opposed to Dad Beat Dad, Hello Rosie is arguably where we see Alastor at his most in-his-element. He gives off a lot of conflicting vibes at the beginning, from mocking Charlie’s distress to, in a shockingly honest moment, lecturing her about the importance of a smile to portray strength, a card we’d only been shown due to comments outside of the show. He smugly holds his knowledge over Charlie’s head but is visibly impatient to have her make a blank check of a deal with him, solid enough to benefit him but vague enough so that Charlie won’t feel immediately threatened. He’s clearly been waiting for an opportunity like this since the events of the pilot.

After that, he puts back on his gentleman’s demeanor and introduces Charlie to Rosie, and from here on he’s arguably at his most comfortable in the entire show. He’s relaxed around Rosie and is actually willing to ask for her help (something I can’t see him doing with any other character), casually complains about Susan, is encouraging to and praises Charlie even behind her back, and most notably, gives her his radio cane unprompted. More on that later. He also mentioned wanting to guide Charlie to Rosie specifically, implying that he was being genuine about wanting to act as a mentor to her, though his intentions are probably self-beneficial.

“The Show Must Go On”: The finale is arguably the most revealing episode on what Alastor’s inner world is like, as we see him unmasked several times. For one, his private admission to Niffty, the closest thing he has to a friend within the hotel, that he’s enjoyed watching the other residents connect to each other. This is in direct opposition to his initial (stated) reason for helping the hotel in that he wanted to watch them all fail, and yet he seems content with his initial assumptions being proven wrong. There’s no malice or sarcasm in this moment, he’s relaxed and talking to someone he relatively trusts.

And so he goes into the battle swinging and confident. Then, of course, Adam.

I want to bring up something before we keep going. Yes, fighting Adam without angelic weaponry was a needless risk. Yes, Alastor fell victim to the very sloppiness and arrogance he accused Adam of, and it’s thematically appropriate that he was the only one to lose his battle in that he was fighting for his own ego more than “love.” But also, people seem to forget that Alastor is the only demon in the entire show with a precedent for permakilling without an explicit reliance on angelic weaponry, as the Overlords he toppled in his original rampage seem to have never returned. He’s egotistical, but not stupid. He may have genuinely believed that he had the means to kill Adam himself but didn’t get the chance/couldn’t due to his contract or absence possibly weakening him. But that's speculation for another day.

So, he has to retreat before Adam double-taps his ass and is too injured to return until after the extermination. He makes a grand exit, but not before grabbing the broken pieces of his radio cane. The one he allowed Charlie to use just an episode prior, and presumably is a conduit for his powers, and he grabs it while a murderous angel is inches away from wiping him off the face of Hell.

His portion of “Finale” is the first time we see him singing alone and not playing off someone in a duet. It’s obvious that he’s trying to keep his composure, still speaking to himself in his artificial transatlantic accent (which we now know for a fact he doesn't need to do, seeing as he finally broke character when Adam wrecked his cane) and reassuring himself that he’ll come out on top next time. But here his front shatters and we openly see what the show has been hinting he is for the first time: a deeply paranoid, desperate, and unstable man.

Essentially the worst-case scenario has happened: after a season of interfering with every attempt to capture him on camera, Vox has footage of him at his lowest point for all of Hell to see, and he’ll have “died” a martyr, a weakling, and still in the chains of an unwanted contract. For Alastor, who is so deeply afraid of showing any sign of vulnerability, who wants to be seen as a monstrous Overlord, it’s understandable that this humiliation is enough to send him into a mental spiral and recant any fondness for the hotel in favor of accomplishing his own goals. Worse yet, when we next see him he gives zero indication of any of this even when Charlie and company are simply glad that he's alive, which leaves us to wonder: has he been like this behind the smile from the very beginning?

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Part 2: Closing Thoughts and Future Speculation

With everything we’ve taken note of above, we can start to piece together a picture of who this guy is, and what the writers are going to do with him.

Alastor is sentimental. It’s not just his attachment to older technology or his love for being the center of everyone's attention. He likes being around people, he has friends, one of which he continuously indulged despite her using him multiple times, and he ultimately was starting to enjoy his time at the hotel before his defeat spooked him. Despite him using her, the fact that he was even willing to let Charlie use his cane (and note that he takes it from her as soon as she’s given a substitute, so that is a significant gesture for him) is an implicit display of trust whose implications don’t become apparent until the finale.

But this is paired with deep insecurity. Alastor, despite being one of the most powerful people in the Pride Ring, has a crippling fear of being seen as vulnerable or “lesser” by others. There could be multiple overlapping reasons for this: the general climate of Hell, whatever happened to him seven years ago, his experiences as a mixed-race human living in Prohibition-era Louisiana, his original death, a natural predisposition, etc.

Regardless, this anxiety of his is so overwhelming that, when paired with the ever-present stress of not owning his own soul, it’s driving him insane. He made a splash in Hell upon entry and now he’s desperately trying to reinvoke that in order to defend himself both physically and mentally. He’s the gifted kid who’s slowly going nuts trying to keep up an impossible momentum as they grow older. He’s an ex-human denying his humanity because he doesn’t want to feel human. Everyone’s out to get him, and anyone who could be an enemy is an enemy unless he has total control over them via a contract, power, or the reassurance of years of close friendship. It’s why he’s cordial to Zestial but takes Carmilla (who wasn't even trying to spite him) and Lucifer’s comments personally, in the same way someone with low self-esteem might want to lash out against an authority figure who they feel is looking down on them.

Worse yet, he can’t/won’t let these feelings out and is bottling them up so that no one will know he feels this way (note how quickly he was able to relax in Dad Beat Dad when he was given an outlet for his stress), because that’s a sign of weakness too. It’s honestly kind of frightening that in his final scene he gives zero indication of being injured or of just having had a meltdown. By all outside accounts, he’s his usual chipper self, and no one at the hotel save for maybe Husk, who can’t say anything Alastor doesn’t want him to, would realize anything is amiss. The reason his part of “Finale” is chilling isn’t just because of the implications that he will become an antagonist in the future–it’s that his mental state is so poor that he is no longer acting rationally, which makes him unpredictable in the worst possible way.

I think Alastor’s character arc isn’t going to be redemption by way of going to Heaven, I don't think that place is his style anyway, but rather redemption of his own self-image. I don’t think the writers would make what is arguably the most popular and well-developed character in the show just to say that he’s hopelessly evil and simply end it at that. We’ve been exposed to multiple facets of his character, and while his deeds and probably his intentions are sinister, his underlying motivation for it all seems to be “freedom,” which decidedly isn’t (unless your name is Eren Jaeger).

I do believe that he’ll have his villain moment where he indulges in his worst impulses, but that ultimately it won’t do anything to fulfill him, because as we see in the official comics before the release of the show (which may no longer be canon but still give a viable “baseline” for the characters), when his desire to be feared and respected is granted, it only isolates him. Like the others, he’ll have to hit rock bottom before he can climb back up.

Pentious, who was successfully redeemed, needed to understand that people weren’t out to get him, which allowed him to make the decision to put his friends before himself and trigger his selfless sacrifice. Angel, who’s well on his way to redemption, needed to realize he wasn’t alone and could rely on others, and his confidence and self-love has grown enormously since then. I think these are both lessons Alastor will need to learn eventually as well. He’s the manager of the hotel, but also undoubtedly a patient. He’s hungry for freedom, but only when he learns these lessons will he be truly free.

Or maybe I’m thinking too much into it idk lmaooooo

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I read on the Wiki that Carmilla isn’t afraid of Alastor, noticed that she sat one of her daughters between Alastor and Zestial at the meeting, and now there are 2K+ words in a Google Doc.

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To continue my favorite hobby, looking at things from a slightly different view, I’d like to revisit Stayed Gone. Specifically, the bit where Alastor (supposedly) infuriates Vox to the point where all the Pentagram loses power.

First off, let’s review Alastor’s line as it happens:

“I’m afraid you’ve lost your signal!”

How would Vox’s anger have anything to do with that? And it wasn’t just televisions and phones that stopped working, it was every electronic thing—except, of course, for the televisions that Alastor seems to be broadcasting directly to. I’ll get back to that.

As I’ve said time and time again, TV, the Internet, and WiFi all rely on radio waves. No radio waves, and they don’t work. Under normal circumstances, that wouldn’t be an issue. But Alastor is the Radio Demon. It’s…kinda in the name with this one. As stated in the wiki, he can control and generate radio waves, regardless of frequency.

With this in mind, let’s take another look at Stayed Gone. Before any technology goes out, we can see this:

This same error message comes back while he says “you old-timey prick”.

Now, I feel like everyone assumes Vox is glitching out of rage. Sure, he’s angry, but look again.

“Vox has been shut down to prevent damage.” An option to select “Unsafe Mode”.

Alastor is messing with Vox’s frequency. And it’s pissing Vox off.

When Vox says “I’ll destroy you!”, Alastor is essentially confiscating the entire Pentagram’s radio waves like a father taking away a toy, which would explain his line. He’s teasing Vox about, apparently, forgetting that the Vees’ entire technological empire relies on Alastor not being mad at them. Note that the hotel is entirely unaffected by it all, even though it’s still part of the city. The On Air sign is still on.

Now, for Alastor’s little reprise. At the very end of the song, while he says “Oh, this will be fun”, we can see a purposefully staticky image of Alastor with his antlers extended. The moment he’s done with that line, the signal goes dead, but we (and Vox) can still hear him laughing.

Alastor was generating his own waves to broadcast directly to Vox’s personal computers.

No wonder we can see the terror in Vox’s eyes.

(Also, I find the imagery of Alastor dropkicking Vox off of his radio waves hilarious.)

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Okay, there’s a couple things I want to point out about Stayed Gone.

1.

I saw a post somewhere that said Alastor and Vox are tied in power, and the evidence given was the fact that the sinners we see keep turning their heads when Vox interrupts Alastor. What they didn’t take into account was:

Vox was using his hypnosis the whole time, and it stopped working on the sinners the moment Alastor started talking. They physically move over to his side, and don’t go back. Something about the sound of Alastor’s voice made them immune.

2.

A thing I see consistently in fanfiction is the idea that Vox can teleport through any and every technological device. This is directly contradicted in canon, with this scene:

He tried to teleport through the radio, thought he did, and tried to block the sight of it with his body. Now, we can joke about how trying to block sound by standing in front of it is stupid, but let’s think for a moment. Why did he think that would work?

Well, here’s my take:

He thought Alastor was hypnotizing them, like he’d been doing. So to stop the ‘hypnosis’, he got between the source and the sinners.

This implies that simply not looking at Vox—a demon that boasts how he’s visual—is all you need to do to not get hypnotized. In order to hypnotize a sinner, he needs them to see him.

And, getting back to my point: the teleportation fails. He can’t access the radio. He can’t even leave the room.

And the sinners aren’t looking at him anymore.

3.

When Alastor starts shifting into his full(er) form at the end, his chest expands. I put the frames side-by-side so you can see what I’m talking about:

He starts glowing in the last frame, too. You can see it best by his antlers.

I’d say more, but that’s all the photos Tumblr will allow…stay tuned!

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I see so many theories about Alastor’s stitches, but why is no one talking about how his mouth completely changed shape and his teeth turned red?

In fact, it doesn’t even look like those are teeth at all. If anything…

It looks like the pattern on this radio. And from what we’ve seen, this particular radio is strongly associated with Alastor. We see it in Mimzy’s monologue:

Vaggie shoves one in Lute’s face (I could go into how this is a metaphor for how Vaggie sees Alastor as a comrade in arms post-“Dad Beat Dad”, but that’s for another time):

And in the main sitting area of the hotel:

Oh, and don’t forget—Alastor is perfectly capable of speaking without moving his mouth…

…And his ‘teeth’ glow when he does.

No, those aren’t teeth. That isn’t a mouth. It might act like one, but it isn’t.

That’s a speaker grill.

The entire time his mouth is like that in the deal scene, he doesn’t say a word. He doesn’t even laugh.

Can he?

And if he can, what would his voice sound like?

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So, what you’re telling me is that they put Alastor having a panic attack and a mental breakdown between the Vees scheming and celebrating his ‘death’ and the rest of the crew having a happy ending?

Well. I guess that’s ONE way to make a tone-shift. Have the Radio Demon bleed out and start ranting about how he IS going to be free, he IS going to get his power back, and NO he is NOT going to DIE HERE POWERLESS, laugh maniacally as his shadow reflects his true form, and then cut to Sir Pentious’s memorial.

I’m exhausted right now so I might come back to this later.

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Alastor’s electrokinesis

It’s not an ability most people associate with him. When someone asks “What can the Radio Demon do?”, the first answer would probably be “Get really big.” But the Wiki does say that this is an ability Alastor possesses, so here are a few examples of the times he uses it. Because I’m pretty sure you didn’t notice.

1. His tentacles are coated in green electricity, as seen in his fight with Adam.

2. And so is his microphone when he creates the force field. This one is hard to catch, but I managed to screenshot it.

…And those are all the times I can think of, off the top of my head. If any of you find another instance, please tell me. People REALLY need to stop writing Vox vs Alastor scenes where Alastor is taken out by Vox’s electricity blasts…bastard would just lightningbend that shit back.

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Okay, Pinterest has irritated me, so here I go.

I keep seeing posts of people saying Alastor and Valentino are equally bad, and I’m here to say: yes, but actually no.

See, here’s the thing.

Valentino abuses his workers. He physically abuses Angel and acts like a pervert. He throws huge, violent tantrums when things don’t go his way—remember his hissy fit in “Radio Killed The Video Star”? Also…he licks up Charlie’s arm. Ew.

Valentino is a creep. So is Alastor. But Alastor is not the same kind of creep.

Here’s the thing with Alastor—we only see two of his underlings, Husk and Niffty. The other beings he summons seem to be his puppets. So, what did he force these two to do?

Husk is a bartender in a hotel now. Niffty didn’t even wait for orders, she just started cleaning everything.

Neither are being forced to have their bodies violated.

Hell, even in the pilot, people keep forgetting what Husk said. “You think you can buy me with a wink and some cheap booze? Well, you can!”

From what Husk says in the first episode, the worst parts of his new job are listening to the others “bitch and moan”. And, well, it’s working at a hotel with, at most, six other people in it. It’s not the end of the world.

And, if everyone stopped looking for ways to make the show even more traumatic…you’d see that, at least on-screen, the most Alastor did to Husk was threaten him.

That whole scene was strange in its own way. Husk warns Alastor that Mimzy means trouble. Alastor tells him to calm tf down, he’s got it handled. Husk brings up his absence. Alastor tells him, again, not to worry. Husk gets pissed off because Alastor rubbed his head like you would a cat, and says he isn’t a pet. Alastor says “But you are, haha!” Then Husk brings up the leash Alastor is on.

If Husk has been working for Alastor as long as people think he has, then he should probably know that disrespect is a big no-no. Like, he could have chosen to not bring that specific thing up. Alastor wasn’t pissed until Husk said that. And even then…what did he do, really?

Sure, he had that villain speech. He threatened to tear Husk’s soul apart if he ever said that again. He brought out Husk’s chain and pulled him to the floor. He went mid-demon for a split second. He pointed his microphone at Husk.

But, other than the chain, Husk wasn’t physically hurt.

Angel’s breakdown took a whole episode and two musical numbers. Husk was perfectly fine and eating popcorn in, at most, ten minutes.

Because, as Alastor said in the pilot, “If I wanted to hurt anyone here, I would have done so already.” Husk knows it’s an empty threat because he isn’t currently dead. His soul isn’t currently being torn apart. Yeah, he was shaking on the floor—but who wouldn’t when faced with that, no matter how safe you may or may not be?

So, yes. Alastor and Valentino are both horrible people. They’re both creeps. But, taking what we see on-screen…Alastor is a better Overlord, at least. Come on. Do you think Valentino would let his underlings put a crown of twigs and dead roaches on him?

And, as you all know, Alastor does have morals. No one knows what they are, but they’re there.

Side note: I feel like everyone’s forgetting what usually happens in a serial killer’s process. Yeah, Alastor did kill people, but he didn’t rape them before or after. So, he’s at least got the ‘not as much of a horrible person as you could have been’ award. And as for Hell…people are killing each other in Hell all the time. Duh. It’s Hell. Alastor is remarkable because he killed Overlords, not because he killed.

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I know it was commonplace for people to smoke in the 1920s but I don't think Alastor did. I think this because I am projecting and think he avoided it because it smells gross.

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as much as i understand why people make posts about aces who have sex and aros who are in relationships, and i love all aces and aros no matter what they do or dont do, i really wish all of the aspec positivity wasnt centered around that. aces who dont have sex and aros who dont want relationships of any kind are stigmatized so much even by other queer ppl and even other aspec ppl and i really wish we got positivity too bc as an aroace person ive dealt with so much bullshit over the years for not wanting to have sex or wanting a relationship. so to all my sex repulsed aces and romance repulsed/relationship repulsed aros, you are just as valid as anyone else <3 aspec worth doesnt come from relationships or sex, we all matter equally :)

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"why can't they just be friends" not in the homophobic way but in the "their platonic relationship in the source material is far more dynamic and complex than the sanitized personalities they gain as a result of shipping" way