OVER AT @SYNSATIONSS NOW
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deathdippedinarc · 1 year ago
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AMERICA , AMERICA HAS A PROBLEM
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deathdippedinarc · 1 year ago
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Thinking about how Tumblr deletes my blog immediately every time I try to revamp 💔
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deathdippedinarc · 2 years ago
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AMERICA , AMERICA HAS A PROBLEM
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deathdippedinarc · 2 years ago
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Been cooking up something new — @synsationss
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deathdippedinarc · 2 years ago
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Am I ready to clock back in on here?….perhaps
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deathdippedinarc · 2 years ago
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The porn bots have taken over this blog and I haaaatteeee the new mobile layout so I’m staying my behind on Discord for roleplaying as of today ( ALIEN SUPERSTAR 🌟#0356 ).
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deathdippedinarc · 2 years ago
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The porn bots have taken over this blog and I haaaatteeee the new mobile layout so I’m staying my behind on Discord for roleplaying as of today ( ALIEN SUPERSTAR 🌟#0356 ).
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deathdippedinarc · 2 years ago
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Like this for a one-liner that may or may not turn into a mini-para. Specify a muse please or I’ll succumb to the atress of not knowing which muse you want.
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deathdippedinarc · 2 years ago
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Like this for a one-liner that may or may not turn into a mini-para. Specify a muse please or I’ll succumb to the atress of not knowing which muse you want.
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deathdippedinarc · 2 years ago
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3 & 12
MULTIMUSE ASK MEME
Status: Accepting
3. which muse is the trickiest to get into character for?
Oh em gee, no other than Arturo. He's such a self-centered asshole that sometimes it pains me to write some of his dialogue and headcanon more terrible things about him. I apologize to Vera and her daughters every time I add fuel to the fire. Leonel is up there with him, but he's nowhere near as bad as Arturo. He's more stupid than he is selfish and sometimes that leaves me rubbing my temples too.
12. Answered Here!
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deathdippedinarc · 2 years ago
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1, 10 & 12!
MULTIMUSE ASK MEME
Status: Accepting
is there a muse that you wish gets more attention?
I would LOOOOOVEEEE to do a lot more with Adonis, Sasha, Marco, Vera, Rose, Munroe, Xavier, Scout, Calvin, and Malachi. I always have ideas brewing for them in my head.
10. which muse is the most fun to write for?
Juniper hands down. Her attitude and witty remarks are so fun to think of and write out! I find myself giggling the most when I'm writing for her. Vera is a close second, but she's more mean than comical.
12. what is something everyone should know about your muses before interacting?
Even though I feel like this could be said about everyone's muses; There so much depth to them, they're so much more than the surface tropes I identify them as!!! They usually have a pile of lore and connections that I'm too lazy to write out but quick to send as an essay over Discor djsnjsnjo. You just have to poke and prod me.
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deathdippedinarc · 2 years ago
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4 & 5
MULTIMUSE ASKS
Status: Accepting
4. is there a muse that not a lot of people roleplay with?
My roster is so huge, even for me, that I don't blame people for not interacting with or knowing that certain muses exist. I'm also not very good at talking about all the muses I have on here, I usually hyper-fixate on a handful of a time or sometimes I forget to add them to my roster completely. That being said, I have a lot of muses who have never gotten interactions before or aren't really being checked for any more like; Adonis, Janie, Cynthia, Lauren, Matias, Elijah, etc, etc.
5. if you HAD to choose, who’s your least favorite muse?
DUN ! DUN ! DUN ! I love all of my babies, please 💔 But if I had to choose it would be Angelique. I've never had a set backstory or important development moments for her. I was hoping they would come to me as I roleplayed her more, but no one really interacts with her because I don't really throw her at people because I really don't have any plot ideas for her!
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deathdippedinarc · 2 years ago
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CHARACTER DEVELOPMENT QUESTIONS
Status: Accepting
@hammurabicomplex​ said: 4 & 16 for babygirl vera
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4. Has your character ever witnessed something that fundamentally changed them? If so, does anyone else know?
I think it’s fair to say that Vera’s whole life has been filled with traumatic events that have fundamentally changed her life. Some of her earliest memories include the crazy antics of those that lived in the same building as her growing up. Her early adolescent years were filled with downward spirals and it really wasn’t until her early 30s that the storm started to settle. Though, unless you’re super close to her or grew up with her, it’s very unlikely that she’ll reveal much about her early years trauma to you. She’s rebranded herself as a whole new person with a backstory that doesn’t make sense if you start asking too many questions and she doesn’t like to talk about those old daunting memories anyways, they’re still fresh wounds for her.
16. Which does your character idealize most: happiness or success?
Vera prioritizes success over happiness by a long shot. She’s put her own happiness aside multiple times in her life to get where she is now. The thought of being a successful respected individual with more money than she could spend in a lifetime, especially as someone who came from a dirt poor background, has always been her main motivation to keep moving forward and taking risks. But, now that shes older and has made a name for herself, she’s been working hard on trying to put her happiness first and getting the best out of life, but after all these years of putting everyone else and her success first she really doesn’t know where to start.
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deathdippedinarc · 2 years ago
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more random dialogue prompts ,
“why do you have that look on your face?”
“finish what you’re doing, we have to talk.”
“what have you done to yourself?”
“did you do something different with your hair?”
“it doesn’t do any good to get worked up.”
“when was the last time we had a real conversation.”
“are you in the witness protection program, or what?”
“there’s something wrong with me.”
“no, i don’t hate you.”
“hey stupid.”
“we’re aren’t them.”
“looks like i’ll live long enough to make you pay.”
“you know you’re wrong.”
“i don’t understand, why are you doing this?”
“now, before i say anything, promise me you’ll stay calm.”
“what makes me so special?”
“you have no idea what i’ve been through.”
“you really don’t have to do that, not for me.”
“did you really think you’d get a second chance?”
“how about we don’t do that.”
“i have a lot going for me, but humility is not one of them.”
“you’re the worst.”
“i don’t need you right now.”
“don’t just stand there, looking at me.”
“i thought you were supposed to call me.”
“take my hand.”
“i need you.”
“you’re allowed to need help sometimes.”
“for someone who doesn’t like to feel things, you sure feel a lot of it out loud.”
“when this is all over, i want it to be you and me.”
“why won’t you tell me what happened?”
“you don’t know what this means to me.
“i know it doesn’t make sense.”
“i’m trying really hard to keep it together.”
“i know you’re new, but we do things a little differently here.”
“your voice is putting me to sleep.”
“did you find what you were looking for?”
"you knew and you didn’t even warn me?”
“well, i guess that’s broken.”
“i thought it was part of the act.”
“you think u don’t know you’re only here because they sent you?”
“you promised to call me if you didn’t know what to wear.”
“you can keep a secret, can’t you?”
“how could you do this to me?”
“put the gun down, dearest. i have news!”
“i know you don’t have any reason to trust me, but you need to know something.”
“if you’re here to tell me what happened last night, someone beat you to it.”
“people think i’m weird.”
“i think i’m losing myself again.”
“you can’t be here.”
“i wish you’d come to the funeral.”
“do you know what today is?”
“so, you broke my favourite mug… and you’re breaking up with me?”
“i need to get out.”
“it’s like i’m cursed or something.”
“you are remarkably well-behaved tonight, what have you been up to?”
“you gonna eat that?”
“sir, the pony rides are for children only.”
“i don’t want you to worry about that anymore.”
“we’ll never make it in time.”
“you’d be late for your own funeral.”
“you should have seen it coming.”
“oh, good, you’re here! hold this.”
“why can’t you just be happy for me?”
“on a scale of one to ten, how do you feel about nachos right now?”
“is this how you flirt with everyone?”
“how much longer till we’re there?”
“what have you done?”
“it’s time for you to repay that debt you owe me.”
“where did you get that? who gave it to you?”
“what kind of mother has thoughts like that?”
“i know I haven’t been what you needed, but i’m here, and i wanna help.”
“i never want to hear you say that again.”
“you’re all i have.”
“i know it’s not perfect, but i did follow the recipe this time.”
“i was doing so well until you showed up.”
“don’t eat that! i made it ‘specially for our guest.”
“it’s not that i don’t like my life, it’s that i don’t have the energy to enjoy it.”
“how can you stand this place?”
“don’t take this the wrong way, but you don’t exactly blend in.”
“you need to stop.”
“i don’t like that look, what happened?”
“is that seriously your password?”
“what’s your problem?”
“you had no right to use it without asking.”
“oh, wow, you weren’t kidding.”
“i couldn’t trust my own parents to protect me.”
“i’m surprised you haven’t been arrested yet. wait, no, i’m not.”
“why do you want to help me?”
“ten bucks for that piece of crap?”
“we have to hurry, they’re coming!”
“hey, look what came in the mail!”
“do you want to get a drink or something?”
“please tell me you didn’t eat that.”
“the worst part is you didn’t even notice.”
“if i wanted help, i would have asked.”
“wanna tell me what’s going on with your grades?”
“you need to leave.”
“talk to me, okay? i need to know what’s going on.”
“i do blame you.”
“sometimes life deals you a bad hand, but you can still play your cards right and win.”
“you’re no longer useful to me.”
“i’m not good with sarcasm: if you don’t like me, just say it.”
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deathdippedinarc · 2 years ago
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⊱asks for muns with a multimuse or more than one muse⊰
is there a muse that you wish gets more attention?
if you HAD to choose, who’s your favorite muse?
which muse is the trickiest to get into character for?
is there a muse that not a lot of people roleplay with?
if you HAD to choose, who’s your least favorite muse?
which one of your muses have you been playing the longest?
which one of your muses has the most ships?
what is each of your muses otps? notps?
why were you drawn to each one of your characters?
which muse is the most fun to write for?
is there another muse you’ve been thinking of adding or writing for? who?
what is something everyone should know about your muses before interacting?
what’s a weird headcanon you have for each of your muses?
which muse has the most aus or verses?
can you sort your muses from youngest to oldest?
which muse is most willing to fight another muse?
do your muses get along with each other?
would you ship any of your muses together? who?
for each muse, is there a character you wish had a blog so you could interact with them?
have you ever considered making a multimuse/is it easier having a multimuse?
which muse is the most problematic towards other muses?
which muse is most likely to make new friends?
which muses’ fandom do you like the best?
is there someone playing the same muse/s as you and you really look up to them?
which muse do people send the most asks for?
which muse is most likely to have kids?
is there a rule that someone keeps breaking for your muses?
can you sort your muses from weakest to strongest?
which muse are you considering deleting?
most importantly, are you having fun playing each one of your muses?
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deathdippedinarc · 2 years ago
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Character Development Questions: Hard Mode
Does your character have siblings or family members in their age group? Which one are they closest with?
What is/was your character’s relationship with their mother like?
What is/was your character’s relationship with their father like?
Has your character ever witnessed something that fundamentally changed them? If so, does anyone else know?
On an average day, what can be found in your character’s pockets?
Does your character have recurring themes in their dreams?
Does your character have recurring themes in their nightmares?
Has your character ever fired a gun? If so, what was their first target?
Is your character’s current socioeconomic status different than it was when they were growing up?
Does your character feel more comfortable with more clothing, or with less clothing?
In what situation was your character the most afraid they’ve ever been?
In what situation was your character the most calm they’ve ever been?
Is your character bothered by the sight of blood? If so, in what way?
Does your character remember names or faces easier?
Is your character preoccupied with money or material possession? Why or why not?
Which does your character idealize most: happiness or success?
What was your character’s favorite toy as a child?
Is your character more likely to admire wisdom, or ambition in others?
What is your character’s biggest relationship flaw? Has this flaw destroyed relationships for them before?
In what ways does your character compare themselves to others? Do they do this for the sake of self-validation, or self-criticism?
If something tragic or negative happens to your character, do they believe they may have caused or deserved it, or are they quick to blame others?
What does your character like in other people?
What does your character dislike in other people?
How quick is your character to trust someone else?
How quick is your character to suspect someone else? Does this change if they are close with that person?
How does your character behave around children?
How does your character normally deal with confrontation?
How quick or slow is your character to resort to physical violence in a confrontation?
What did your character dream of being or doing as a child? Did that dream come true?
What does your character find repulsive or disgusting?
Describe a scenario in which your character feels most comfortable.
Describe a scenario in which your character feels most uncomfortable.
In the face of criticism, is your character defensive, self-deprecating, or willing to improve?
Is your character more likely to keep trying a solution/method that didn’t work the first time, or immediately move on to a different solution/method?
How does your character behave around people they like?
How does your character behave around people they dislike?
Is your character more concerned with defending their honor, or protecting their status?
Is your character more likely to remove a problem/threat, or remove themselves from a problem/threat?
Has your character ever been bitten by an animal? How were they affected (or unaffected)?
How does your character treat people in service jobs?
Does your character feel that they deserve to have what they want, whether it be material or abstract, or do they feel they must earn it first?
Has your character ever had a parental figure who was not related to them?
Has your character ever had a dependent figure who was not related to them?
How easy or difficult is it for your character to say “I love you?” Can they say it without meaning it?
What does your character believe will happen to them after they die? Does this belief scare them?
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deathdippedinarc · 2 years ago
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𝟏𝟎𝟎 𝑵𝑶𝑵𝑽𝑬𝑹𝑩𝑨𝑳 𝑷𝑹𝑶𝑴𝑷𝑻𝑺 .    (  a  collection  of  100  nonverbal  action  prompts .   mature  and  potentially  triggering  themes  are  present .   add  “ + reverse ”  to  swap  assigned  roles . )
∗ o1﹕ sender  tucks  hair  out  of  receiver’s  face . ∗ o2﹕ sender  offers  receiver  a  bite  from  their  fork . ∗ o3﹕ sender  places  their  feet / legs  in  receiver's  lap . ∗ o4﹕ sender  offers  receiver  an  earbud  to  share  their  music . ∗ o5﹕ sender  comforts  receiver  in  the  aftermath  of  a  nightmare . ∗ o6﹕ sender  gives  receiver  company  in  the  hospital . ∗ o7﹕ sender  wraps  their  arms  around  a  hysterical  receiver  to  calm  them . ∗ o8﹕ sender  shows  up  at  receiver’s  home  late  at  night . ∗ o9﹕ sender  falls  asleep  leaning  against  receiver . ∗ 1o﹕ sender  wields  a  [ gun / knife ]  at  receiver . ∗ 11﹕ sender  runs  their  fingers  through  receiver’s  hair . ∗ 12﹕ sender  invites  receiver  to  dance . ∗ 13﹕ sender  takes  a  [ picture / video ]  of  receiver . ∗ 14﹕ sender  places  their  head  in  receiver’s  lap . ∗ 15﹕ sender  and  receiver  make  eye  contact  across  a  busy  room . ∗ 16﹕ sender  pushes  receiver  against  a  wall  to  kiss  them . ∗ 17﹕ sender  and  receiver  cook  together . ∗ 18﹕ sender  comes  to  receiver  after  being  injured . ∗ 19﹕ sender  sits  in  receiver’s  lap . ∗ 2o﹕ sender  lifts  receiver's  chin ,  invoking  eye  contact . ∗ 21﹕ sender  overtakes  receiver  in  combat . ∗ 22﹕ sender  finds  receiver  [ injured / bloodied ] . ∗ 23﹕ sender  straightens  an  article  of  receiver’s  clothes . ∗ 24﹕ sender  crawls  into  bed  with  receiver . ∗ 25﹕ sender  rolls  their  eyes  at  receiver . ∗ 26﹕ sender  lights  receiver’s  [ cigarette / joint ] . ∗ 27﹕ sender  is  caught  wearing  receiver's  clothes . ∗ 28﹕ sender  strikes  receiver  with  a  pillow . ∗ 29﹕ sender  writes  a  note  on  receiver’s  skin :  [ note ] . ∗ 3o﹕ sender  wraps  a  blanket  around  receiver’s  shoulders . ∗ 31﹕ sender  runs  and  jumps  into  receiver’s  arms . ∗ 32﹕ sender  shoves  receiver  out  of  anger . ∗ 33﹕ sender  hovers  over  receiver’s  shoulder  as  they  complete  a  task . ∗ 34﹕ sender  is  found  by  receiver  somewhere  they  shouldn’t  be . ∗ 35﹕ sender  curls  up  against  receiver  in  their  sleep . ∗ 36﹕ sender  is  found  drunk  by  receiver . ∗ 37﹕ sender  throws  an  item  of  sentiment  bitterly  at  receiver . ∗ 38﹕ sender  joins  receiver  in  the  shower . ∗ 39﹕ sender  is  caught  following  receiver . ∗ 4o﹕ sender  traces  one  of  receiver’s  [ scars / bruises ] . ∗ 41﹕ sender  twines  their  fingers  with  receiver’s . ∗ 42﹕ sender  barges  into  receiver’s  home  unannounced . ∗ 43﹕ sender  kicks  receiver’s  shin  beneath  a  table . ∗ 44﹕ sender  aggressively  shoves  past  receiver . ∗ 45﹕ sender  kisses  receiver’s  [ forehead / cheek ] . ∗ 46﹕ sender  pulls  receiver  out  of  harm’s  way . ∗ 47﹕ sender  is  found  sobbing  by  receiver . ∗ 48﹕ sender  locks  receiver  out  of  their  room . ∗ 49﹕ sender  brings  receiver  [ coffee / tea ]  in  the  morning . ∗ 5o﹕ sender  rests  their  forehead  against  receiver’s . ∗ 51﹕ sender  plays  a  song  for  receiver  that  reminds  them  of  them :  [ song ] . ∗ 52﹕ sender  takes  a  [ punch / stab / bullet ]  meant  for  receiver . ∗ 53﹕ sender  buys  receiver  a  drink  at  a  bar . ∗ 54﹕ sender  needs  receiver’s  help  getting  in  the  bath . ∗ 55﹕ sender  and  receiver  cross  paths  in  the  kitchen  late  at  night . ∗ 56﹕ sender  twists  receiver’s  arm  behind  their  back . ∗ 57﹕ sender  winks  at  receiver . ∗ 58﹕ sender  is  found  collapsed  by  receiver . ∗ 59﹕ sender  prevents  an  injured  receiver  from  getting  up . ∗ 6o﹕ sender  claps  a  hand  over  receiver’s  mouth  to  silence  them . ∗ 61﹕ sender  cages  receiver  against  a  [ wall / the floor ]  with  their  arms . ∗ 62﹕ sender  storms  away  from  receiver  during  an  argument . ∗ 63﹕ sender  is  found  by  receiver  sleeping  in  receiver’s  bed . ∗ 64﹕ sender  [ applies / touches up ]  receiver’s  makeup . ∗ 65﹕ sender  throws  receiver  into  a  wall  during  combat . ∗ 66﹕ sender  dances  sensually  with  receiver . ∗ 67﹕ sender  strikes  receiver  across  the  face . ∗ 68﹕ sender  places  their  hand  on  receiver’s  leg  while  driving . ∗ 69﹕ sender  pulls  a  chair  out  from  under  receiver . ∗ 7o﹕ sender  catches  receiver’s  wrist  when  they  turn  to  leave . ∗ 71﹕ sender  leaves  an  intimate  mark  on  receiver . ∗ 72﹕ sender  beats  receiver  in  a  video  game . ∗ 73﹕ sender  and  receiver  stand  in  stunned  silence  after  a  fight . ∗ 74﹕ sender  cares  for  receiver  while  they’re  sick . ∗ 75﹕ sender  and  receiver  go  on  a  hike . ∗ 76﹕ sender  is  caught  snooping  in  receiver’s  things . ∗ 77﹕ sender  and  receiver  cuddle  while  watching  television . ∗ 78﹕ sender  throws  something  aggressively  at  receiver . ∗ 79﹕ sender  creeps  up  behind  receiver  to  scare  them . ∗ 8o﹕ sender  and  receiver  go  shopping  together . ∗ 81﹕ sender  helps  receiver  [ dye / style ]  their  hair . ∗ 82﹕ sender  draws  receiver  into  a  kiss  by  the  back  of  their  neck . ∗ 83﹕ sender  is  discovered  having  a  panic  attack  by  receiver . ∗ 84﹕ sender  accidentally  injures  receiver  during  sparring . ∗ 85﹕ sender  grabs  receiver  roughly  by  the  hair . ∗ 86﹕ sender  brings  receiver  to  their  knees  during  combat . ∗ 87﹕ sender  shows  receiver  evidence  of  a  lie  they  told . ∗ 88﹕ sender  winks  [ seductively / mockingly ]  at  receiver . ∗ 89﹕ sender  yells  at  receiver  to  put  their  hands  in  the  air . ∗ 9o﹕ sender  helps  receiver  patch  up  a  wound . ∗ 91﹕ sender  holds  receiver  as  they  cry . ∗ 92﹕ sender  silently  and  angrily  points  receiver  towards  the  door . ∗ 93﹕ sender  gestures  for  receiver  to  sit  down . ∗ 94﹕ sender  pulls  receiver  into  their  lap . ∗ 95﹕ sender  cradles  receiver’s  face . ∗ 96﹕ sender  tackles  receiver  out  of  the  way  of  danger . ∗ 97﹕ sender  has  hidden  an  injury  from  receiver ,  and  receiver  finds  out . ∗ 98﹕ sender  confronts  receiver  about  their  unhealthy  behavior . ∗ 99﹕ sender  proposes  to  receiver . ∗ 1oo﹕ sender  has  just  died ,  receiver  finds  out .
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