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ļ¼”ļ¼ļ¼„ļ¼²ļ¼©ļ¼£ļ¼” ļ¼ ļ¼”ļ¼ļ¼„ļ¼²ļ¼©ļ¼£ļ¼” ļ¼Øļ¼”ļ¼³ ļ¼” ļ¼°ļ¼²ļ¼Æļ¼¢ļ¼¬ļ¼„ļ¼
#NVM TUMBLR HEARD MY COMPLAINING AND GAVE MY ACCOUNT BACK WHEW !#im over here now living out my miami vice fantasies
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Thinking about how Tumblr deletes my blog immediately every time I try to revamp š
#late time especially made me so mad because I was SAUUURRR ready for my 70s-80s miami vice club takeover#all my new ocs revamped ocs šš#and I still have all that muse in me *sigh*#I would redo this blog but is anyone still even here#is roleplay still a thing on Tumblr
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ļ¼”ļ¼ļ¼„ļ¼²ļ¼©ļ¼£ļ¼” ļ¼ ļ¼”ļ¼ļ¼„ļ¼²ļ¼©ļ¼£ļ¼” ļ¼Øļ¼”ļ¼³ ļ¼” ļ¼°ļ¼²ļ¼Æļ¼¢ļ¼¬ļ¼„ļ¼
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Been cooking up something new ā @synsationss
#aka an impulsive idea I had at 3am like a week ago thats still in the works#I know you guys are still around here lurking we might as well all comeback now its summer !#basically this blog is archived now too#we shall see how this goes
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Am I ready to clock back in on here?ā¦.perhaps
#yall know when Beyonce clock back in I come trailing not too far behind#probably with a single muse blog honestly bc new beginnings yk#weāll see what the future holds
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The porn bots have taken over this blog and I haaaatteeee the new mobile layout so Iām staying my behind on Discord for roleplaying as of today ( ALIEN SUPERSTAR š#0356 ).
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The porn bots have taken over this blog and I haaaatteeee the new mobile layout so Iām staying my behind on Discord for roleplaying as of today ( ALIEN SUPERSTAR š#0356 ).
#Iāll be back with a full functioning revamped blog eventually just give me 6 years#but its just sm easier to plot and thread over there then it has been over here fir a minute#like I have the muse and plot ideas but not for tumblr#OOC.#discord rp#1x1 roleplay
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Like this for a one-liner that may or may not turn into a mini-para. Specify a muse please or Iāll succumb to the atress of not knowing which muse you want.
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Like this for a one-liner that may or may not turn into a mini-para. Specify a muse please or Iāll succumb to the atress of not knowing which muse you want.
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3 & 12
MULTIMUSE ASK MEME
Status: Accepting
3. which muse is the trickiest to get into character for?
Oh em gee, no other than Arturo. He's such a self-centered asshole that sometimes it pains me to write some of his dialogue and headcanon more terrible things about him. I apologize to Vera and her daughters every time I add fuel to the fire. Leonel is up there with him, but he's nowhere near as bad as Arturo. He's more stupid than he is selfish and sometimes that leaves me rubbing my temples too.
12. Answered Here!
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1, 10 & 12!
MULTIMUSE ASK MEME
Status: Accepting
is there a muse that you wish gets more attention?
I would LOOOOOVEEEE to do a lot more with Adonis, Sasha, Marco, Vera, Rose, Munroe, Xavier, Scout, Calvin, and Malachi. I always have ideas brewing for them in my head.
10. which muse is the most fun to write for?
Juniper hands down. Her attitude and witty remarks are so fun to think of and write out! I find myself giggling the most when I'm writing for her. Vera is a close second, but she's more mean than comical.
12. what is something everyone should know about your muses before interacting?
Even though I feel like this could be said about everyone's muses; There so much depth to them, they're so much more than the surface tropes I identify them as!!! They usually have a pile of lore and connections that I'm too lazy to write out but quick to send as an essay over Discor djsnjsnjo. You just have to poke and prod me.
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4 & 5
MULTIMUSE ASKS
Status: Accepting
4. is there a muse that not a lot of people roleplay with?
My roster is so huge, even for me, that I don't blame people for not interacting with or knowing that certain muses exist. I'm also not very good at talking about all the muses I have on here, I usually hyper-fixate on a handful of a time or sometimes I forget to add them to my roster completely. That being said, I have a lot of muses who have never gotten interactions before or aren't really being checked for any more like; Adonis, Janie, Cynthia, Lauren, Matias, Elijah, etc, etc.
5. if you HAD to choose, whoās your least favorite muse?
DUN ! DUN ! DUN ! I love all of my babies, please š But if I had to choose it would be Angelique. I've never had a set backstory or important development moments for her. I was hoping they would come to me as I roleplayed her more, but no one really interacts with her because I don't really throw her at people because I really don't have any plot ideas for her!
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CHARACTER DEVELOPMENT QUESTIONS
Status: Accepting
@hammurabicomplexā said: 4 & 16 for babygirl vera
4. Has your character ever witnessed something that fundamentally changed them? If so, does anyone else know?
I think itās fair to say that Veraās whole life has been filled with traumatic events that have fundamentally changed her life. Some of her earliest memories include the crazy antics of those that lived in the same building as her growing up. Her early adolescent years were filled with downward spirals and it really wasnāt until her early 30s that the storm started to settle. Though, unless youāre super close to her or grew up with her, itās very unlikely that sheāll reveal much about her early years trauma to you. Sheās rebranded herself as a whole new person with a backstory that doesnāt make sense if you start asking too many questions and she doesnāt like to talk about those old daunting memories anyways, theyāre still fresh wounds for her.
16. Which does your character idealize most: happiness or success?
Vera prioritizes success over happiness by a long shot. Sheās put her own happiness aside multiple times in her life to get where she is now. The thought of being a successful respected individual with more money than she could spend in a lifetime, especially as someone who came from a dirt poor background, has always been her main motivation to keep moving forward and taking risks. But, now that shes older and has made a name for herself, sheās been working hard on trying to put her happiness first and getting the best out of life, but after all these years of putting everyone else and her success first she really doesnāt know where to start.
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more random dialogue prompts ,
āwhy do you have that look on your face?ā
āfinish what youāre doing, we have to talk.ā
āwhat have you done to yourself?ā
ādid you do something different with your hair?ā
āit doesnāt do any good to get worked up.ā
āwhen was the last time we had a real conversation.ā
āare you in the witness protection program, or what?ā
āthereās something wrong with me.ā
āno, i donāt hate you.ā
āhey stupid.ā
āweāre arenāt them.ā
ālooks like iāll live long enough to make you pay.ā
āyou know youāre wrong.ā
āi donāt understand, why are you doing this?ā
ānow, before i say anything, promise me youāll stay calm.ā
āwhat makes me so special?ā
āyou have no idea what iāve been through.ā
āyou really donāt have to do that, not for me.ā
ādid you really think youād get a second chance?ā
āhow about we donāt do that.ā
āi have a lot going for me, but humility is not one of them.ā
āyouāre the worst.ā
āi donāt need you right now.ā
ādonāt just stand there, looking at me.ā
āi thought you were supposed to call me.ā
ātake my hand.ā
āi need you.ā
āyouāre allowed to need help sometimes.ā
āfor someone who doesnāt like to feel things, you sure feel a lot of it out loud.ā
āwhen this is all over, i want it to be you and me.ā
āwhy wonāt you tell me what happened?ā
āyou donāt know what this means to me.
āi know it doesnāt make sense.ā
āiām trying really hard to keep it together.ā
āi know youāre new, but we do things a little differently here.ā
āyour voice is putting me to sleep.ā
ādid you find what you were looking for?ā
"you knew and you didnāt even warn me?ā
āwell, i guess thatās broken.ā
āi thought it was part of the act.ā
āyou think u donāt know youāre only here because they sent you?ā
āyou promised to call me if you didnāt know what to wear.ā
āyou can keep a secret, canāt you?ā
āhow could you do this to me?ā
āput the gun down, dearest. i have news!ā
āi know you donāt have any reason to trust me, but you need to know something.ā
āif youāre here to tell me what happened last night, someone beat you to it.ā
āpeople think iām weird.ā
āi think iām losing myself again.ā
āyou canāt be here.ā
āi wish youād come to the funeral.ā
ādo you know what today is?ā
āso, you broke my favourite mugā¦ and youāre breaking up with me?ā
āi need to get out.ā
āitās like iām cursed or something.ā
āyou are remarkably well-behaved tonight, what have you been up to?ā
āyou gonna eat that?ā
āsir, the pony rides are for children only.ā
āi donāt want you to worry about that anymore.ā
āweāll never make it in time.ā
āyouād be late for your own funeral.ā
āyou should have seen it coming.ā
āoh, good, youāre here! hold this.ā
āwhy canāt you just be happy for me?ā
āon a scale of one to ten, how do you feel about nachos right now?ā
āis this how you flirt with everyone?ā
āhow much longer till weāre there?ā
āwhat have you done?ā
āitās time for you to repay that debt you owe me.ā
āwhere did you get that? who gave it to you?ā
āwhat kind of mother has thoughts like that?ā
āi know I havenāt been what you needed, but iām here, and i wanna help.ā
āi never want to hear you say that again.ā
āyouāre all i have.ā
āi know itās not perfect, but i did follow the recipe this time.ā
āi was doing so well until you showed up.ā
ādonāt eat that! i made it āspecially for our guest.ā
āitās not that i donāt like my life, itās that i donāt have the energy to enjoy it.ā
āhow can you stand this place?ā
ādonāt take this the wrong way, but you donāt exactly blend in.ā
āyou need to stop.ā
āi donāt like that look, what happened?ā
āis that seriously your password?ā
āwhatās your problem?ā
āyou had no right to use it without asking.ā
āoh, wow, you werenāt kidding.ā
āi couldnāt trust my own parents to protect me.ā
āiām surprised you havenāt been arrested yet. wait, no, iām not.ā
āwhy do you want to help me?ā
āten bucks for that piece of crap?ā
āwe have to hurry, theyāre coming!ā
āhey, look what came in the mail!ā
ādo you want to get a drink or something?ā
āplease tell me you didnāt eat that.ā
āthe worst part is you didnāt even notice.ā
āif i wanted help, i would have asked.ā
āwanna tell me whatās going on with your grades?ā
āyou need to leave.ā
ātalk to me, okay? i need to know whatās going on.ā
āi do blame you.ā
āsometimes life deals you a bad hand, but you can still play your cards right and win.ā
āyouāre no longer useful to me.ā
āiām not good with sarcasm: if you donāt like me, just say it.ā
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ā±asks for muns with a multimuse or more than one museā°
is there a muse that you wish gets more attention?
if you HAD to choose, whoās your favorite muse?
which muse is the trickiest to get into character for?
is there a muse that not a lot of people roleplay with?
if you HAD to choose, whoās your least favorite muse?
which one of your muses have you been playing the longest?
which one of your muses has the most ships?
what is each of your muses otps? notps?
why were you drawn to each one of your characters?
which muse is the most fun to write for?
is there another muse youāve been thinking of adding or writing for? who?
what is something everyone should know about your muses before interacting?
whatās a weird headcanon you have for each of your muses?
which muse has the most aus or verses?
can you sort your muses from youngest to oldest?
which muse is most willing to fight another muse?
do your muses get along with each other?
would you ship any of your muses together? who?
for each muse, is there a character you wish had a blog so you could interact with them?
have you ever considered making a multimuse/is it easier having a multimuse?
which muse is the most problematic towards other muses?
which muse is most likely to make new friends?
which musesā fandom do you like the best?
is there someone playing the same muse/s as you and you really look up to them?
which muse do people send the most asks for?
which muse is most likely to have kids?
is there a rule that someone keeps breaking for your muses?
can you sort your muses from weakest to strongest?
which muse are you considering deleting?
most importantly, are you having fun playing each one of your muses?
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Character Development Questions: Hard Mode
Does your character have siblings or family members in their age group? Which one are they closest with?
What is/was your characterās relationship with their mother like?
What is/was your characterās relationship with their father like?
Has your character ever witnessed something that fundamentally changed them? If so, does anyone else know?
On an average day, what can be found in your characterās pockets?
Does your character have recurring themes in their dreams?
Does your character have recurring themes in their nightmares?
Has your character ever fired a gun? If so, what was their first target?
Is your characterās current socioeconomic status different than it was when they were growing up?
Does your character feel more comfortable with more clothing, or with less clothing?
In what situation was your character the most afraid theyāve ever been?
In what situation was your character the most calm theyāve ever been?
Is your character bothered by the sight of blood? If so, in what way?
Does your character remember names or faces easier?
Is your character preoccupied with money or material possession? Why or why not?
Which does your character idealize most: happiness or success?
What was your characterās favorite toy as a child?
Is your character more likely to admire wisdom, or ambition in others?
What is your characterās biggest relationship flaw? Has this flaw destroyed relationships for them before?
In what ways does your character compare themselves to others? Do they do this for the sake of self-validation, or self-criticism?
If something tragic or negative happens to your character, do they believe they may have caused or deserved it, or are they quick to blame others?
What does your character like in other people?
What does your character dislike in other people?
How quick is your character to trust someone else?
How quick is your character to suspect someone else? Does this change if they are close with that person?
How does your character behave around children?
How does your character normally deal with confrontation?
How quick or slow is your character to resort to physical violence in a confrontation?
What did your character dream of being or doing as a child? Did that dream come true?
What does your character find repulsive or disgusting?
Describe a scenario in which your character feels most comfortable.
Describe a scenario in which your character feels most uncomfortable.
In the face of criticism, is your character defensive, self-deprecating, or willing to improve?
Is your character more likely to keep trying a solution/method that didnāt work the first time, or immediately move on to a different solution/method?
How does your character behave around people they like?
How does your character behave around people they dislike?
Is your character more concerned with defending their honor, or protecting their status?
Is your character more likely to remove a problem/threat, or remove themselves from a problem/threat?
Has your character ever been bitten by an animal? How were they affected (or unaffected)?
How does your character treat people in service jobs?
Does your character feel that they deserve to have what they want, whether it be material or abstract, or do they feel they must earn it first?
Has your character ever had a parental figure who was not related to them?
Has your character ever had a dependent figure who was not related to them?
How easy or difficult is it for your character to sayĀ āI love you?ā Can they say it without meaning it?
What does your character believe will happen to them after they die? Does this belief scare them?
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ššš šµš¶šµš½š¬š¹š©šØš³ š·š¹š¶š“š·š»šŗ . Ā Ā ( Ā a Ā collection Ā of Ā 100 Ā nonverbalĀ actionĀ prompts .Ā Ā matureĀ andĀ potentiallyĀ triggeringĀ themes Ā are Ā present . Ā add Ā ā + reverse ā Ā to Ā swap Ā assigned Ā roles .Ā )
ā o1ļ¹Ā senderĀ tucksĀ hairĀ outĀ ofĀ receiverāsĀ face . ā o2ļ¹ sender Ā offers Ā receiver Ā a Ā bite Ā from Ā their Ā fork . ā o3ļ¹ senderĀ placesĀ theirĀ feet / legsĀ inĀ receiver'sĀ lap . ā o4ļ¹ senderĀ offersĀ receiverĀ anĀ earbudĀ toĀ shareĀ theirĀ music . ā o5ļ¹ senderĀ comfortsĀ receiverĀ inĀ theĀ aftermathĀ ofĀ aĀ nightmare . ā o6ļ¹ senderĀ givesĀ receiverĀ companyĀ inĀ theĀ hospital . ā o7ļ¹Ā sender Ā wraps Ā their Ā arms Ā around Ā a Ā hysterical Ā receiver Ā to Ā calm Ā them . ā o8ļ¹ senderĀ showsĀ upĀ atĀ receiverāsĀ homeĀ lateĀ atĀ night . ā o9ļ¹ senderĀ fallsĀ asleepĀ leaningĀ againstĀ receiver . ā 1oļ¹ senderĀ wieldsĀ aĀ [ gun / knife ]Ā atĀ receiver . ā 11ļ¹Ā senderĀ runsĀ theirĀ fingersĀ throughĀ receiverāsĀ hair . ā 12ļ¹ senderĀ invitesĀ receiverĀ toĀ dance . ā 13ļ¹ senderĀ takesĀ aĀ [ picture / video ]Ā ofĀ receiver . ā 14ļ¹ senderĀ placesĀ theirĀ headĀ inĀ receiverāsĀ lap . ā 15ļ¹ senderĀ andĀ receiverĀ makeĀ eyeĀ contactĀ acrossĀ aĀ busyĀ room . ā 16ļ¹ senderĀ pushesĀ receiverĀ againstĀ aĀ wallĀ toĀ kissĀ them . ā 17ļ¹Ā senderĀ andĀ receiverĀ cookĀ together . ā 18ļ¹ senderĀ comesĀ toĀ receiverĀ afterĀ beingĀ injured . ā 19ļ¹ senderĀ sitsĀ inĀ receiverāsĀ lap . ā 2oļ¹ senderĀ liftsĀ receiver'sĀ chin ,Ā invokingĀ eyeĀ contact . ā 21ļ¹ senderĀ overtakesĀ receiverĀ inĀ combat . ā 22ļ¹ senderĀ findsĀ receiverĀ [ injured / bloodied ] . ā 23ļ¹ senderĀ straightensĀ anĀ articleĀ ofĀ receiverāsĀ clothes . ā 24ļ¹ senderĀ crawlsĀ intoĀ bedĀ withĀ receiver . ā 25ļ¹ senderĀ rollsĀ theirĀ eyesĀ atĀ receiver . ā 26ļ¹ senderĀ lightsĀ receiverāsĀ [ cigarette / joint ] . ā 27ļ¹ senderĀ isĀ caughtĀ wearingĀ receiver'sĀ clothes . ā 28ļ¹ senderĀ strikesĀ receiverĀ withĀ aĀ pillow . ā 29ļ¹ senderĀ writesĀ aĀ noteĀ onĀ receiverāsĀ skin :Ā [ note ] . ā 3oļ¹Ā senderĀ wrapsĀ aĀ blanketĀ aroundĀ receiverāsĀ shoulders . ā 31ļ¹Ā senderĀ runsĀ andĀ jumpsĀ intoĀ receiverāsĀ arms . ā 32ļ¹ senderĀ shovesĀ receiverĀ outĀ ofĀ anger . ā 33ļ¹ sender Ā hovers Ā over Ā receiverās Ā shoulder Ā as Ā they Ā complete Ā a Ā task . ā 34ļ¹ senderĀ isĀ foundĀ byĀ receiverĀ somewhereĀ theyĀ shouldnātĀ be . ā 35ļ¹ senderĀ curlsĀ upĀ againstĀ receiverĀ inĀ theirĀ sleep . ā 36ļ¹ senderĀ isĀ foundĀ drunkĀ byĀ receiver . ā 37ļ¹ senderĀ throwsĀ anĀ itemĀ ofĀ sentimentĀ bitterlyĀ atĀ receiver . ā 38ļ¹ senderĀ joinsĀ receiverĀ inĀ theĀ shower . ā 39ļ¹ senderĀ isĀ caughtĀ followingĀ receiver . ā 4oļ¹Ā senderĀ tracesĀ oneĀ ofĀ receiverāsĀ [ scars / bruises ] . ā 41ļ¹ senderĀ twinesĀ theirĀ fingersĀ withĀ receiverās . ā 42ļ¹ senderĀ bargesĀ intoĀ receiverāsĀ homeĀ unannounced . ā 43ļ¹ senderĀ kicksĀ receiverāsĀ shinĀ beneathĀ aĀ table . ā 44ļ¹ senderĀ aggressivelyĀ shovesĀ pastĀ receiver . ā 45ļ¹ senderĀ kissesĀ receiverāsĀ [ forehead / cheek ] . ā 46ļ¹ senderĀ pullsĀ receiverĀ outĀ ofĀ harmāsĀ way . ā 47ļ¹ senderĀ isĀ foundĀ sobbingĀ byĀ receiver . ā 48ļ¹ senderĀ locksĀ receiverĀ outĀ ofĀ theirĀ room . ā 49ļ¹ senderĀ bringsĀ receiverĀ [ coffee / tea ]Ā inĀ theĀ morning . ā 5oļ¹ senderĀ restsĀ theirĀ foreheadĀ againstĀ receiverās . ā 51ļ¹ senderĀ playsĀ aĀ songĀ forĀ receiverĀ thatĀ remindsĀ themĀ ofĀ them :Ā [ song ] . ā 52ļ¹ senderĀ takesĀ aĀ [ punch / stab / bullet ]Ā meantĀ forĀ receiver . ā 53ļ¹ senderĀ buysĀ receiverĀ aĀ drinkĀ atĀ aĀ bar . ā 54ļ¹ senderĀ needsĀ receiverāsĀ helpĀ gettingĀ inĀ theĀ bath . ā 55ļ¹ senderĀ andĀ receiverĀ crossĀ pathsĀ inĀ theĀ kitchenĀ lateĀ atĀ night . ā 56ļ¹ senderĀ twistsĀ receiverāsĀ armĀ behindĀ theirĀ back . ā 57ļ¹ senderĀ winksĀ atĀ receiver . ā 58ļ¹ senderĀ isĀ foundĀ collapsedĀ byĀ receiver . ā 59ļ¹ senderĀ preventsĀ anĀ injuredĀ receiverĀ fromĀ gettingĀ up . ā 6oļ¹ senderĀ clapsĀ aĀ handĀ overĀ receiverāsĀ mouthĀ toĀ silenceĀ them . ā 61ļ¹ senderĀ cagesĀ receiverĀ againstĀ aĀ [ wall / the floor ]Ā withĀ theirĀ arms . ā 62ļ¹ senderĀ stormsĀ awayĀ fromĀ receiverĀ duringĀ anĀ argument . ā 63ļ¹ senderĀ isĀ foundĀ byĀ receiverĀ sleepingĀ inĀ receiverāsĀ bed . ā 64ļ¹ senderĀ [ applies / touches up ]Ā receiverāsĀ makeup . ā 65ļ¹ senderĀ throwsĀ receiverĀ intoĀ aĀ wallĀ duringĀ combat . ā 66ļ¹ senderĀ dancesĀ sensuallyĀ withĀ receiver . ā 67ļ¹ sender Ā strikes Ā receiver Ā across Ā the Ā face . ā 68ļ¹ senderĀ placesĀ theirĀ handĀ onĀ receiverāsĀ legĀ whileĀ driving . ā 69ļ¹ senderĀ pullsĀ aĀ chairĀ outĀ fromĀ underĀ receiver . ā 7oļ¹ senderĀ catchesĀ receiverāsĀ wristĀ whenĀ theyĀ turnĀ toĀ leave . ā 71ļ¹ senderĀ leavesĀ anĀ intimateĀ markĀ onĀ receiver . ā 72ļ¹ senderĀ beatsĀ receiverĀ inĀ aĀ videoĀ game . ā 73ļ¹ senderĀ andĀ receiverĀ standĀ inĀ stunnedĀ silenceĀ afterĀ aĀ fight . ā 74ļ¹ senderĀ caresĀ forĀ receiverĀ whileĀ theyāreĀ sick . ā 75ļ¹ sender Ā andĀ receiverĀ goĀ onĀ aĀ hike . ā 76ļ¹ senderĀ isĀ caughtĀ snoopingĀ inĀ receiverāsĀ things . ā 77ļ¹ sender Ā andĀ receiverĀ cuddleĀ whileĀ watchingĀ television . ā 78ļ¹ senderĀ throwsĀ somethingĀ aggressivelyĀ atĀ receiver . ā 79ļ¹ senderĀ creepsĀ upĀ behindĀ receiverĀ toĀ scareĀ them . ā 8oļ¹ senderĀ andĀ receiverĀ goĀ shoppingĀ together . ā 81ļ¹ senderĀ helpsĀ receiverĀ [ dye / style ]Ā theirĀ hair . ā 82ļ¹ senderĀ drawsĀ receiverĀ intoĀ aĀ kissĀ byĀ theĀ backĀ ofĀ theirĀ neck . ā 83ļ¹ senderĀ isĀ discoveredĀ havingĀ aĀ panicĀ attackĀ byĀ receiver . ā 84ļ¹Ā senderĀ accidentallyĀ injuresĀ receiverĀ duringĀ sparring . ā 85ļ¹Ā senderĀ grabsĀ receiverĀ roughlyĀ byĀ theĀ hair . ā 86ļ¹ senderĀ bringsĀ receiverĀ toĀ theirĀ kneesĀ duringĀ combat . ā 87ļ¹ senderĀ showsĀ receiverĀ evidenceĀ ofĀ aĀ lieĀ theyĀ told . ā 88ļ¹ sender Ā winksĀ [ seductively / mockingly ]Ā atĀ receiver . ā 89ļ¹ senderĀ yellsĀ atĀ receiverĀ toĀ putĀ theirĀ handsĀ inĀ theĀ air . ā 9oļ¹ senderĀ helpsĀ receiverĀ patchĀ upĀ aĀ wound . ā 91ļ¹ senderĀ holdsĀ receiverĀ asĀ theyĀ cry . ā 92ļ¹ senderĀ silentlyĀ andĀ angrilyĀ pointsĀ receiverĀ towardsĀ theĀ door . ā 93ļ¹ sender Ā gesturesĀ forĀ receiverĀ toĀ sitĀ down . ā 94ļ¹ sender Ā pullsĀ receiverĀ intoĀ theirĀ lap . ā 95ļ¹ senderĀ cradlesĀ receiverāsĀ face . ā 96ļ¹ senderĀ tacklesĀ receiverĀ outĀ ofĀ theĀ wayĀ ofĀ danger . ā 97ļ¹ senderĀ hasĀ hiddenĀ anĀ injuryĀ fromĀ receiver ,Ā andĀ receiverĀ findsĀ out . ā 98ļ¹ senderĀ confrontsĀ receiverĀ aboutĀ theirĀ unhealthyĀ behavior . ā 99ļ¹ senderĀ proposesĀ toĀ receiver . ā 1ooļ¹ sender Ā has Ā just Ā died , Ā receiver Ā finds Ā out .
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