d3vildomc4kep0p

[d3vildomc4kep0p]

or another game while they are at it

"The game in general is greedy, and Solmare does not care about you at all. They just see $$$$$$$ when they put out another lesson or season."

[d3vildomc4kep0p]

Have the devs done this before? (written lucifer into fanon teritory I mean)

This is literally the Obey Me fandom with Lucifer 😭

[d3vildomc4kep0p]

I've had this little idea in my head for a while now, so I decided to sit down and plot it out.

Disclaimer: This isn't meant to be some sort of One-Worksheet-Fits-All situation. This is meant to be a visual representation of some type of story planning you could be doing in order to develop a plot!

Lay down groundwork! (Backstory integral to the beginning of your story.) Build hinges. (Events that hinge on other events and fall down like dominoes) Suspend structures. (Withhold just enough information to make the reader curious, and keep them guessing.)

And hey, is this helps... maybe sit down and write a story! :)

[d3vildomc4kep0p]

Heads up just because I hate the direction both games and the devs have taken doesn’t mean I hate the characters,fandom or experience I have had in the fandom. There are just a lot of opportunities the devs could have taken with the story and unsurprisingly they decided to do the opposite.

Sorry it took me so long to reply, I have been thinking about how to in the first place since the way i structured my doc was more suited for a video essay style.

But this one will just be a more personal explanation. 

Ok so starting with the first “season” (lessons 1-20) in the first game already had my interest due to the interesting premise of being summoned to hell at the time, all of the characters were very interesting and stood out from each other.

Not to mention the conflict of MC trying to free Belphegor and not knowing his true intentions was perfectly set up and CONFLICT (actual conflict in Obey me for once). 

Despite the fast resolution between Belphegor, his brothers and MC for straight up murdering MC, it was a good story and I along with many people I think were very excited for season 2. 

When it came to the events (used to pad the wait time between seasons) they were fun and camp but I wanted to find out more about the lore.

I don’t know why the devs did not jump on it as much but Obey me’s lore (in terms of the brothers, the devildom and Diavolo’s family) had enough to reel me in but leave me wanting more in the following seasons.

I don’t know if it was the execution or the juggling of “slice of life demon bros” , “romantic moments with the datables” and “”conflict” that despite being resolved has no effect on the characters or plot”. 

If I remember around this time the devs were starting to take criticism from the fans about the game and the writing (some people didn’t like the fact that the demon bros acted like DEMONS and others wanted routes instead to romance each brother.) 

(I’m not saying the Obey me should be like Diabolik lovers but what did people expect from demons, no less the SEVEN DEADLY SINS?)

I understand taking critique in order to understand what your fans want and how to make your game better but at that point the devs basically bastartedized any of the original characterization of the bros and that was before the anime came out and all of the merch.

At that point Obey was no longer a game it had become a brand (I love my merch too but Solmare really went all out and it left a sour taste in my mouth. You made so much merch yet can’t bring the story of your game back to its original status quo?).

By that point I was already beginning to venture on to different fandoms and only checked in to see if anything big had happened. Only to see Mesphisto, Thirteen and Rapheal had been added as characters and brought into the upcoming lessons. 

Honestly from there I lost interest in Obey me, I think the reason it failed is because of the lack of expanding upon the lore, the mischaracterization of almost all of the characters, the pacing and Solmare jumping ship to make more merch and just reboot the series again when they wanted to make a quick buck (Like another person in this reblog chain said).

Sorry if this is hard to read , I kinda word dumped my thoughts.

The longer I play Obey Me, the more I feel like Obey Me is a story about how the MC, in their quest to seek acceptance by the people they care about, ends up destroying themselves in the process and losing the very thing that made them so special and loved in the first place.

In the beginning of OG, they started off as just a normal human who got whisked away to a weird ass world where literally nobody respects them. Despite this, they recognised from the beginning that these demons and angels were not so different from humans. MC's ability to see the demons as actual people and not just beings controlled by their sins was what allowed them to form close bonds with them. They had good intentions to reunite the demon brothers who had undergone centuries of misunderstanding, resentment, and pent up grief. Even though they were excessively nosy, MC's unique position as a complete outsider allowed them to see just how much love the demon brothers had for each other, and how they can become closer if everybody would just better communicate with each other. Serving as the bridge to better improve the brothers' relationships was what convinced the demon brothers to also see MC as a member of their family.

But as the MC became more involved in the Devildom's problems, they started to adopt the same toxic traits that had created wedges between the brothers in the first place. From relying heavily on their pacts to subdue the brothers, to allowing a curse to control Barbatos (even though they had the ability to break it), to going along with the brothers' manipulative scheme to trick Satan into reconciling with Lucifer when Satan ran away to the human world -- it's almost like MC has unconsciously picked up on some of their loved ones' behaviour. Gone are the days where MC brings in a new perspective to problems. Now, they just embrace the chaos and their more darker traits, for that is what is expected of them to survive in the Devildom. And since everyone within their circle puts them on a pedestal, this further affirms to the MC that this is how they should be.

Dealing with the affairs of the Devildom had also caused the MC to grow more apathetic. In the beginning, they had been actively taking steps to form pacts with the brothers and were generally very invested in freeing Belphie from the attic. They remained true to themselves and insisted that they form a pact with Satan based on mutual trust and understanding, and not just as a means to smite Lucifer. Despite being in a helpless situation, MC never refused to give up their agency. But the longer MC gets involved with these shenanigans, the more they grew... numb to everything.

Solomon bringing me back to the Devildom unannounced? Oh, sure. Diavolo and Solomon hiding the reasons for my sudden return? Not my problem.

Simeon facing a problem to the point of having a quarter of the cast acting as his bodyguards? Eh, I'll just ignore it until I can't anymore.

Watching and waiting. That's what they have resorted to doing.

And that mindset of kicking problems down the line until it lands on MC's doorstep and they have no choice but to act -- that's exactly how they have been acting when they were stuck in NB, hasn't it? MC didn't bother forming pacts with the past version of the brothers until they were given an ultimatum, and even then, they simply relied on the convenient timing of each brother struggling with an inner crisis to swoop in, resolve the situation and tick them off their checklist.

MC in NB seems like an unfortunate culmination of everything they faced so far. They're too apathetic to care about getting sent to an unfamiliar place once again, too desensitised to life in the Devildom to reclaim their agency, and too desperate to earn the love of their former family to even think about anything else. They became so co-dependent to the demon brothers that they seem to think they cannot live without them or their affection, even if the ones they are living with in the past are different people from the ones they grew to love in the present.

The phrase "You either die a hero, or live long enough to see yourself become the villain" fits way too perfectly for the Obey Me MC. After all, MC keeps getting rewarded every time they try to get themselves killed (or even when they actually got killed). Maybe that's the only way they know how to resolve problems.

So if they can't die as the hero, they'll just learn to live as the villain.

[d3vildomc4kep0p]

im currently making a doc about how/why obey me has kinda failed and honestly story wise I think you hit the nail on the head OP

The longer I play Obey Me, the more I feel like Obey Me is a story about how the MC, in their quest to seek acceptance by the people they care about, ends up destroying themselves in the process and losing the very thing that made them so special and loved in the first place.

In the beginning of OG, they started off as just a normal human who got whisked away to a weird ass world where literally nobody respects them. Despite this, they recognised from the beginning that these demons and angels were not so different from humans. MC's ability to see the demons as actual people and not just beings controlled by their sins was what allowed them to form close bonds with them. They had good intentions to reunite the demon brothers who had undergone centuries of misunderstanding, resentment, and pent up grief. Even though they were excessively nosy, MC's unique position as a complete outsider allowed them to see just how much love the demon brothers had for each other, and how they can become closer if everybody would just better communicate with each other. Serving as the bridge to better improve the brothers' relationships was what convinced the demon brothers to also see MC as a member of their family.

But as the MC became more involved in the Devildom's problems, they started to adopt the same toxic traits that had created wedges between the brothers in the first place. From relying heavily on their pacts to subdue the brothers, to allowing a curse to control Barbatos (even though they had the ability to break it), to going along with the brothers' manipulative scheme to trick Satan into reconciling with Lucifer when Satan ran away to the human world -- it's almost like MC has unconsciously picked up on some of their loved ones' behaviour. Gone are the days where MC brings in a new perspective to problems. Now, they just embrace the chaos and their more darker traits, for that is what is expected of them to survive in the Devildom. And since everyone within their circle puts them on a pedestal, this further affirms to the MC that this is how they should be.

Dealing with the affairs of the Devildom had also caused the MC to grow more apathetic. In the beginning, they had been actively taking steps to form pacts with the brothers and were generally very invested in freeing Belphie from the attic. They remained true to themselves and insisted that they form a pact with Satan based on mutual trust and understanding, and not just as a means to smite Lucifer. Despite being in a helpless situation, MC never refused to give up their agency. But the longer MC gets involved with these shenanigans, the more they grew... numb to everything.

Solomon bringing me back to the Devildom unannounced? Oh, sure. Diavolo and Solomon hiding the reasons for my sudden return? Not my problem.

Simeon facing a problem to the point of having a quarter of the cast acting as his bodyguards? Eh, I'll just ignore it until I can't anymore.

Watching and waiting. That's what they have resorted to doing.

And that mindset of kicking problems down the line until it lands on MC's doorstep and they have no choice but to act -- that's exactly how they have been acting when they were stuck in NB, hasn't it? MC didn't bother forming pacts with the past version of the brothers until they were given an ultimatum, and even then, they simply relied on the convenient timing of each brother struggling with an inner crisis to swoop in, resolve the situation and tick them off their checklist.

MC in NB seems like an unfortunate culmination of everything they faced so far. They're too apathetic to care about getting sent to an unfamiliar place once again, too desensitised to life in the Devildom to reclaim their agency, and too desperate to earn the love of their former family to even think about anything else. They became so co-dependent to the demon brothers that they seem to think they cannot live without them or their affection, even if the ones they are living with in the past are different people from the ones they grew to love in the present.

The phrase "You either die a hero, or live long enough to see yourself become the villain" fits way too perfectly for the Obey Me MC. After all, MC keeps getting rewarded every time they try to get themselves killed (or even when they actually got killed). Maybe that's the only way they know how to resolve problems.

So if they can't die as the hero, they'll just learn to live as the villain.

[d3vildomc4kep0p]

How to show emotions

Part V

How to show grief

a vacant look

slack facial expressions

shaky hands

trembling lips

swallowing

struggling to breathe

tears rolling down their cheeks

How to show fondness

smiling with their mouth and their eyes

softening their features

cannot keep their eyes off of the object of their fondness

sometimes pouting the lips a bit

reaching out, wanting to touch them

How to show envy

narrowing their eyes

rolling their eyes

raising their eyebrows

grinding their teeth

tightening jaw

chin poking out

pouting their lips

forced smiling

crossing arms

shifting their gaze

clenching their fists

tensing their muscles

then becoming restless/fidgeting

swallowing hard

stiffening

holding their breath

blinking rapidly

exhaling sharply

How to show regret

scrubbing a hand over the face

sighing heavily

downturned mouth

slightly bending over

shoulders hanging low

hands falling to the sides

a pained expression

heavy eyes

staring down at their feet

Part I + Part II + Part III + Part IV

If you like my blog and want to support me, you can buy me a coffee or become a member! And check out my Instagram! 🥰

[d3vildomc4kep0p]

Soft OTP or Self Ship Prompts

An ask game for your OTP or self ship! Answers can be as short or as long as you care to make them. Don't feel bad about answering with a tiny snippet, and don't feel bad about going ham! 

1- Write about your ship cuddling into bed together after a long and tiring day.

2- Write about your ship helping each other to prepare a special meal.

3- Write about your ship holding hands in a tense moment.

4- Write about your ship holding hands in a happy moment. 

5- Write about a casual kiss between your ship.

6- Write about an intense kiss between your ship.

7- Write about one member of your ship asking the other to dance with them.

8- Write about one member of your ship giving the other a compliment. 

9- Write about your ship getting dressed up in fancy outfits together. 

10- Write about your ship helping each other get ready for the day in the morning. 

11- Write about your ship waking up together. 

12- Write about your ship going somewhere new together for the first time.

13- Write about your ship celebrating one of the members birthdays. 

14- Write about your ship celebrating their anniversary.

15- Write about your ship spending a lazy afternoon together. 

16- Write about a hug between your ship. 

17- Write about your ship sharing hot drinks together.

18- Write about how each member of your ship smells. 

19- Write about your ship going on a casual date.

20- Write about your ship sneaking a romantic moment together.

21- Write about your ship showing each other physical affection. 

22- Write about a member of your ship giving the other a special gift. 

23- Write about your ship supporting each other through a hard time.

24- Write about your ship cuddling.

25- Write about your ship bathing or swimming together.

[d3vildomc4kep0p]

Ma'am please bestow upon me your amazing smut writing ways! 😩Your smut scenes are always top tier and I'm so jealous! I feel like all of my smut writing ends up turning out sounding the same.

Awwwh Lau 🥹🥹 Thank you babe, that’s so sweet of you - you’re so kind to me ♥️

And I was going to joke that I have no idea how I do it (and that is true to an extent - lots of it just happens in the moment!) but real talk, writing smut is one of the things I find MOST difficult in writing. It’s so time consuming to get it right, or it is for me anyway!

But here’s how I try and approach it… apologies I’m chatty and this got a bit long but I hope it’s useful to you and others!

Alex’s Guide To Writing Smut

Understand the context

1. What’s the vibe? Why are they having sex?

Is it angry/angsty/longing/needy/soft/sweet/something else I can’t think of right now? How are the characters arriving into the smut, because it totally shapes how you think about the tone of the scene and how the actual act will play out. Angry rough fucking is not the same as soft, we just woke up and I need you again sex. And that doesn’t need a tonne of exposition to set out in the story but you, the author, need to know where it’s coming from.

2. What’s their relationship?

Like above, sex between people who have been together for ages is different from sex with someone new(ish). Of course you can still surprise each other in a long term relationship but new relationships are all about discovery. And this affects how they communicate during the act itself, and how comfortable they might be together (as well as in voicing likes and dislikes). Also, a one night stand won’t be the same as a pairing who are a couple, and not all of those are born equal - is it a one night of fun or is that we only have one night, because we shouldn’t/can’t do this, but I love you? Those bring very different energies!

Creating scenes that feel ‘real’

4. Limbs logistics

This is the stuff that takes me the longest because I’m a weirdo and I like to be able to properly picture who and what’s where at any given moment! Do think about whether it’s physically possible for his hand to be there if it was just somewhere entirely different. And don’t be afraid to have a little fun with it if your setting allows a bit of real life challenges. Getting stuck or whatever and giggling about it is so human and relatable and will add realism.

3. Use ALL the senses.

Obviously this is an important tip for writing generally but if you want to build a sensory picture and create intimacy it’s extra important in smut writing. Smut writing isn’t just describing where all the limbs and appendages go - if you want it to be immersive you need to go beyond that and explore how the characters FEEL and what else they are experiencing:

- Smells in particular are especially evocative and unique. They stir up emotions and or create a sense of safety.

- Think about how you describe the different kinds of touches (again, all relates to knowing your context). Not just stimulation touch but how they hold each other, breath on skin etc. Are they gentle or rough. And most importantly, how does it feel - both touching and being touched.

- Don’t forget about taste - you don’t have to major on it if it gives you the ick but it’s part of the sexual experience so don’t forget to consider how it might be useful to include.

- Sound allows you to convey emotion with and without dialogue. How does their voice sound? When you’re pressed together can you actually feel the sound? You can use this to show progress too as they get closer to climax. (That feels so wrong to write in a non-smut scene context!)

5. Choice of positions/ sexual acts

My personal preference is starting with foreplay cos I enjoy writing the build up, but sometimes (back to context again!) that doesn’t make sense for your pairing. Deciding what they actually do during the smut scene totally depends on all the stuff in the section above. For example, are they short on time? Do they have all night? Is it the only night they might ever have and so they want to do everything you can think of? All of these will affect what kind of sex they have and the kind of energy they bring to it.

I rarely sit down and plot this out (but I’m not a plotter anyway so that’s just me) - I write what feels right in the moment because I’ve focussed my effort on knowing WHY these two particular people are having sex. Allow the context to guide what feels natural and have fun with it.

6. Dialogue

I used to write with hardly dialogue during smut because it made me uncomfortable trying to squeeze it in, but I’ve got better at it as I’ve written more. So I think you have to do what feels right for you, as the writer. But also, once again, you need to know what your characters would do. Are they talkers? Is one of them noisy but the other is the silent type? Does one have a filthy mouth that makes the other weak and they like to use that against them? Do you want to include a praise kink or someone who gets off on being humiliated (don’t forget AFTER CARE!). All of that affects what kind of dialogue you might have.

Personally I still tend to keep it quite limited (writing Emmett and the whole ‘having to be quiet’ is my fav kink of the moment!). Instead, I focus more on the senses side of things, and let them get a bit lost in the pleasure inside their own heads. And instead of external dialogue, I often opt for more internal chat about how the other person and what they’re doing makes them feel. And how they feel is influenced by, you guessed it, the context!

What to do when it all feels a bit too ‘samey’

So to Lauren’s original ask about scenes feeling overly similar - especially when you’re working with the same set of characters in a long running series. I have this all the time, especially with my Lockdown series because those two are just feral for each other! To tackle getting stuck in a rut, here’s what I think about:

Surprise, surprise, it’s all about CONTEXT again!

Ok yes, you only have so many sexual acts and positions to work with. And not everyone wants to write all the kinks in the land, I know I don’t! But what is different every time is why your couple is having sex - what’s led to/inspired that moment and how are they coming into the scene. So I refer you back to the very first section - understand the scenario and mood you’re trying to create. You can stack the different acts however you like but the energy and emphasis and emotion your characters bring to that should inherently make it feel different each time.

If you want a real life example, check out the smut scenes in this mini series - they fuck in every chapter but each time the context and how the characters come into the scene is different, so (I hope!) the smut reads differently.

And finally

Do not underestimate the power of a little humour! Real life sex can be funny. It’s intimate and, lots of the time, with someone you are (or want to be) very close to. They are moments of physical and emotional connection. Let the people be people. Don’t make it all perfect all the time. Life isn’t like that! 🤍

Other useful resources

How to write smut by @youneedsomeprompts

Smut terminology study

Useful smut language/sound descriptors

Really good guide to smut terms

☕️ Found this helpful? Why not buy me a coffee? - Ko-Fi

Awesomely cute dividers by @firefly-graphics

[d3vildomc4kep0p]

How to write smut ?

(@urfriendlywriter | req by @rbsstuff @yourlocalmerchgirl anyone under the appropriate age, please proceed with caution :') hope this helps guys! )

writing smut depends on each person's writing style but i think there's something so gut-wrenchingly beautiful about smut when it's not very graphic and vivid. like., would this turn on a reader more?

"he kissed her, pulling her body closer to him."

or this?

"His lips felt so familiar it hurt her heart. His breathing had become more strained; his muscles tensed. She let herself sink into his embrace as his hands flattened against her spine. He drew her closer."

(Before proceeding further, these are all "in my opinion" what I think would make it better. Apply parts of the advice you like and neglect the aspects you do not agree with it. Once again I'm not saying you have to follow a certain type of style to write smut! Creative freedom exists for a reason!)

One may like either the top or the bottom one better, but it totally depends on your writing to make it work. Neither is bad, but the second example is more flattering, talking literally.

express one's sensory feelings, and the readers will automatically know what's happening.

writing, "her walls clenched against him, her breath hitching with his every thrust" is better than writing, "she was about to cum".

here are some vocabulary you can introduce in your writing:

whimpered, whispered, breathed lightly, stuttered, groaned, grunted, yearned, whined, ached, clenched, coaxed, cried out, heaved, hissed

shivering, shuddering, curling up against one's body, squirming, squirting, touching, teasing, taunting, guiding, kneeling, begging, pining, pinching, grinding,

swallowing, panting, sucking in a sharp breath, thrusting, moving gently, gripped, biting, quivering,

nibbling, tugging, pressing, licking, flicking, sucking, panting, gritting, exhaling in short breaths,

wet kisses, brushing soft kisses across their body (yk where), licking, sucking, teasing, tracing, tickling, bucking hips, forcing one on their knees

holding hips, guiding the one on top, moving aimlessly, mindlessly, sounds they make turn insanely beautiful, sinful to listen to

some adverbs to use: desperately, hurriedly, knowingly, teasingly, tauntingly, aimlessly, shamelessly, breathlessly, passionately, delicately, hungrily

he sighed with pleasure

her skin flushed

he shuddered when her body moved against his

he planted kisses along her jawline

her lips turned red, messy, kissed and flushed.

his hands were on his hair, pulling him.

light touches traveled down his back

words were coiled at his throat, coming out as broken sobs, wanting more

he arched his back, his breath quivering

her legs parted, sinking into the other's body, encircling around their waist.

+ mention the position, how they're being moved around---are they face down, kneeling, or standing, or on top or on bottom--it's really helpful to give a clear picture.

+ use lustful talk, slow seduction, teasing touches, erratic breathing, give the readers all while also giving them nothing. make them yearn but DO NOT PROLONG IT.

sources to refer to for more: (will be updated soon!)

[d3vildomc4kep0p]

to you, it’s a shitty sentence. to some random bitch 500 miles away, it’s a fire line that’ll haunt them for the next 17 years.

you don’t know how impactful your writing is because it’s been in your brain for far too long now. you’ve stared at it for hours and repeated “this sucks” over and over again to the point that you killed your capacity to feel anything about your work.

but trust me, once you get your shit out there, someone’s gonna go over that paragraph you hate and go “jesus fucking christ” and put the book down to have an existential crisis.

[d3vildomc4kep0p]

Why Writers Don't Finish Writing Their Stories, and How to Fix It

Hello fellow writers and storytellers,

The journey of writing a story is an exhilarating adventure, but it's not without its share of obstacles. Many of us have embarked on a creative endeavor, only to find ourselves mired in the struggle to finish what we started. In this blog post, I'll unravel the common reasons why writers don't finish their stories and explore practical strategies to overcome these hurdles and reignite the flame of creativity.

The Perils of Unfinished Stories

As writers, we often find ourselves in the throes of unfinished tales, grappling with the intricate web of characters, plots, and themes. There are several reasons why the ink dries up and the story remains untold. Let's shine a light on the familiar adversaries that stand between us and the triumphant completion of our narratives:

1. Lack of Planning:

Some of us brazenly dive into our stories without a clear roadmap, resulting in uncertainty about the direction of the plot and the fate of our characters. The lack of a solid plan can lead us astray, leaving our stories wandering in the wilderness of aimlessness.

2. Self-Doubt and Perfectionism:

Ah, the relentless whispers of self-doubt and the siren call of perfectionism! These twin adversaries can cast a shadow over our creative vision, compelling us to endlessly revise and perfect the early chapters, trapping us in a whirlpool of perpetual edits.

3. Time Management:

Balancing the demands of daily life with the ardor of writing can be akin to walking a tightrope. The struggle to find consistent time for our craft often leaves our stories languishing in prolonged periods of inactivity, longing for the touch of our pen.

4. Writer's Block:

The mighty barrier that even the most intrepid writers encounter. Writer's block can be an insurmountable mountain, leaving us stranded in the valleys of creative drought, unable to breathe life into new ideas and narratives.

5. Lack of Motivation:

The flame that once burned brightly can flicker and wane over time, leaving us adrift in the murky waters of disillusionment. The initial excitement for our stories diminishes, making it arduous to stay committed to the crafting process.

6. Fear of Failure or Success:

The twin specters that haunt many writers' dreams. The apprehension of rejection and the unsettling prospect of life-altering success can tether us to the shores of hesitation, preventing us from reaching the shores of completion.

7. Criticism and Feedback Anxiety:

The looming dread of judgment casts a long shadow over our creative endeavors. The mere thought of receiving criticism or feedback, whether from peers or potential readers, can cast a cloud over our storytelling pursuits.

8. Plotting Challenges:

Crafting a cohesive and engaging plot is akin to navigating a labyrinth without a map. Faced with hurdles in connecting story elements, we may find ourselves lost in a maze of plot holes and unresolved threads.

9. Character Development Struggles:

Breathing life into multi-dimensional, relatable characters is a complex art. The intricate process of character development can become a quagmire, ensnaring us in the challenge of creating personas that drive the story forward. (Part one of Character Development Series)

10. Life Events and Distractions:

Unexpected events in our personal lives can cast ripples on our writing routines, interrupting the flow of our creativity and causing a loss of momentum.

Rallying Against the Odds: Strategies for Success

Now that we've confronted the adversaries that threaten to stall our storytelling odysseys, let's arm ourselves with strategies to conquer these barriers and reignite the flames of our creativity.

Embrace the Power of Planning:

A clear roadmap illuminates the path ahead. Arm yourself with outlines, character sketches, and plot maps to pave the way for your story's journey.

Vanquish Self-Doubt with Action:

Silence the voices of doubt with the power of progress. Embrace the imperfect beauty of your early drafts, knowing that every word brings you closer to the finish line.

Mastering the Art of Time:

Carve out sacred writing time in your schedule. Whether it’s ten minutes or two hours, every moment dedicated to your craft is a step forward.

Conquering Writer's Block:

Embrace the freedom of imperfection. Write, even if the words feel like scattered puzzle pieces. The act of writing can unravel the most stubborn knots of writer's block.

Reigniting the Flame of Motivation:

Seek inspiration in the wonders of the world. Reconnect with the heart of your story, rediscovering the passion that set your creative spirit ablaze.

Reshaping Fear into Fuel:

Embrace the uncertainty as an integral part of the creative journey. Embrace the lessons within rejection and prepare for the winds of change that success may bring.

Navigating the Realm of Criticism:

Embrace feedback as a catalyst for growth. Constructive criticism is a powerful ally, shaping your story into a work of art that resonates with readers.

Weaving the Threads of Plot:

Connect the dots with fresh eyes. Step back and survey the tapestry of your plot, seeking innovative solutions to bridge the gaps and untangle the knots.

Breathing Life into Characters:

Engage with your characters as if they were old friends. Dive into their depths, unraveling their quirks, fears, and dreams, and watch as they breathe life into your story.

Navigating Life's Tempests:

Embrace the ebb and flow of life. Every pause in your writing journey is a chance to gather new experiences and perspectives, enriching your storytelling tapestry.

The Ever-Resting Pen: Harnessing the Power Within

Fellow writers, the journey of completing a story is filled with peaks and valleys, each offering us the opportunity to sharpen our resolve and unleash our creative potential. As we stand at the crossroads, staring at the canvas of unfinished tales, let's rally against the odds, armed with the power of purpose, passion, and perseverance.

Let the ink flow once more, breathing life into tales left untold, and watch as your stories triumphantly reach their long-awaited conclusion. You possess the power to conquer the adversaries that stand in your way, and within you lies the essence of untold narratives waiting to unfurl onto the page.

Here's to the journey that lies ahead, the stories waiting to be written, and the unyielding spirit of creativity that thrives within each of us.

Warm regards and unwavering encouragement, Ren T.

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Want some easy tip to make your characters 100% more believable??

I learned this some time ago, and wanted to share it because it has really helped me A LOT.

Think of your characters and imagine how they would be in their best moment and in their worst. But not like, happiest and darkest moment. Think of it as their healthiest and most toxic moments. Everyone is healthy sometimes and toxic sometimes. USE THAT. Write a about it, describe them and their actions in both situations.

Maybe you have a character that can be crazy possessive when toxic, but really supportive when healthy. Who knows?

Once you write that, chances are you already know how their gonna behave in almost any situation that pushes them to be healthier/ more toxic. Plus, you can also use it for your characters' positive/ negative arc or to develop relationships with other characters.

Happy writing!! 😙😙

Other tips for writers: next

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How to Write Sci-Fi Fantasy Books: Short Guide For Writers

Writing sci-fi fantasy books is an exciting journey into the world of imagination. It offers the author an opportunity to create new worlds, explore futuristic technologies, and delve into the complexities of magical systems. This blog post will guide you through the process of writing a compelling sci-fi fantasy book and help you avoid common pitfalls along the way.

Establish Your World

Your world is the stage on which your story unfolds. It needs to be richly detailed and logically consistent to make your readers believe in its existence. Start by defining the physical characteristics of your world, its history, culture, and societal norms. You can build your world from scratch or you can base it on existing real-world or fictional cultures. Remember, the world you create should serve your story and not the other way around.

Develop Your Characters

Characters are the heart of your story. They are the ones who make your readers care about what happens in your world. Your characters should be well-rounded, with their own strengths, weaknesses, hopes, and fears. You should know your characters inside out, including their backstories, even if it's not all revealed in the book. Also, remember that your characters don't have to be human. They can be aliens, magical beings, or sentient robots, to name a few.

Craft Your Plot

Your plot is the sequence of events that make up your story. It should be engaging, with conflicts and resolutions that keep your readers on the edge of their seats. Your plot should also be tightly woven with your world and characters. For instance, the challenges your characters face should be a direct result of the world you've created, and their actions and decisions should drive the plot forward. Also, don't forget to incorporate elements unique to the sci-fi and fantasy genres, such as advanced technology or magic.

Writing a sci-fi fantasy book is no easy task, but with careful planning and execution, it can be a rewarding experience. Remember to establish a solid world, develop compelling characters, and craft an engaging plot. Allow your imagination to soar, but also keep the rules of your world consistent. Lastly, enjoy the process and take pride in the unique world you've created. Happy writing!

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Want quick tips to add instant chemistry to the relationships of your characters??

(🥳With examples🥳)

First of all, I want to say that you can also use most of them for platonic/ non-romantic relationships, so feel free to use this tips however you think they might work better in your story. So, without further adue, let's get to the tips!!!

Make your characters LISTEN to each other. Like, if A tells B they're not a morning person, B could make some coffee for A or lower the volume of their alarm.

This might sound quite obvious, but show that you characters care for each other. It might be as simple as one of them giving the other a glass of water when they feel a little dizzy, but it works wonders!

Make your characters physically close. When you are emotionally close to someone, you tend to be physically close too. But here is the thing. Make your characters react like it's second nature: "how would I not hug B when I haven't seen them in days?" or "Of course I'm gonna take A's hand when I feel insecure".

They don't have to be constantly thinking about each other, but when they do, MAKE IT MATTER!! For example, character A is out shopping, and they see B's favorite cookies. B didn't have a good day, and A knows that. But A also knows B is gonna fucking love the cookies, so they buy some.

Let them believe and trust each other. Also applies if one of them is a little distrustful: let your characters rely on one another, even if at the start they aren't as comfortable doing it. For a distrustful character, letting the other one help with chores might be a HUGE thing.

Other tips for writers: previous | next

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how to go from daydream to draft:

begin by daydreaming as you normally do, or just after you've finished doing so. write down every thought you have. one after another. do not reread. do not stop for spelling mistakes. just dump out every thought. this is called stream of consciousness writing. you can do this for every scene you need a first draft for.

struggling to draft the scene? try to daydream about it. start thinking about how it would look, feel, what the characters would say, act it out in your head and then write out the stream of your thoughts as they arrive.

by now you have a few scene dumps. you may be tempted to go back and edit. do not do this expect for obvious spelling mistakes. do not read closely and start thinking "i need to rework this sentence." that is for later. now you're in the zone. draft more scenes. or work out what the next scene needs to be, scaffold it with a few comments. this will be the inspiration for your next deliberate thought stream that you will write out. repeat this process until you have the whole draft.

now that you have a draft or part of a draft you get to do this very fun thing called revise until you're happy. sweep through your draft with specific goals each time. one sweep to fix spelling/grammar. another for character voice. another for plot. repeat until you're happy with it.

leave it alone. just leave it for a bit. at least a few hours or days or even weeks. forget it exists. this will allow you come back with fresh eyes. then you can do your revisions with an eagle eye. now you may realize you need to add/remove scenes. you know how to get the first version down. close your eyes and daydream at your desk if that's what takes!

remember that fiction writing is persuasive writing. you are trying to persuade the reader to care about what happens next, the character's, the world, the feelings. as you're revising, consider whether you are persuaded. is the feeling/thoughts you wanted to provoke being felt by you when you read it? when working with beta readers, be sure to communicate what you're trying to convey so they can tell you if you've been successful or not.

this got a bit beyond getting the first draft done. hope you found it helpful.

bonus tip: check the spellings of names and places and other nouns that are not typically used, like the name of a magic tool!

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The greater the conflict and more important the goal, the more tension the chapter will have.

1) a goal your pov character wants to achieve.

2) a conflict your pov character has to work through

Good pacing should build from smaller, more personal goals with minor conflict towards large goals with great conflict, before dropping back to lesser goals/conflict once more, but never to a point of lacking both goals and conflict.

credit:@brynwrites

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If your plot feels flat, STUDY it! Your story might be lacking:

Stakes - What would happen if the protagonist failed? Would it really be such a bad thing if it happened?

Thematic Relevance- Do the events of the story speak to a greater emotional or moral message? Is the conflict resolved in a way that befits the theme?

Urgency - How much time does the protagonist have to complete their goal? Are there multiple factors complicating the situation?

Drive - What motivates the protagonist? Are they an active player in the story, or are they repeatedly getting pushed around by external forces? Could you swap them out for a different character with no impact on the plot? On the flip side, do the other characters have sensible motivations of their own?

Yield - Is there foreshadowing? Do the protagonist's choices have unforeseen consequences down the road? Do they use knowledge or clues from the beginning, to help them in the end? Do they learn things about the other characters that weren't immediately obvious?

credit:@cedar-west